Search by artist, work title or style – e.g. Monet, Starry Night, Impressionism, Hokusai wave, nude. Describe the scene – e.g. green meadow, abstract with lots of red, dark oil painting, standing nude next to a tree.

Feel the passion of Edwin Austin Abbey in our art prints.

Our art reproductions bring moments of comfort directly into your home.


Discover Artworks Now!
Österreichische Kunstmanufaktur

Feel the passion of Edwin Austin Abbey in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Edwin Austin Abbey
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Edwin Austin Abbey

Edwin Austin Abbey

Edwin Austin Abbey, born in Philadelphia on April 1, 1852, was an artist whose career unfolds before us like a colorful painting. His artistic development began with simple illustrations for magazines such as Harper's Weekly and Scribner's Magazine. His creative line was influenced by European black and white art, and his skills grew visibly as he illustrated the works of Charles Dickens, Robert Herrick, and Oliver Goldsmith. With these works, Abbey proved that he was as skilled with a pen as other artists were with a brush.

In 1878, at the request of his employers, Abbey moved to England to illustrate the poetry of Robert Herrick. His illustrations were so successful that he eventually settled in England. In 1883, he was elected to the prestigious Royal Institute of Painters in Water-Colors. It was around this time that Abbey began to become known for his paintings as well. His watercolor "The Evil Eye" and other works such as "The Rose in October," "An Old Song," "The Visitors," and "The Jongleur" have lost none of their original magic to this day. Abbey also created wonderful pastels such as "Beatrice," "Phyllis," and "Two Noble Kinsmen," which demonstrate his extraordinary ability to master the gentle tones of this technique. Abbey first showcased his skills with oils in 1890 with his painting "A May Day Morn." His participation in the Royal Academy in London marked an important milestone in his career. Equally notable was his commission of the painting for the coronation of King Edward VII in 1901, which earned him well-deserved recognition.

The 1890s took Abbey to the Boston Public Library, where he created an impressive series of murals. The series, depicting "The Quest and Attainment of the Holy Grail," was a massive undertaking that took Abbey eleven years to complete in his English studio. It was a true masterpiece that continues to impress visitors to the library today with its ingenuity and perfect craftsmanship. An art print of one of his works from this series would certainly enhance any home or office. Another project Abbey undertook was the creation of a series of murals and artwork for the Pennsylvania State Capitol in Harrisburg, Pennsylvania. This ambitious project, begun in 1908, presented the ultimate challenge to his artistic abilities. Unfortunately, his health deteriorated at this time and he was unable to complete all of the works himself. Edwin Austin Abbey left an impressive artistic legacy. His works are exhibited in many prestigious museums, including the Metropolitan Museum of Art in New York and the Museum of Fine Arts in Boston. Although Abbey is no longer with us, his presence remains in the masterpieces he left behind. He is proof that true art can transcend time and space, touching the hearts and souls of people long after the artist's death.

Edwin Austin Abbey

    Illustration   •   Wikipedia: Edwin Austin Abbey Edwin Austin Abbey

Edwin Austin Abbey, born in Philadelphia on April 1, 1852, was an artist whose career unfolds before us like a colorful painting. His artistic development began with simple illustrations for magazines such as Harper's Weekly and Scribner's Magazine. His creative line was influenced by European black and white art, and his skills grew visibly as he illustrated the works of Charles Dickens, Robert Herrick, and Oliver Goldsmith. With these works, Abbey proved that he was as skilled with a pen as other artists were with a brush.

In 1878, at the request of his employers, Abbey moved to England to illustrate the poetry of Robert Herrick. His illustrations were so successful that he eventually settled in England. In 1883, he was elected to the prestigious Royal Institute of Painters in Water-Colors. It was around this time that Abbey began to become known for his paintings as well. His watercolor "The Evil Eye" and other works such as "The Rose in October," "An Old Song," "The Visitors," and "The Jongleur" have lost none of their original magic to this day. Abbey also created wonderful pastels such as "Beatrice," "Phyllis," and "Two Noble Kinsmen," which demonstrate his extraordinary ability to master the gentle tones of this technique. Abbey first showcased his skills with oils in 1890 with his painting "A May Day Morn." His participation in the Royal Academy in London marked an important milestone in his career. Equally notable was his commission of the painting for the coronation of King Edward VII in 1901, which earned him well-deserved recognition.

