Feel the passion of Humphry Repton in our art prints.

Our art reproductions bring moments of comfort directly into your home.


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Österreichische Kunstmanufaktur

Feel the passion of Humphry Repton in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Humphry Repton
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of Humphry Repton

These artworks are particularly popular with our customers.

The Pheasantry, engraved by Jose...
1808 | colour lithograph

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Humphrey Repton surveying with a...
Undated | colour lithograph

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Sunshine after Rain, from 'Fragm...
1816 | colour lithograph

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Scene near the Temple, from the ...
Undated | watercolour on paper

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Discover more artworks by Humphry Repton

Discover more artworks by Humphry Repton

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Humphry Repton
Interiors: The Old Cedar Parlour...
1816 | colour lithograph

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Humphry Repton
General View of Sherringham Bowe...
1812 | watercolour on paper

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Humphry Repton
The Work House, from 'Fragments ...
1816 | colour lithograph

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Humphry Repton
Red Book for Sheringham Hall, c....
Undated | watercolour on paper

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Humphry Repton
Red Book for Sheringham Hall, c....
Undated | watercolour on paper

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Humphry Repton
The Work House, illustration fro...
1816 | colour lithograph

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Humphry Repton
The Pump Room, Bath (coloured aq...
Undated | coloured aquatint

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Humphry Repton
 
Undated | pen and ink and watercolour on paper

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Humphry Repton
South front with west front in p...
Undated | watercolour on paper

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Humphry Repton
General View from the South and ...
1816 | colour lithograph

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Humphry Repton
View from My Own Cottage in Esse...
Undated | colour lithograph

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Humphry Repton
Two young ladies in calico gowns...
Undated | colour lithograph

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Humphry Repton
View from My Own Cottage in Esse...
1816 | colour lithograph

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Humphry Repton
 
Undated | pen and ink and watercolour on paper

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Humphry Repton
 
Undated | watercolour and pencil on paper

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Humphry Repton
Pavilion and Greenhouse for a Go...
Undated | colour lithograph

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Humphry Repton
Panoramic 'before' view, from th...
Undated | watercolour on paper

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Humphry Repton
'A plain appears a hill, or a hi...
Undated | engraving

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Humphry Repton
Lord Sidmouth's, in Richmond Par...
1816 | aquatint

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Humphry Repton
The Vinery, from 'Fragments on t...
1816 | colour lithograph

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Humphry Repton
Design for the South Front of a ...
Undated | watercolour over pencil on paper

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Humphry Repton
Brighton Pavilion: Proposed view...
Undated | colour lithograph

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Humphry Repton
Luxury of Gardens, from 'Fragmen...
1816 | aquatint

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Humphry Repton
General View of Longleat from th...
1816 | colour lithograph

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Humphry Repton
View from the dome, Brighton Pav...
Undated | colour lithograph

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Humphry Repton
Window at Barningham (After) fro...
Undated | colour lithograph

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Humphry Repton
Red Book for Sheringham Hall, c....
Undated | watercolour on paper

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Humphry Repton
Elevation and ground plans of pr...
Undated | watercolour on paper

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Humphry Repton
General View from the South and ...
Undated | colour lithograph

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Humphry Repton
Panoramic 'after' view, from the...
Undated | watercolour on paper

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Humphry Repton
'After' view of the grounds, fro...
Undated | ink on paper

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Humphry Repton
Calling card of Humphrey Repton,...
Undated | engraving

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Humphry Repton
Design for a Cottage Ornée in th...
Undated | watercolour

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Humphry Repton
Red Book for Sheringham Hall, c....
Undated | watercolour on paper

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Humphry Repton
Map from "Red Books", for "Mogen...
1792 | watercolour on paper

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Humphry Repton
Forcing Garden in Winter, from F...
1816 | colour lithograph

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Humphry Repton
A Plan Explained, from 'Fragment...
Undated | colour lithograph

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Humphry Repton
Design for a Conduit, Proposed a...
1816 | colour lithograph

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Humphry Repton
Theory of scale using an obelisk...
Undated | lithograph

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Humphry Repton
Lord Sidmouth's, Richmond Park, ...
1816 | coloured engraving

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Humphry Repton
 
Undated | watercolour on paper

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Humphry Repton
Lord Sidmouth's, in Richmond Par...
1816 | aquatint

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Humphry Repton
The south front with east front ...
Undated | watercolour on paper

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Humphry Repton
'The Work House', 1816
1816 | lithograph

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Humphry Repton
View of Sarsden (wc over graphit...
Undated | watercolour over graphite on paper

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Humphry Repton
Brighton Pavilion showing garden...
Undated | color lithograph

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Humphry Repton
The Harwich Coach (wc on wove pa...
Undated | watercolour on wove paper

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Humphry Repton
Beaudesert, Staffordshire, from ...
Undated | colour lithograph

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Humphry Repton
 
Undated | pen and ink and watercolour on paper

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Humphry Repton
Luxury of Gardens, from 'Fragmen...
Undated | lithograph

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Humphry Repton
 
Undated | pen and ink and watercolour on paper

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Humphry Repton
 
Undated | pen and ink and watercolour on paper

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Humphry Repton
Window at Barningham (Before) fr...
Undated | colour lithograph

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Humphry Repton
'Before' view of the grounds, fr...
Undated | ink on paper

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Humphry Repton
Fence near the House, from 'Frag...
Undated | lithograph

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Humphry Repton
 
Undated | pen and ink and watercolour on paper

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Humphry Repton
Design for the North Front of a ...
Undated | watercolour over pencil on paper

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Humphry Repton
 
Undated | pen and ink and watercolour on paper

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Humphry Repton
Corridor of a Conservatory, engr...
Undated | colour lithograph

