When the English painter George Chinnery became 26 years old, he left Europe, never to return to his homeland. Why he took this step is not clear. Born in London in 1774, he grew up in good middle-class circumstances and studied at the Royal Academy. The family idyll was tarnished when his older brother was accused of extensive fraud and he fled abroad. George distanced himself from his family and moved to Dublin. There he achieved his first success as an artist and his income allowed him to marry. Although the young couple quickly had two children, the connection with his wife Marianne was to last only two years. George Chinnery left his wife and children in Ireland and moved back to his native London. Also here he did not last long. After only one year he sailed on board a merchant sailor to the British colonies in India.
He settled in Calcutta and quickly established himself in the English community. He earned his money as a portrait painter and found his own style, which was characterized by exact observation and a great sympathy for the people portrayed. However, there seems to have been a gap between his standard of living and his income, which grew steadily larger. After two decades in India, George Chinnery was so deeply in debt that he had to leave Calcutta and move to Macao in southern China.
The city was a vibrant trading place, which was especially frequented by Portuguese seafarers. Here George Chinnery seemed to find final rest and he stayed until his death in 1852, travelling a lot, making regular trips to Canton and spending much time in neighbouring Hong Kong. Also in Macao he advanced to a portrait painter in great demand. Chinese and Western merchants, their families and passing sea captains were his generous clients. Completely independent of his remarkable artistic achievement, his paintings and drawings are also of extraordinary historical value. For unlike most artists of his era, George Chinnery developed a great interest in the ordinary people around him. He created many drawings of craftsmen, everyday situations and landscapes, which give a vivid impression of life in China at that time.
Today, the artist's extensive oeuvre is distributed around the globe. His works hang in the Victoria and Albert Museum and the British Museum in London, the Hong Kong Museum of Art, the Macao Museum of Art and American museums, among others. The largest private collection is held by the Hong Kong and Shanghai Banking Corporation, the Hong Kong-based subsidiary of the British bank HSBC.
When the English painter George Chinnery became 26 years old, he left Europe, never to return to his homeland. Why he took this step is not clear. Born in London in 1774, he grew up in good middle-class circumstances and studied at the Royal Academy. The family idyll was tarnished when his older brother was accused of extensive fraud and he fled abroad. George distanced himself from his family and moved to Dublin. There he achieved his first success as an artist and his income allowed him to marry. Although the young couple quickly had two children, the connection with his wife Marianne was to last only two years. George Chinnery left his wife and children in Ireland and moved back to his native London. Also here he did not last long. After only one year he sailed on board a merchant sailor to the British colonies in India.
He settled in Calcutta and quickly established himself in the English community. He earned his money as a portrait painter and found his own style, which was characterized by exact observation and a great sympathy for the people portrayed. However, there seems to have been a gap between his standard of living and his income, which grew steadily larger. After two decades in India, George Chinnery was so deeply in debt that he had to leave Calcutta and move to Macao in southern China.
The city was a vibrant trading place, which was especially frequented by Portuguese seafarers. Here George Chinnery seemed to find final rest and he stayed until his death in 1852, travelling a lot, making regular trips to Canton and spending much time in neighbouring Hong Kong. Also in Macao he advanced to a portrait painter in great demand. Chinese and Western merchants, their families and passing sea captains were his generous clients. Completely independent of his remarkable artistic achievement, his paintings and drawings are also of extraordinary historical value. For unlike most artists of his era, George Chinnery developed a great interest in the ordinary people around him. He created many drawings of craftsmen, everyday situations and landscapes, which give a vivid impression of life in China at that time.
Today, the artist's extensive oeuvre is distributed around the globe. His works hang in the Victoria and Albert Museum and the British Museum in London, the Hong Kong Museum of Art, the Macao Museum of Art and American museums, among others. The largest private collection is held by the Hong Kong and Shanghai Banking Corporation, the Hong Kong-based subsidiary of the British bank HSBC.
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