The 1890s took Abbey to the Boston Public Library, where he created an impressive series of murals. The series, depicting "The Quest and Attainment of the Holy Grail," was a massive undertaking that took Abbey eleven years to complete in his English studio. It was a true masterpiece that continues to impress visitors to the library today with its ingenuity and perfect craftsmanship. An art print of one of his works from this series would certainly enhance any home or office. Another project Abbey undertook was the creation of a series of murals and artwork for the Pennsylvania State Capitol in Harrisburg, Pennsylvania. This ambitious project, begun in 1908, presented the ultimate challenge to his artistic abilities. Unfortunately, his health deteriorated at this time and he was unable to complete all of the works himself. Edwin Austin Abbey left an impressive artistic legacy. His works are exhibited in many prestigious museums, including the Metropolitan Museum of Art in New York and the Museum of Fine Arts in Boston. Although Abbey is no longer with us, his presence remains in the masterpieces he left behind. He is proof that true art can transcend time and space, touching the hearts and souls of people long after the artist's death.

Artworks by Edwin Austin Abbey

Artworks by Edwin Austin Abbey

1482 artworks found
Sorting

Filter settings

Display settings
1.482 artworks found

Edwin Austin Abbey
Who Is Sylvia What Is She, That ...
1896 | oil on canvas

Choose picture

Edwin Austin Abbey
 
Undated | Pen and ink over graphite underdrawing, on composition board

Choose picture

Edwin Austin Abbey
Sheet of sketches: two nude fema...
Undated | Graphite and watercolor on cream wove

Choose picture

Edwin Austin Abbey
Olivia and Viola, illustration f...
Undated | Pen and ink on composition board

Choose picture

Edwin Austin Abbey
Sketch of Continental Iron Works...
Undated | Graphite, Green wove

Choose picture

Edwin Austin Abbey
Study for the figure of 4 am(?) in
Undated | Black and white chalks, Green laid

Choose picture

Edwin Austin Abbey
 
Undated | Pen and ink, Cream wove

Choose picture

Edwin Austin Abbey
 
Undated | Gouache, Composition board

Choose picture

Edwin Austin Abbey
Sketch of a male nude (studio dr...
Undated | Graphite, black chalk, black ink and wash

Choose picture

Edwin Austin Abbey
Study for figure of 11 pm(?) in
Undated | Graphite, cream wove

Choose picture

Edwin Austin Abbey
Goneril and Regan in King Lear A...
1902 | oil on canvas

Choose picture

Edwin Austin Abbey
 
Undated | Ink wash over graphite underdrawing, heightened with white gouache, on Academy board

Choose picture

Edwin Austin Abbey
Study of an angel (for stained g...
Undated | Graphite, Wove

Choose picture

Edwin Austin Abbey
King Lear, Act I, Scene I, 1898.
Undated |

Choose picture

Edwin Austin Abbey
Fishmonger, costume sketch for H...
Undated | Watercolor, charcoal, graphite, with fabric, White wove

Choose picture

Edwin Austin Abbey
Hamlet:
Undated | Opaque and transparent watercolor with graphite underdrawing on superfine London white wove paper,overall adhered to two layers of 4 ply cardboard, framed and glazed( gold frame)

Choose picture
Edwin Austin Abbey
Choose picture


Edwin Austin Abbey
 
Undated | oil on canvas

Choose picture

Edwin Austin Abbey
O Mistress Mine, where are you r...
1899 |

Choose picture

Edwin Austin Abbey
King Lear, Act I, Scene I, Corde...
Undated | gouache over photograph

Choose picture

Edwin Austin Abbey
Duke Frederick:
Undated | Pen and ink on composition board

Choose picture

Edwin Austin Abbey
Joseph of Arimathea, Figure stud...
Undated | Charcoal on blue paper

Choose picture

Edwin Austin Abbey
Brutus and the Ghost of Julius C...
Undated | colour lithograph

Choose picture

Edwin Austin Abbey
Woman seated beneath a tree, rea...
Undated | Graphite, watercolor, Green-grey wove

Choose picture

Edwin Austin Abbey
Three men, study for Taming of t...
Undated | Black and white chalks, Brown wove

Choose picture

Edwin Austin Abbey
Nr. Lyndhurst, Aug. 1871
Undated | graphite

Choose picture

Edwin Austin Abbey
Slender:
Undated | Pen and ink, Composition board

Choose picture
Edwin Austin Abbey
Choose picture


Edwin Austin Abbey
Sketch of figures around a table...
Undated | Pen and ink, graphite, Composition board