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Humphry Repton
 
Undated | pen and ink and watercolour on paper

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Humphry Repton
 
Undated | pen and ink and watercolour on paper

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Humphry Repton
 
Undated | pen and ink and watercolour on paper

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Humphry Repton
 
Undated | pen and ink and watercolour on paper

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Humphry Repton
Detail of a View of Sherringham ...
1812 | watercolour on paper

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Humphry Repton
View, as proposed to be altered,...
1816 | aquatint

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Humphry Repton
Illustration from 'Fragments on ...
Undated | lithograph

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Humphry Repton
 
Undated | pen and ink and watercolour on paper

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Humphry Repton
 
Undated | pen and ink and watercolour on paper

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Humphry Repton
 
Undated | pen and ink and watercolour on paper

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Humphry Repton
Flower Garden, Valley-Field, fro...
Undated | colour lithograph

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Humphry Repton
Garden design, from 'Fragments o...
Undated |

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Humphry Repton
 
Undated | pen and ink and watercolour on paper

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Humphry Repton
 
Undated | pen and ink and watercolour on paper

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Humphry Repton
 
Undated | pen and ink and watercolour on paper

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Humphry Repton
 
Undated | pen and ink and watercolour on paper

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Humphry Repton
 
Undated | pen and ink and watercolour on paper

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Humphry Repton
 
Undated | pen and ink and watercolour on paper

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Humphry Repton
 
Undated | pen and ink and watercolour on paper

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Humphry Repton

Humphry Repton

  April 21, 1752
  March 24, 1818
   •   Landscape painting   •   Wikipedia: Humphry Repton

Humphry Repton was one of the most important landscape architects of the 18th century. His father initially worked as a tax collector. When Repton was 10 years old, his father decided to set up a transport company in Norwich. The family moved from Bury St Edmunds to Norwich where Repton attended the local school. As his father had intended for him to take over the family business, he sent him to the Netherlands at the age of 12 to train his language skills. This should help him in his future business. The young Repton then lived in Rotterdam with a friendly and wealthy family. Here Repton probably made his first acquaintance with high society. He felt comfortable in these circles and began to take an interest in art, culture and above all luxury. After four years he returned to Norwich and found an apprenticeship with a textile merchant. The work enabled him to make several trips to Germany and the Netherlands, where he became familiar with and grew to love the garden art of the regions.

Repton married Mary Clarke at the age of 32. He received a starting capital from his father and started his own business as a textile trader. But Repton was not born to be a merchant and liked to spend more than he earned. After the death of his parents he received a moderate inheritance and sold his poorly running company. With the money he bought a small country estate. Repton tried rather unsuccessfully as a journalist, author and artist. He liked to live like a landed aristocrat, but actually he lacked the money for it. So he got more and more into financial difficulties. His neighbour at that time, the politician William Windham, finally got Repton a job as his private secretary when he was appointed Chief Secretary of Ireland. Repton often travelled with Windham and made a good impression on the high society. However, Windham's term of office was very short for health reasons, which also affected Repton's employment.

Repton had to move with his family to an even smaller house. He was now 36 years old and had a family of six to feed. One of his former school friends was the botanist James Edward Smith. He encouraged Repton to dedicate himself to botany and gardening. Repton, who in the meantime had spent several years in the country and had already been interested in gardens before, took this advice. Because after the great landscape architect Capability Brown died a few years ago, there was no successor. Repton combined his moderate knowledge of gardening with his drawing skills and became very successful. He made watercolours, using overlays to show his clients what he planned for the plots. In addition to his talent, his appearance and the contacts with the upper class that he had built up over the years also played a role.

Humphry Repton

Humphry Repton
  April 21, 1752
  March 24, 1818
   •   Landscape painting   •   Wikipedia: Humphry Repton

Humphry Repton was one of the most important landscape architects of the 18th century. His father initially worked as a tax collector. When Repton was 10 years old, his father decided to set up a transport company in Norwich. The family moved from Bury St Edmunds to Norwich where Repton attended the local school. As his father had intended for him to take over the family business, he sent him to the Netherlands at the age of 12 to train his language skills. This should help him in his future business. The young Repton then lived in Rotterdam with a friendly and wealthy family. Here Repton probably made his first acquaintance with high society. He felt comfortable in these circles and began to take an interest in art, culture and above all luxury. After four years he returned to Norwich and found an apprenticeship with a textile merchant. The work enabled him to make several trips to Germany and the Netherlands, where he became familiar with and grew to love the garden art of the regions.

Repton married Mary Clarke at the age of 32. He received a starting capital from his father and started his own business as a textile trader. But Repton was not born to be a merchant and liked to spend more than he earned. After the death of his parents he received a moderate inheritance and sold his poorly running company. With the money he bought a small country estate. Repton tried rather unsuccessfully as a journalist, author and artist. He liked to live like a landed aristocrat, but actually he lacked the money for it. So he got more and more into financial difficulties. His neighbour at that time, the politician William Windham, finally got Repton a job as his private secretary when he was appointed Chief Secretary of Ireland. Repton often travelled with Windham and made a good impression on the high society. However, Windham's term of office was very short for health reasons, which also affected Repton's employment.

Repton had to move with his family to an even smaller house. He was now 36 years old and had a family of six to feed. One of his former school friends was the botanist James Edward Smith. He encouraged Repton to dedicate himself to botany and gardening. Repton, who in the meantime had spent several years in the country and had already been interested in gardens before, took this advice. Because after the great landscape architect Capability Brown died a few years ago, there was no successor. Repton combined his moderate knowledge of gardening with his drawing skills and became very successful. He made watercolours, using overlays to show his clients what he planned for the plots. In addition to his talent, his appearance and the contacts with the upper class that he had built up over the years also played a role.





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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
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        support@meisterdrucke.com
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