Feel the passion of Giovanni di Paolo in our art prints.

Our art reproductions bring moments of comfort directly into your home.


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Österreichische Kunstmanufaktur

Feel the passion of Giovanni di Paolo in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Giovanni di Paolo
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of Giovanni di Paolo

These artworks are particularly popular with our customers.

The Creation of the World and th...
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Five dancing angels, ca 1436
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Expulsion from Paradise
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The most popular works of Giovanni di Paolo

These artworks are particularly popular with our customers.


Discover more artworks by Giovanni di Paolo

Discover more artworks by Giovanni di Paolo

103 artworks found
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Giovanni di Paolo
 
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Giovanni di Paolo
Saint John the Baptist retiring ...
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Giovanni di Paolo
Four naked men, mid-late 15th ce...
1943 |

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Giovanni di Paolo
The Nativity
Undated | Oil on panel

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Giovanni di Paolo
St John the Evangelist shown wit...
1423 |

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Giovanni di Paolo
Saint John the Baptist Entering ...
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Giovanni di Paolo
Saint Catherine of Siena Exchang...
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Giovanni di Paolo
The Adoration of the Magi, c. 14...
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Giovanni di Paolo
The Annunciation and Expulsion f...
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Giovanni di Paolo
Voici l'agneau de Dieu (Ecce Agn...
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Giovanni di Paolo
Paradiso, Canto X. Beatrice and ...
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Giovanni di Paolo
The Miraculous Communion of Sain...
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Giovanni di Paolo
The Beheading of Saint John the ...
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Giovanni di Paolo
Paradise, 1445
1445 | Tempera and gold on canvas

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Giovanni di Paolo
Der leidende und der triumphiere...
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Giovanni di Paolo
The Mystic Marriage of Saint Cat...
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Giovanni di Paolo
Dante being expelled from Floren...
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Giovanni di Paolo
Dante and Beatrice before the Vi...
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Giovanni di Paolo
The Beheading of Saint John the ...
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Giovanni di Paolo
St. Catherine of Siena and the B...
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Giovanni di Paolo
Saint Catherine of Siena Receivi...
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Giovanni di Paolo
Illustration from the 'Divine Co...
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Giovanni di Paolo
Procession of St. Gregory to the...
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Giovanni di Paolo
The Investiture of Saint Clare: ...
Undated | tempera and gold on panel

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Giovanni di Paolo
The Last Judgement, detail of th...
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Giovanni di Paolo
Dante and Beatrice Witness the S...
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Giovanni di Paolo
Paradise, 1445.
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Giovanni di Paolo
Saint John the Evangelist Raises...
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Giovanni di Paolo
Saint Jean Baptiste en prison re...
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Giovanni di Paolo
Annonciation. Giovanni di Paolo....
1445 | Unknown

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Giovanni di Paolo
Saint Jerome in his study, c.143...
Undated | painting on wood

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Giovanni di Paolo
St.Jerome taking a thorn from th...
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Giovanni di Paolo
The Annunciation and Expulsion f...
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Giovanni di Paolo
The Presentation of Christ in th...
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Giovanni di Paolo
The Annunciation to Zacharias, v...
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Giovanni di Paolo
Christus im garten Gethsemane Gi...
1445 | Unknown

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Giovanni di Paolo
Saint Catherine of Siena Beseech...
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Giovanni di Paolo
The Blessed Andrea Gallerani die...
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Giovanni di Paolo
 
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Giovanni di Paolo
Presentation of Jesus in Temple,...
1445 | oil on panel

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Giovanni di Paolo
The Head of Saint John the Bapti...
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Giovanni di Paolo
Ecce Agnus Dei, 145560.
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Giovanni di Paolo
 
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Giovanni di Paolo
Saints Catherine of Alexandria, ...
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Giovanni di Paolo
The Baptism of Christ, 15th cent...
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Giovanni di Paolo
Procession of Pope Gregoire I sa...
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Giovanni di Paolo
 
1455 | Tempera on panel

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Giovanni di Paolo
The Adoration of the Magi, 1440-...
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Giovanni di Paolo
Coronation of the Virgin, ca. 14...
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Giovanni di Paolo
Saint Clare of Assisi Blessing t...
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Giovanni di Paolo
Predella Panel from an Altarpiec...
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Giovanni di Paolo
Salome Asking Herod for the Head...
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Giovanni di Paolo
Die Taufe Christi (Predella). 1454
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Giovanni di Paolo
The Head of Saint John the Bapti...
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Giovanni di Paolo
Salome Asking Herod for the Head...
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Giovanni di Paolo
MS 36. fol 133 r Canto III, Illu...
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Giovanni di Paolo
The Adoration of the Magi, ca. 1...
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Giovanni di Paolo
Saints Matthew and Francis, ca. ...
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Giovanni di Paolo
Saint John the Baptist Entering ...
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Giovanni di Paolo
Virgin of Humility, 15th century
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Giovanni di Paolo
Anbetung der Könige. 1440-45
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Giovanni di Paolo
Madonna and Child with Saints, 1...
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Giovanni di Paolo
Madonna and Child with Two Angel...
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Giovanni di Paolo
The presentation of Christ in th...
1440 | painting

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Giovanni di Paolo
 
1426 |

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Giovanni di Paolo
Saint Ambrose, 1465-70.
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Giovanni di Paolo
Fünf tanzende Engel. Um 1436
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Giovanni di Paolo
Saint John the Baptist in Prison...
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Giovanni di Paolo
Madonna with Child, detail of po...
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Giovanni di Paolo
Madonna and Child with SS. Domin...
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Giovanni di Paolo
The Baptism of Christ Predella P...
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Giovanni di Paolo
 
