Feel the passion of Anthony Frederick Augustus Sandys in our art prints.

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Feel the passion of Anthony Frederick Augustus Sandys in our art prints.

Our art reproductions bring moments of comfort directly into your home.

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Anthony Frederick Augustus Sandys
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of Anthony Frederick Augustus Sandys

These artworks are particularly popular with our customers.

Love"s Shadow, c.1867
Undated | oil on panel

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Undated | oil on panel

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1866 | Oil on panel

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Cassandra
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The most popular works of Anthony Frederick Augustus Sandys

These artworks are particularly popular with our customers.

Undated | oil on panel

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Undated | oil on panel

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1866 | Oil on panel

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Undated | Watercolor on paper

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Discover more artworks by Anthony Frederick Augustus Sandys

Discover more artworks by Anthony Frederick Augustus Sandys

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Anthony Frederick Augustus Sandys
Mary Magdalene, c.1858-60 (oil o...
Undated | oil on panel

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Berenice, Queen of Egypt
Undated | oil on canvas

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
King Pelles' Daughter bearing th...
1861 | oil on wood

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Anthony Frederick Augustus Sandys
Charles Augustus Howell, 1882 (c...
1882 | coloured chalk on pale blue paper

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Miranda, 1868
1868 | Oil on panel

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
La Belle Isolde, 1862 (panel)
1862 | oil on panel

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
 
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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Penelope, 1878 (coloured chalk o...
1878 | coloured chalk on paper

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Grace Rose, 1866
1866 | Oil on panel

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
 
Undated | oil on panel

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Portrait of Miss Adele Donaldson...
1897 | pencil and chalk on paper

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Anthony Frederick Augustus Sandys
Pheasant and Greyhen Hybrid (wat...
Undated | watercolour on paper

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Gentle Spring, 19th century
Undated | oil on canvas

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Mary Magdalene, 1862
1862 | oil on canvas

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Portrait of a Lady, probably Ann...
1860 | Oil on panel

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Anthony Frederick Augustus Sandys
Mrs Sandys, the artist"s mother,...
1845 | oil on canvas

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Robert Browning (1812-89), 1881 ...
1881 | pencil and coloured chalk on grey green paper

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Jealousy (chalk und pencil on bo...
Undated | chalk and pencil on board

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Alcestis: A portrait of Lady Don...
1877 | pastel

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Anthony Frederick Augustus Sandys
The Kings Daughter
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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
The Laurel Wreath, 1902 (coloure...
1902 | coloured chalks on pale blue paper

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Portrait of Adelaide Mary, Mrs P...
1859 | oil on wood

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Anthony Frederick Augustus Sandys
Red Rose and White, 1867 (chalk ...
1867 | chalk on paper

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
 
Undated | oil on canvas

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
 
Undated | oil on canvas

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Perdita c.1866
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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
The White Mayde of Avenel, 1902
1902 | watercolour and pencil on paper

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Self-Portrait in a broad-brimmed...
1848 | Oil on cardboard

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Anthony Frederick Augustus Sandys
Harald Harfagr (d.c.940)
Undated | woodcut on paper

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Proud Maisie (drawing)
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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Head of Emma Sandys (coloured ch...
Undated | coloured chalk on buff paper

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Marie Meredith, 1894 (coloured c...
1894 | coloured chalks on paper

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Mary Sandys (1845-1920), c.1871-...
Undated | coloured chalks on buff paper

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Anthony Frederick Augustus Sandys
Study for St. George (pencil und...
Undated | pencil and grey wash heightened with white

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Head of a Man, 1904 (coloured ch...
1904 | coloured chalks

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
A Nightmare (zincotype)
Undated | zincotype

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
St George for Merrie England - S...
1880 | black, red and white chalk on paper

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Anthony Frederick Augustus Sandys
Autumn, 1860
1860 | oil on canvas

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
An Ideal Head (pencil and chalk ...
Undated | pencil and chalk on paper

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Darby, a Yorkshire Terrier (oil ...
Undated | oil on panel

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Until her death
1862 | Ink on paper

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
 
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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Proud Maisie, 1893, (pencil und ...
1893 | pencil and red chalk on paper

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Study for Girl with Doves (penci...
Undated | pencil and coloured chalks on paper

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
 
Undated | woodcut on paper

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
 
1866 | Oil on panel

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Death of King Warwulf, pub. 1915...
Undated | engraving

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
 
Undated | woodcut on paper

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Portrait of Mrs. Sandys, the art...
Undated | oil on panel

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Anthony Frederick Augustus Sandys
Dion William Palgrave Clayton Ca...
Undated | pencil and coloured chalks on blue-green paper

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Anthony Frederick Augustus Sandys
Portrait of a mother and her two...
Undated | pencil, coloured chalks and watercolour

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Anthony Frederick Augustus Sandys
Queen Eleanor, wife of King Henr...
Undated | oil on canvas

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Anthony Frederick Augustus Sandys
Ideal head (chalk on paper)
Undated | chalk on paper

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Proud Maisie, 1903 (pencil and r...
1903 | pencil and red chalk on paper

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
John Richard Green, engraved by ...
Undated | engraving

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Anthony Frederick Augustus Sandys
Unbekanntes Bild
1864 |

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
May, 1902 (coloured pencil) (one...
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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
 
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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
 
Undated | coloured chalks and pencil on paper

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Design for "If", 1866
1866 | pen and black ink over pencil on paper

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
 
Undated |

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
 
1860 | oil on canvas

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Portrait of a lady, head and sho...
1860 | oil on panel

