Feel the passion of Battista Agnese in our art prints.

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Österreichische Kunstmanufaktur

Feel the passion of Battista Agnese in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Battista Agnese
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of Battista Agnese

These artworks are particularly popular with our customers.

Zodiac Calendar, from an Atlas o...
1553 | ink on vellum

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The Indian Ocean, from an Atlas ...
1553 | ink on vellum

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The New World, from an Atlas of ...
1553 | ink on vellum

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Discover more artworks by Battista Agnese

Discover more artworks by Battista Agnese

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Battista Agnese
Map of the Black Sea including p...
Undated |

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Battista Agnese
Mount Sinai and the Red Sea, fro...
1553 | ink on vellum

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Battista Agnese
Map of Magellan's Voyage Around ...
Undated | manuscript on vellum

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Battista Agnese
Ethiopia, the Red Sea and Saudi ...
1553 | ink on vellum

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Battista Agnese
The Continent of Europe, from an...
1553 | ink on vellum

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Battista Agnese
World map tracing Magellan's wor...
Undated | engraving

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Battista Agnese
The Continent of Africa, from an...
1553 | ink on vellum

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Battista Agnese
A double-page map of the Atlanti...
1544 | illuminated manuscript on vellum

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Battista Agnese
South America, from an Atlas of ...
1553 | ink on vellum

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Battista Agnese
The Pacific Ocean, from an Atlas...
1553 | ink on vellum

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Battista Agnese
The Middle East, from an Atlas o...
1553 | ink on vellum

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Battista Agnese
Northern Europe, from an Atlas o...
1553 | ink on vellum

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Battista Agnese
The Sea of Galilee, from an Atla...
1553 | ink on vellum

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Battista Agnese
Moschoviae Tabula, map of Russia...
Undated | manuscript

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Battista Agnese
The Holy Land, from an Atlas of ...
1553 | ink on vellum

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Battista Agnese
Italy, from an Atlas of the Worl...
1553 | ink on vellum

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Battista Agnese
Nile river delta, Red Sea and Mo...
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Battista Agnese
Central America, from an Atlas o...
1553 | ink on vellum

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Battista Agnese
Madagascar, from an Atlas of the...
1553 | ink on vellum

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Battista Agnese
Europe and Central Asia, from an...
1553 | ink on vellum

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Battista Agnese
Detail from Europe and Central A...
1553 | ink on vellum

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Battista Agnese
India and Malaysia, from an Atla...
1553 | ink on vellum

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Battista Agnese
The Kingdoms of England and Scot...
1553 | ink on vellum

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Battista Agnese
Iceland, from an Atlas of the Wo...
1553 | ink on vellum

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Battista Agnese
Africa: Egypt and Saudi Arabia, ...
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Battista Agnese
Holy Land, Israel and Palestine:...
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Battista Agnese
Holy Land, Israel and Palestine:...
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Battista Agnese
Navigation chart showing China, ...
Undated | vellum

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Battista Agnese
Part of Africa, from an Atlas of...
1553 | ink on vellum

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Battista Agnese
Zodiac as spheres with the earth...
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Battista Agnese
Nile river delta, Red Sea and Mo...
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Battista Agnese
The Indian Ocean and part of Asi...
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Battista Agnese
Holy Land, Israel and Palestine,...
Undated |

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Battista Agnese
The Indian Ocean and part of Asi...
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Battista Agnese
Map of Northern Europe, from Por...
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Battista Agnese
Eastern Europe and Central Asia:...
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Battista Agnese
The Indian Ocean and part of Asi...
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Battista Agnese
Africa, Europe and part of Ameri...
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Battista Agnese
Africa, Europe and part of Ameri...
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Battista Agnese
Fos. 11v-12r Chart 3: Indian Oce...
Undated | pen and ink and tempera on vellum

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Battista Agnese
Eastern Europe and Central Asia,...
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Battista Agnese
Africa, Europe and part of Ameri...
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Battista Agnese
Europe, from Atlas of the World ...
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Battista Agnese
Italy, from Atlas of the World i...
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Battista Agnese
The Indian Ocean and part of Asi...
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Battista Agnese
The Indian Ocean and part of Asi...
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Battista Agnese
Africa, from Atlas of the World ...
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Battista Agnese
Europe: Great Britain and Irelan...
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Battista Agnese
Eger. 2854. f.14v-15 Hemispheric...
Undated | vellum

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Battista Agnese
Northern Europe: Iceland, from A...
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Battista Agnese
Eastern Mediterranean and Aegean...
1550 | Unknown

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Battista Agnese
Northern Europe, from Atlas of t...
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Battista Agnese
Oval planisphere of the world sh...
Undated | vellum

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Battista Agnese
 
Undated | vellum

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Battista Agnese
 
Undated | vellum

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Battista Agnese
 
Undated | vellum

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Battista Agnese
 
Undated | vellum

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Battista Agnese
 
Undated | vellum

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Battista Agnese
Map of 'Das Heilige Land' 1554 [...
Undated | vellum

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Battista Agnese
Vellum chart of Cyprus
Undated | vellum

