Feel the passion of Adrian Coorte in our art prints.

Our art reproductions bring moments of comfort directly into your home.


Discover Artworks Now!


Österreichische Kunstmanufaktur

Feel the passion of Adrian Coorte in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Adrian Coorte
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of Adrian Coorte

These artworks are particularly popular with our customers.

Still Life with Wild Strawberrie...
1705 | Oil on paper on panel

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Bunch of Asparagus, 1703
1703 | oil on canvas

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Undated | paper panel oil paint (paint)

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Gooseberries on a Table, 1701
1701 | oil on paper, mounted on board

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The most popular works of Adrian Coorte

These artworks are particularly popular with our customers.

1703 | oil on canvas

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Undated | paper panel oil paint (paint)

Choose picture

1701 | oil on paper, mounted on board

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Discover more artworks by Adrian Coorte

Discover more artworks by Adrian Coorte

39 artworks found
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Adrian Coorte
Still Life with Asparagus and Re...
Undated |

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Adrian Coorte
Still Life with Five Apricots, 1704
1704 | oil on canvas

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Adrian Coorte
Stillleben mit Spargel und roten...
17th century | oil on canvas

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Adrian Coorte
stillife fruits
1698 | painting

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Adrian Coorte
Six Shells on a Stone Shelf, 1696
1696 | Oil on panel

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Adrian Coorte
Still Life of Asparagus, 1699 (o...
1699 | Oil on paper laid on panel

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Adrian Coorte
Still Life of Asparagus, 1699
1699 | oil painting

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Adrian Coorte
Wild Strawberries in a Chinese W...
1704 | oil on canvas

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Adrian Coorte
 
1683 | oil painting

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Adrian Coorte
Bunch of Grapes, 1705 (oil on pa...
1705 | Oil on paper on panel

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Adrian Coorte
Oriental Birds
Undated | oil on canvas

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Adrian Coorte
Still Life with Hazel-nuts, 1696...
Undated | oil on paper

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Adrian Coorte
Still Life with Asparagus, 1697
1697 | oil on panel

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Adrian Coorte
Still life with strawberries in ...
Undated |

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Adrian Coorte
A Bowl of Strawberries on a Ston...
1696 | oil on panel

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Adrian Coorte
Gooseberries on a Table, 1701.
Undated |

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Adrian Coorte
Wild strawberries on a ledge
1704 | Oil on panel

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Adrian Coorte
Stilleven met pot met aardbeien ...
1696 | Oil on cardboard

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Adrian Coorte
 
Undated | oil on paper mounted on wood

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Adrian Coorte
A Sprig of Gooseberries on a Sto...
1699 | oil on panel

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Adrian Coorte
 
1696 | oil painting

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Adrian Coorte
Peaches and apricots on a stone ...
Undated | oil on paper laid down on board

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Adrian Coorte
Three Peaches on a Stone Plinth ...
Undated | paper panel oil paint (paint)

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Adrian Coorte
 
Undated | oil paint (paint) paper panel

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Adrian Coorte
Strawberries and Gooseberries on...
Undated |

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Adrian Coorte
Four Apricots on a Stone Plinth ...
Undated | paper panel oil paint (paint)

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Adrian Coorte
Schelpen op een stenen plint
1698 | Oil on panel

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Adrian Coorte
A Bowl of Strawberries on a Ston...
Undated | paper panel oil paint (paint)

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Adrian Coorte
 
Undated | oil on canvas

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Adrian Coorte
A Sprig of Gooseberries on a Sto...
Undated | paper panel oil paint (paint)

Choose picture


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Adrian Coorte

The Baroque period was a feast for the senses. In painting, the genre of still life developed. The depiction of objects was not infrequently accompanied by visual extravagance. Society liked to show off what it had. Exotic food, shells as expensive collectibles and the most magnificent flowers of the gardens in the bouquet. Dutch painters such as Jan van Huysum and Jan Davisz de Heem catered to the desires of affluent customers with highly polished and stylish arrangements. Adrian Coorte provided a stark contrast to the ubiquitous splendor. To this day, art historians are trying to decipher the intention behind the simple and restrained presentation of his still lifes.