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Giovanni di Paolo
The Exultation of Saint Nicholas...
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Giovanni di Paolo
 
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Giovanni di Paolo
Representation of Saint James th...
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Giovanni di Paolo
The Blessed Ambrogio Sansedoni 1...
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Giovanni di Paolo
The Head of John the Baptist bro...
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Giovanni di Paolo
 
Undated | tempera and gold on wood panel

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Giovanni di Paolo
 
1440 | Tempera on panel

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Giovanni di Paolo
Madonna and Child with Saints Je...
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Giovanni di Paolo
 
1433 |

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Giovanni di Paolo
Madonna with Child and Angels. T...
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Giovanni di Paolo
The Baptism of Christ, c1460
1460 |

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Giovanni di Paolo
 
1433 |

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Giovanni di Paolo
 
Undated | tempera on panel

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Giovanni di Paolo
 
Undated | tempera and gold on wood panel

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Giovanni di Paolo
Polyptych with st. catherine of ...
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Giovanni di Paolo
 
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Giovanni di Paolo
The Death of Saint Catherine of ...
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Giovanni di Paolo

  c. 1403
  1482
   •   Early Renaissance   •   Wikipedia: Giovanni di Paolo

Florence around 1420 - the start of the early Renaissance. And one artist in particular caused a sensation at this time. Giovanni di Paolo was not only influenced by the conservative Gothic line, as most artists of his time were, but made a name for himself with his, albeit few, clients precisely because he distinguished himself from others in his art and always liked to help himself to the strange and different. What runs through all his works like a common thread are the many straight lines, the elongated forms and figures and strong colors that give his individual art an exciting static quality. Even though "exciting" and "static" may sound fundamentally opposed, these details nevertheless enliven each of his paintings in a very unusual and almost explosive way.

The School of Siena left its mark on Italian art, especially in the 15th century. There, in his hometown, di Paolo also developed into a unique artist. However, he interpreted the classical style of the early Renaissance in his own personal way, clearly incorporating expressionist traits in his compositions, unlike many other Sienese painters. Strong facial expressions of the figures, often part of meaningful religious events, lend much expression to his art. But what would cause ridicule and scorn today was to make Giovanni di Paolo a master in his own time. For his individual style of painting would not have come about at all without copying the works of his fellow artists - among them even very famous ones. Especially in Tuscany, his buyers appreciated his ability to manipulate identical scenes by other artists, such as Duccio di Buoninsegna - one of the most important painters of the late Middle Ages - and individualize them in an extremely creative way.

During his artistic career, Giovanni di Paolo, although highly appreciated by some patrons due to his works that were different in detail, was always seen as a subordinate and inferior artist. It was only later, from the early 1920s that Giovanni di Paolo gained greater renown for his distorted-religious and expressionist style. Not only is this of great importance today, but the colorful forms, figures and landscapes of his first works, as well as the crude compositions, clearly reflect the painter's changing perceptions throughout his artistic development. Giovanni di Paolo never left his native Siena until his death. It is said, among other things, that di Paolo had difficulty maintaining his ability to paint in late life, so he hired assistants to help him complete his works. However, his lack of imagination and creativity was never a problem.

Giovanni di Paolo

  c. 1403
  1482
   •   Early Renaissance   •   Wikipedia: Giovanni di Paolo

Florence around 1420 - the start of the early Renaissance. And one artist in particular caused a sensation at this time. Giovanni di Paolo was not only influenced by the conservative Gothic line, as most artists of his time were, but made a name for himself with his, albeit few, clients precisely because he distinguished himself from others in his art and always liked to help himself to the strange and different. What runs through all his works like a common thread are the many straight lines, the elongated forms and figures and strong colors that give his individual art an exciting static quality. Even though "exciting" and "static" may sound fundamentally opposed, these details nevertheless enliven each of his paintings in a very unusual and almost explosive way.

The School of Siena left its mark on Italian art, especially in the 15th century. There, in his hometown, di Paolo also developed into a unique artist. However, he interpreted the classical style of the early Renaissance in his own personal way, clearly incorporating expressionist traits in his compositions, unlike many other Sienese painters. Strong facial expressions of the figures, often part of meaningful religious events, lend much expression to his art. But what would cause ridicule and scorn today was to make Giovanni di Paolo a master in his own time. For his individual style of painting would not have come about at all without copying the works of his fellow artists - among them even very famous ones. Especially in Tuscany, his buyers appreciated his ability to manipulate identical scenes by other artists, such as Duccio di Buoninsegna - one of the most important painters of the late Middle Ages - and individualize them in an extremely creative way.

During his artistic career, Giovanni di Paolo, although highly appreciated by some patrons due to his works that were different in detail, was always seen as a subordinate and inferior artist. It was only later, from the early 1920s that Giovanni di Paolo gained greater renown for his distorted-religious and expressionist style. Not only is this of great importance today, but the colorful forms, figures and landscapes of his first works, as well as the crude compositions, clearly reflect the painter's changing perceptions throughout his artistic development. Giovanni di Paolo never left his native Siena until his death. It is said, among other things, that di Paolo had difficulty maintaining his ability to paint in late life, so he hired assistants to help him complete his works. However, his lack of imagination and creativity was never a problem.





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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
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