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Battista Agnese
 
Undated | vellum

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Battista Agnese
 
Undated | vellum

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Battista Agnese
 
Undated | vellum

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Battista Agnese
 
Undated | vellum

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Page 1 / 1



Battista Agnese

  1500
  1564
   •   Nonclassified artists   •   Wikipedia: Battista Agnese

From about the 10th century onwards, Venice was one of the determining great trading powers of the Mediterranean - and thus of the 'western', the European world. It is easy to see that maritime navigation and cartography were existential for a maritime republic like Venice - about as important as the proverbial 'German engineering' was for Germany from the end of the 19th century. Battista Agnese is one of the most important cartographers in late medieval Venice - and yet already one whose works illustrate the end of Venice's supremacy. And one about whom little is known, although there was no shortage of official or private notes in the 16th century. All that is known about him is what he himself noted on his maps between 1536 and 1564. He was born around 1500 in Genoa, the former great power in the western Mediterranean, and worked in Venice from about 1515 until his death around 1564. His workshop - the production sites were distributed in Venice, Mallorca, Lisbon and Seville - is considered the most productive of the time. More than a thousand maps have been preserved, manuscripts, individual nautical charts (portolans) and atlases with up to 30 sheets spread all over Europe. Although printing technology for reproduction existed even then, Agnese's maps were intricately hand-painted parchments.

The cards have since been meticulously studied, and it has been found, for example, that namings can be assigned to a particular hand, symbols again to another hand. Agnese must have employed specialized calligraphers and experts for the colored or golden decorations and illustrations. The dimensions and shape of land and sea were already relatively accurate at that time, despite some distortions, but there is no grid of longitude and latitude, but a confusing network of lines radiating from sixteen ray centers to the edge of the map, which were used to determine direction and course.

Agneses nautical charts include information on countries, coasts, and port cities (hence the name "portolane") in addition to the chart itself. They were supplemented and updated over time with new incoming information from merchants and sailors. Thus, from the end of the 15th century, with Columbus' Atlantic crossing and Magellan's circumnavigation of the globe, the "map horizon", the mapping of the known land masses and their coasts, moved beyond the "rim" of the Mediterranean into the vastness of the West. Battista Agnese even dedicated a separate sheet to Magellan's circumnavigation, a world map showing Magellan's itinerary. Unexplored land is blurred and nebulous on world maps, and only slowly do the outlines of the just-discovered continents take shape. Thus, southern California is missing from Agnese's early maps, only to gradually take shape as a peninsula. Battista Agnese's Venice, however, a major trading power in the Mediterranean, had to be the big loser of this development, because now trade shifted westward to the Atlantic - just as for about a hundred years the Atlantic riparians have been losing importance to the countries on the Pacific.

Battista Agnese

  1500
  1564
   •   Nonclassified artists   •   Wikipedia: Battista Agnese

From about the 10th century onwards, Venice was one of the determining great trading powers of the Mediterranean - and thus of the 'western', the European world. It is easy to see that maritime navigation and cartography were existential for a maritime republic like Venice - about as important as the proverbial 'German engineering' was for Germany from the end of the 19th century. Battista Agnese is one of the most important cartographers in late medieval Venice - and yet already one whose works illustrate the end of Venice's supremacy. And one about whom little is known, although there was no shortage of official or private notes in the 16th century. All that is known about him is what he himself noted on his maps between 1536 and 1564. He was born around 1500 in Genoa, the former great power in the western Mediterranean, and worked in Venice from about 1515 until his death around 1564. His workshop - the production sites were distributed in Venice, Mallorca, Lisbon and Seville - is considered the most productive of the time. More than a thousand maps have been preserved, manuscripts, individual nautical charts (portolans) and atlases with up to 30 sheets spread all over Europe. Although printing technology for reproduction existed even then, Agnese's maps were intricately hand-painted parchments.

The cards have since been meticulously studied, and it has been found, for example, that namings can be assigned to a particular hand, symbols again to another hand. Agnese must have employed specialized calligraphers and experts for the colored or golden decorations and illustrations. The dimensions and shape of land and sea were already relatively accurate at that time, despite some distortions, but there is no grid of longitude and latitude, but a confusing network of lines radiating from sixteen ray centers to the edge of the map, which were used to determine direction and course.

Agneses nautical charts include information on countries, coasts, and port cities (hence the name "portolane") in addition to the chart itself. They were supplemented and updated over time with new incoming information from merchants and sailors. Thus, from the end of the 15th century, with Columbus' Atlantic crossing and Magellan's circumnavigation of the globe, the "map horizon", the mapping of the known land masses and their coasts, moved beyond the "rim" of the Mediterranean into the vastness of the West. Battista Agnese even dedicated a separate sheet to Magellan's circumnavigation, a world map showing Magellan's itinerary. Unexplored land is blurred and nebulous on world maps, and only slowly do the outlines of the just-discovered continents take shape. Thus, southern California is missing from Agnese's early maps, only to gradually take shape as a peninsula. Battista Agnese's Venice, however, a major trading power in the Mediterranean, had to be the big loser of this development, because now trade shifted westward to the Atlantic - just as for about a hundred years the Atlantic riparians have been losing importance to the countries on the Pacific.





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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

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Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
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