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Anthony Frederick Augustus Sandys
 
Undated | oil on panel

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Whitlingham, Norfolk, 1860
1860 | oil on canvas

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Unbekanntes Bild
Undated |

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
 
Undated | woodcut on paper

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
 
Undated |

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Anthony Frederick Augustus Sandys
 
Undated | coloured chalks on pale blue paper

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Anthony Frederick Augustus Sandys
 
Undated | woodcut on paper

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
Matthew Arnold, 1881
1881 | engraving

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
 
Undated |

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
 
Undated |

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
 
Undated | woodcut on paper

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
 
Undated | coloured chalks on blue paper

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
 
Undated | pencil

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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
 
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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
 
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Anthony Frederick Augustus Sandys
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Anthony Frederick Augustus Sandys
The Tangled Skein (pencil on paper)
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Page 1 / 1



Anthony Frederick Augustus Sandys

Anthony Frederick Augustus Sandys

  May 1, 1829
  June 25, 1904
   •   Victorian Art   •   Wikipedia: Anthony Frederick Augustus Sandys

The British artist Anthony Frederick Augustus Sandys was a painter of the Victorian age. Born the son of Anthony Sands, who was also a painter, the painter gave his son his first art lessons in addition to his birth name. The son took up art, changing his name to Frederick Sandys. Frederick early showed a marked talent for drawing, and his first steps were accompanied by great care in execution. Frederick was born in Norwich and attended the local schools. After graduating from the School of Art and Design in , Frederick was just seventeen years old.

The Norwich Art of Painters was the first art movement to form outside of the major artistic centers in England. The grouping of artists had their models in Dutch landscape painting of the Golden Age. The painters found their inspiration in the rural idyll of the Norwich area. Among the artists of the inner circle was John Crome, who mentored the young Frederick Sandys and helped him to continue his artistic path. Frederick Sandys devoted his first creative period to landscape painting, which was representative of the group of artists. A generous collector bought up almost all the paintings of the regional painters. Only a few works were shown in exhibitions and the painters achieved only regional notoriety. For Frederick Sandys, this was probably one of the reasons for breaking away from the group, without ever completely abandoning the connection. The good relationship with his teacher in particular accompanied Frederick throughout his successful career.

Frederick Sandys developed a style of drawing that was based on the art of the 15th century. His precision in elaboration was particularly evident in his illustrations and his portraits. In the kingdom, a new group of artists had made a name for themselves. The Pre-Raphaelites were looking for a way back to nature. Sandys had little contact with the group of artists at the beginning. This changed after an encounter with Dante Gabriel Charles Rossetti. Sandys became closer to the Pre-Raphaelites and is now considered the most important graphic artist of the group. The influence can be seen in the portraits Frederick Sandys produced. In addition to the bright and lively color scheme, Sandys reduces the images of the female figures to the ideal of beauty of the Victorian age. The women are beautiful, sporting long hair and evoking the characters that Shakespeare and Keats brought to life. They are portraits that could have stepped out of a world of myth and legend. Theodor Fontane once described the Pre-Raphaelites as painters who bring back to us the silver lining of art. Painters who wished to paint a reality that they themselves had created.

Anthony Frederick Augustus Sandys

Anthony Frederick Augustus Sandys
  May 1, 1829
  June 25, 1904
   •   Victorian Art   •   Wikipedia: Anthony Frederick Augustus Sandys

The British artist Anthony Frederick Augustus Sandys was a painter of the Victorian age. Born the son of Anthony Sands, who was also a painter, the painter gave his son his first art lessons in addition to his birth name. The son took up art, changing his name to Frederick Sandys. Frederick early showed a marked talent for drawing, and his first steps were accompanied by great care in execution. Frederick was born in Norwich and attended the local schools. After graduating from the School of Art and Design in , Frederick was just seventeen years old.

The Norwich Art of Painters was the first art movement to form outside of the major artistic centers in England. The grouping of artists had their models in Dutch landscape painting of the Golden Age. The painters found their inspiration in the rural idyll of the Norwich area. Among the artists of the inner circle was John Crome, who mentored the young Frederick Sandys and helped him to continue his artistic path. Frederick Sandys devoted his first creative period to landscape painting, which was representative of the group of artists. A generous collector bought up almost all the paintings of the regional painters. Only a few works were shown in exhibitions and the painters achieved only regional notoriety. For Frederick Sandys, this was probably one of the reasons for breaking away from the group, without ever completely abandoning the connection. The good relationship with his teacher in particular accompanied Frederick throughout his successful career.

Frederick Sandys developed a style of drawing that was based on the art of the 15th century. His precision in elaboration was particularly evident in his illustrations and his portraits. In the kingdom, a new group of artists had made a name for themselves. The Pre-Raphaelites were looking for a way back to nature. Sandys had little contact with the group of artists at the beginning. This changed after an encounter with Dante Gabriel Charles Rossetti. Sandys became closer to the Pre-Raphaelites and is now considered the most important graphic artist of the group. The influence can be seen in the portraits Frederick Sandys produced. In addition to the bright and lively color scheme, Sandys reduces the images of the female figures to the ideal of beauty of the Victorian age. The women are beautiful, sporting long hair and evoking the characters that Shakespeare and Keats brought to life. They are portraits that could have stepped out of a world of myth and legend. Theodor Fontane once described the Pre-Raphaelites as painters who bring back to us the silver lining of art. Painters who wished to paint a reality that they themselves had created.





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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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