| Born | October 10, 1738 (Springfield Township) |
| Died | March 11, 1820 (London) at the age of 81 |
| Nationality | United States of America |
| Epochs | Classicism, Romanticism, American Art |
| Genre | history painting, portrait, religious art, mythological painting |
| Profession | painter, architectural drafter |
| Family | Father: John West Mother: Sarah Pearson Spouse: Elizabeth Shewell Child: Raphael West, Benjamin West |
| Student | William Charles Ross, William Alfred Delamotte, John Trumbull |
| Memberships | Royal Academy of Arts, American Academy of Arts and Sciences, Académie des beaux-arts, American Philosophical Society |
| Notable works | General Johnson Saving a Wounded French Officer from the Tomahawk of a North American Indian (1764), Tod des Generals Wolfe (1770), Vertrag von Paris (Gemälde) (1783), The Death of Nelson (1806), Benjamin Franklin Drawing Electricity from the Sky (1816) |
| Museums | Yale Center for British Art, Art Institute of Chicago, National Gallery of Art, Princeton University Art Museum, Metropolitan Museum of Art |
Benjamin West was born in Springfield, Pennsylvania. He is one of the first internationally renowned American artists. In his American homeland he initially painted mainly portraits. When his patron William Allen financed a trip to Italy for him, he was able to visit Rome in 1760 and copied paintings of Tizian and Raffael. In 1763 he settled in London, where he became a founding member of the Royal Academy of Arts. After the death of the first president, he presided over the Academy until the end of his life.
West is one of the earliest painters of classicist history paintings. When his painting "The Death of General James Wolfe in Quebec" was exhibited at the Royal Academy in 1771, it caused a sensation and an unprecedented influx of visitors. Soon copies of the painting were sold in large numbers in the form of engravings. Instead of antiquating the 1759 scene depicted by means of vestments and poses, as contemporaries advised him, West transposed the historical circumstances into his painting in an accurately documented manner. He called this technique, which he also continued in "Death of Nelson" and "William Penn's Treaty with the Indians in November 1683", an "epic representation".
West was commissioned with portraits of the British royal family, received an annual salary of £1000 as the official history painter of the royal house and managed the royal collection of paintings until his death in 1820.
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| Born | October 10, 1738 (Springfield Township) |
| Died | March 11, 1820 (London) at the age of 81 |
| Nationality | United States of America |
| Epochs | Classicism, Romanticism, American Art |
| Genre | history painting, portrait, religious art, mythological painting |
| Profession | painter, architectural drafter |
| Family | Father: John West Mother: Sarah Pearson Spouse: Elizabeth Shewell Child: Raphael West, Benjamin West |
| Student | William Charles Ross, William Alfred Delamotte, John Trumbull |
| Memberships | Royal Academy of Arts, American Academy of Arts and Sciences, Académie des beaux-arts, American Philosophical Society |
| Notable works | General Johnson Saving a Wounded French Officer from the Tomahawk of a North American Indian (1764), Tod des Generals Wolfe (1770), Vertrag von Paris (Gemälde) (1783), The Death of Nelson (1806), Benjamin Franklin Drawing Electricity from the Sky (1816) |
| Museums | Yale Center for British Art, Art Institute of Chicago, National Gallery of Art, Princeton University Art Museum, Metropolitan Museum of Art |
Benjamin West was born in Springfield, Pennsylvania. He is one of the first internationally renowned American artists. In his American homeland he initially painted mainly portraits. When his patron William Allen financed a trip to Italy for him, he was able to visit Rome in 1760 and copied paintings of Tizian and Raffael. In 1763 he settled in London, where he became a founding member of the Royal Academy of Arts. After the death of the first president, he presided over the Academy until the end of his life.
West is one of the earliest painters of classicist history paintings. When his painting "The Death of General James Wolfe in Quebec" was exhibited at the Royal Academy in 1771, it caused a sensation and an unprecedented influx of visitors. Soon copies of the painting were sold in large numbers in the form of engravings. Instead of antiquating the 1759 scene depicted by means of vestments and poses, as contemporaries advised him, West transposed the historical circumstances into his painting in an accurately documented manner. He called this technique, which he also continued in "Death of Nelson" and "William Penn's Treaty with the Indians in November 1683", an "epic representation".
West was commissioned with portraits of the British royal family, received an annual salary of £1000 as the official history painter of the royal house and managed the royal collection of paintings until his death in 1820.