Choose picture

Edwin Austin Abbey
 
Undated | Graphite, cream wove

Choose picture

Edwin Austin Abbey
Portrait of an older woman (unid...
Undated | Oil, Brown wove

Choose picture

Edwin Austin Abbey
 
Undated | gouache and watercolor

Choose picture

Edwin Austin Abbey
The Good-natured Man. Miss Richl...
Undated | pen and ink

Choose picture

Edwin Austin Abbey
'O, Mistress mine where are you ...
Undated | colour lithograph

Choose picture

Edwin Austin Abbey
 
Undated | Watercolor, pen and ink, graphite, with fabric, White wove

Choose picture

Edwin Austin Abbey
Portrait of a young Mrs. Abbey (?)
Undated | Graphite, cream wove

Choose picture

Edwin Austin Abbey
Men at an Anvil, study for The S...
1904 | oil on canvas

Choose picture

Edwin Austin Abbey
Nude male figure study, life class
Undated | Graphite, Wove

Choose picture

Edwin Austin Abbey
 
Undated | Pen and ink on composition board

Choose picture

Edwin Austin Abbey
 
Undated | Pen and ink on composition board

Choose picture

Edwin Austin Abbey
Apprentice Goldsmith, costume sk...
Undated | Watercolor, charcoal, with fabric, White wove

Choose picture

Edwin Austin Abbey
Bianca and Lucentio, from Act II...
Undated | Pen and ink on composition board

Choose picture

Edwin Austin Abbey
Unidentified scene, from Hamlet ...
Undated | watercolor and gouache

Choose picture

Edwin Austin Abbey
Two figures praying: study for
Undated | Graphite, black chalk; graphite (verso)

Choose picture

Edwin Austin Abbey
The Duke Expels Valentine, from ...
Undated | Pen and ink over graphite underdrawing, on Academy board

Choose picture

Edwin Austin Abbey
Study of a young girl in pinafore
Undated | Graphite, Brown wove

Choose picture

Edwin Austin Abbey
Mariana and boy singing - Act II...
Undated | Oil on board, Board

Choose picture

Edwin Austin Abbey
Marriage Morning of Theseus and ...
Undated | Pen and ink, Composition board

Choose picture

Edwin Austin Abbey
Study of seated women (Mrs. Abbey?)
Undated | Black and white chalks, Wove

Choose picture

Edwin Austin Abbey
Two figures - (unidentified illu...
Undated | Black chalk, Wove

Choose picture

Edwin Austin Abbey
Sketch of a tree
Undated | Black chalk, watercolor, White wove

Choose picture

Edwin Austin Abbey
Northumberland - Tabard, costume...
Undated | Watercolor, graphite and charcoal

Choose picture

Edwin Austin Abbey
Brighton in the Time of Our Gran...
Undated | engraving

Choose picture

Edwin Austin Abbey
Sketch of a landscape with tree,...
Undated | Black chalk, White wove

Choose picture

Edwin Austin Abbey
Sketches of trees
Undated | Graphite, Wove

Choose picture

Edwin Austin Abbey
Two female figure in cloister, f...
Undated | Pen and ink, Composition board

Choose picture

Edwin Austin Abbey
Figure scene. Hamlet?
Undated | gouache

Choose picture

Edwin Austin Abbey
Study of a bearded man (Shakespe...
Undated | Composition board

Choose picture

Edwin Austin Abbey
Study for the figure of Sir Walt...
Undated | Pencil, black chalk, and pastel on dark grey-green paper

Choose picture

Edwin Austin Abbey
Study of figure scene in sevente...
Undated | Watercolor, pen and ink, graphite, gouache

Choose picture

Edwin Austin Abbey
 
Undated | Graphite and black chalk (recto and verso), Tan wove

Choose picture

Edwin Austin Abbey
Dogberry:
Undated | Pen and ink on composition board

Choose picture
Edwin Austin Abbey
Choose picture


Edwin Austin Abbey
Study for Priest and the Great L...
Undated | Pen and ink, Brown wove

Choose picture

Edwin Austin Abbey
Standing Figure of a Friar, stud...
Undated | Charcoal and white chalk on brown paper