Adrian Coorte used painting substrates completely untypical for the Baroque period. The artist pasted paper on cardboard. Gladly the painter chose paper, which he took from old and no longer used account books. The formats of his works are exceptionally small. Many paintings are smaller than a school notebook and are the size of a postcard. Among the few points known from the artist's biography is his membership in the St. Luke's Guild. A circumstance that excludes economic reasons for the economical use of materials. Among historians, there is a theory that Coorte used his work to express criticism of society. As a medium for his voice, he used the familiar means of painting. At the same time, the Dutchman is considered an artist who explored the boundaries of art. His motifs are reduced to a single object. His interpretations of fruits and vegetables appear as if fresh from the market. Critics created the term asparagus and strawberry painter about the simplicity of his works.

Adrian Coorte's paintings form a quiet work that testifies to the great talent of the artist. He presents shells and fruits without showmanship. In the early works, the viewer finds the objects in an implied space. Coortes has placed the objects on simple slabs of stone. In later works, the space becomes more imaginary and arises only in the mind of the viewer. Adrian played with the limits of the surface. Just as a photographer uses the zoom of the lens, Coorte experimented with filling space and the effect on the viewer. Many still lifes work by their presence, capturing art lovers at a distance. Adrian Coorte's paintings want to be discovered. The viewer must approach you and can find the detailed secrets with which the artist immortalized himself. During his lifetime, the artist liked to emphasize the importance of the compositional pattern that can be seen in many early works. The plain that forms the background for grapes, peaches, asparagus spears and apricots is a recurring element. In the viewer, it triggers the feeling of offering and evokes the desire to grab. This was an important aspect for the painter in the commercial marketing of his art.

Adrian Coorte

The Baroque period was a feast for the senses. In painting, the genre of still life developed. The depiction of objects was not infrequently accompanied by visual extravagance. Society liked to show off what it had. Exotic food, shells as expensive collectibles and the most magnificent flowers of the gardens in the bouquet. Dutch painters such as Jan van Huysum and Jan Davisz de Heem catered to the desires of affluent customers with highly polished and stylish arrangements. Adrian Coorte provided a stark contrast to the ubiquitous splendor. To this day, art historians are trying to decipher the intention behind the simple and restrained presentation of his still lifes.

Adrian Coorte used painting substrates completely untypical for the Baroque period. The artist pasted paper on cardboard. Gladly the painter chose paper, which he took from old and no longer used account books. The formats of his works are exceptionally small. Many paintings are smaller than a school notebook and are the size of a postcard. Among the few points known from the artist's biography is his membership in the St. Luke's Guild. A circumstance that excludes economic reasons for the economical use of materials. Among historians, there is a theory that Coorte used his work to express criticism of society. As a medium for his voice, he used the familiar means of painting. At the same time, the Dutchman is considered an artist who explored the boundaries of art. His motifs are reduced to a single object. His interpretations of fruits and vegetables appear as if fresh from the market. Critics created the term asparagus and strawberry painter about the simplicity of his works.

Adrian Coorte's paintings form a quiet work that testifies to the great talent of the artist. He presents shells and fruits without showmanship. In the early works, the viewer finds the objects in an implied space. Coortes has placed the objects on simple slabs of stone. In later works, the space becomes more imaginary and arises only in the mind of the viewer. Adrian played with the limits of the surface. Just as a photographer uses the zoom of the lens, Coorte experimented with filling space and the effect on the viewer. Many still lifes work by their presence, capturing art lovers at a distance. Adrian Coorte's paintings want to be discovered. The viewer must approach you and can find the detailed secrets with which the artist immortalized himself. During his lifetime, the artist liked to emphasize the importance of the compositional pattern that can be seen in many early works. The plain that forms the background for grapes, peaches, asparagus spears and apricots is a recurring element. In the viewer, it triggers the feeling of offering and evokes the desire to grab. This was an important aspect for the painter in the commercial marketing of his art.





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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Meisterdrucke
Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
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