Choose picture

Edwin Austin Abbey
 
Undated | Gouache, Composition board

Choose picture

Edwin Austin Abbey
Unidentified man in a red robe, ...
Undated | Watercolor, pastel, gouache, Brown wove

Choose picture

Edwin Austin Abbey
Sketch of a hand
Undated | Black and white chalks, Blue laid

Choose picture

Edwin Austin Abbey
 
Undated | Black and white chalks, gouache, Green wove

Choose picture

Edwin Austin Abbey
Study for Columbus in the New Wo...
Undated | graphite

Choose picture

Edwin Austin Abbey
Sketch of two hands, clasped in ...
Undated | Black chalk, Cream laid

Choose picture

Edwin Austin Abbey
Study of a woman
Undated | Black and white chalks on buff colored paper

Choose picture

Edwin Austin Abbey
Figures walking among old ruins(...
Undated | Black chalk, White wove

Choose picture

Edwin Austin Abbey
The Duke:
Undated | Pen and ink on composition board

Choose picture
Edwin Austin Abbey
Choose picture


Edwin Austin Abbey
Sewart to Gaoler, costume sketch...
Undated | Watercolor, charcoal, with fabric, Red wove

Choose picture

Edwin Austin Abbey
Fair is my Love, c1900, c1930.
1930 |

Choose picture

Edwin Austin Abbey
Two men conversing in an interio...
Undated | Graphite, pen and ink and wash on wove paper

Choose picture

Edwin Austin Abbey
Prince of Morocco:
Undated | Pen and ink on composition board

Choose picture

Edwin Austin Abbey
Jaquenetta, from Act I, Scene ii...
Undated | Pen and ink on composition board

Choose picture

Edwin Austin Abbey
The Banquet, illustration for Ac...
Undated | Gouache on composition board

Choose picture

Edwin Austin Abbey
Men in rowboat fleeing Indians o...
Undated | Pen and ink wash and graphite on wove paper

Choose picture

Edwin Austin Abbey
Sttudy of figure of 6 pm, for Th...
Undated | Black and red chalks

Choose picture

Edwin Austin Abbey
Woman seated in classical garb: ...
Undated | Black chalk, gouache on grey wove paper

Choose picture

Edwin Austin Abbey
Figure study for Sir Lancelot an...
Undated | Black and white chalks, Cream laid

Choose picture

Edwin Austin Abbey
Four boys playing marbles (recto...
Undated | Graphite and ink wash (recto); ink wash (verso)

Choose picture

Edwin Austin Abbey
Study for figure of 3 pm for
Undated | Charcoal and chalk on red paper

Choose picture

Edwin Austin Abbey
Sketch of a woman, stooped and p...
Undated | Black chalk, Wove

Choose picture

Edwin Austin Abbey
Sketch of four men in medieval d...
Undated | Pen and ink, Tan wove

Choose picture

Edwin Austin Abbey
Study for King Henry IV (Part II),
Undated | Pen and ink, White wove

Choose picture

Edwin Austin Abbey
Sketch of a hand (recto); Compos...
Undated | Black and white chalks (recto); pen and ink, and graphite (verso), on heavy brown wove paper

Choose picture

Edwin Austin Abbey
Sketch of a young man in profile...
Undated | Black chalk, White laid

Choose picture

Edwin Austin Abbey
Ursula:
Undated | Pen and ink on composition board

Choose picture
Edwin Austin Abbey
Choose picture


Edwin Austin Abbey
 
Undated | Watercolor and gouache on board

Choose picture

Edwin Austin Abbey
Sadlers Costume, costume sketch ...
Undated | Watercolor, charcoal, Red wove

Choose picture

Edwin Austin Abbey
Man in Renaissance costume - (un...
Undated | Pen and ink, charcoal and graphite, Composition board

Choose picture

Edwin Austin Abbey
Drapery study for
Undated | Black chalk, squared in graphite

Choose picture

Edwin Austin Abbey
Figure study for
Undated | Graphite, cream wove

Choose picture


Page 1 / 15



What our customers think about us



Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
Other languages

                   
Erfahrungen & Bewertungen zu Meisterdrucke
Post.at DHL Express Quehenberger Cargoboard
Kaiser Franz Joseph

Meisterdrucke
Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               


Meisterdrucke 2736 Bewertungen auf ProvenExpert.com

(c) 2025 meisterdrucke.uk