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Passionate Customer Service Museum Quality Art Prints Customization Options Available.jpg "Medieval City on a River by Karl Friedrich Schinkel")
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.jpg "Temple of Isis and Osiris where Sarastro High Priest Officiates")
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.jpg "Set Design for the Final Scene of")
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 - (MeisterDrucke-172330).jpg "Egyptian Set Design for Act II, Scene XXVIII of the Opera")
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.jpg "Gothic Church on a Rock by the Sea by Karl Friedrich Schinkel")
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.jpg "Gate in the Rocks, 1818 by Karl Friedrich Schinkel")
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 - (MeisterDrucke-50090).jpg "Set Design for Act I Scene xv of")
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 - (MeisterDrucke-81574).jpg "Set design for Act II Scene xx of")
 - (MeisterDrucke-81574).jpg)
 - (MeisterDrucke-70461).jpg "Set Design for Last Scene of")
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_-_(MeisterDrucke-594132).jpg "Waterfall in a wood, set design for a production of Undine by Karl Friedrich Schinkel")
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.jpg "Rock Gate by Karl Friedrich Schinkel")
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.jpg "Stage Design for Temple of Vesta by Karl Friedrich Schinkel")
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.jpg "Stage Design: A Sepulchral Vault by Karl Friedrich Schinkel")
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.jpg "Gothic Church on a Rock by the Sea, 1815 by Karl Friedrich Schinkel")
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.jpg "Spree Riverbank at Stralau by Karl Friedrich Schinkel")
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.jpg "Stage Design for the Opera Die Zauberflöte by Wolfgang Amadeus Mozart by Karl Friedrich Schinkel")
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.jpg "Tent-room in Charlottenhof Palace, after 1830, watercolour by Karl Friedrich Schinkel by Karl Friedrich Schinkel")
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_-_(MeisterDrucke-1123313).jpg "Medieval city on banks of river by Karl Friedrich Schinkel")
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.jpg "Altes Museum Berlin: View of the Staircase by Karl Friedrich Schinkel")
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_Oil_on_canvas_-_(MeisterDrucke-1028726).jpg "Gate in the Rocks by Karl Friedrich Schinkel")
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.jpg "The Banks of the Spree near Stralau by Karl Friedrich Schinkel")
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.jpg "Castle by the River by Karl Friedrich Schinkel")
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 - (MeisterDrucke-123314).jpg "View of Dresden by Karl Friedrich Schinkel")
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.jpg "The courtyard of the temple of Isis and Osiris where Sarastro was High Priest by Karl Friedrich Schinkel")
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.jpg "Greek Fantasy Landscape with Resting Shepherd by Karl Friedrich Schinkel")
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.jpg "Muehleborn")
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.jpg "Morning by Karl Friedrich Schinkel")
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.jpg "Design for a Production of Mozart")
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.jpg "Set by Schinkel by Karl Friedrich Schinkel")
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.jpg "Morning by Karl Friedrich Schinkel")
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.jpg "Portrait of the artist")
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_Oil_on_canvas_-_(MeisterDrucke-1011148).jpg "View of Mont Blanc by Karl Friedrich Schinkel")
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.jpg "Stage Design for the Opera Die Zauberflöte by Wolfgang Amadeus Mozart by Karl Friedrich Schinkel")
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.jpg "Set Design for the Opera")
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.jpg "A Gothic Cathedral near Trees by Karl Friedrich Schinkel")
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.jpg "Interior view of a staircase, design for a castle in Koestritz, 1802-03 by Karl Friedrich Schinkel")
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_engraving_by_Karl_Fried_-_(MeisterDrucke-1110110).jpg "View of the Schauspielhaus (concert hall), engraving by Karl Friedrich Schinkels by Karl Friedrich Schinkel")
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.jpg "Theatre decor for the enchanting flute (Opera")
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.jpg "Elevation and Plan of the Façade of a Building by Karl Friedrich Schinkel")
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.jpg "Stage Design: Jerusalem and Mount Zion, for Athalia by Karl Friedrich Schinkel")
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.jpg "Rock Arch. 1818 by Karl Friedrich Schinkel")
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_by_Wolfgan_-_(MeisterDrucke-970902).jpg "Theatre Decor: Decor for the Opera")
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.jpg "Castle by River by Karl Friedrich Schinkel")
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.jpg "Interior of St. Stephen")
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.jpg "Schinkel")
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.jpg "Castle on the River by Karl Friedrich Schinkel")
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.jpg "Ground Plan of a Cathedral for Berlin by Karl Friedrich Schinkel")
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.jpg "Interior of St. Stephens Cathedral in Vienna by Karl Friedrich Schinkel")
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.jpg "Gothic Church Hidden by a Tree, 1810 by Karl Friedrich Schinkel")
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_-_(MeisterDrucke-594128).jpg "Redesigning the Lustgarten, 1828 by Karl Friedrich Schinkel")
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_-_(MeisterDrucke-1315474).jpg "A Wooded Landscape with a Gothic Church by Karl Friedrich Schinkel")
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.jpg "Portrait of the artist")
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.jpg "Predjama Castle in Carniola, Twelve Hours from Trieste by Karl Friedrich Schinkel")
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.jpg "The Nave, Apse, and Crossing of a Cathedral for Berlin by Karl Friedrich Schinkel")
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.jpg "Decor with the King")
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_by_Wolfgan_-_(MeisterDrucke-982023).jpg "Theatre Decor: Decor for the Opera La Flute Enchante (Die Zauberflote) by Karl Friedrich Schinkel")
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.jpg "The Nave and Apse, without a Transept, of a Cathedral for Berlin by Karl Friedrich Schinkel")
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.jpg "Set Design for the Tragedy")
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.jpg "A design for a new stairwell for the North façade of the Schloss at Stettin, with a subsidiary study of the loggia, a cross-section of the façade, and an engaged pilaster, c.1840 by Karl Friedrich Schinkel")
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.jpg "The Façade and Surroundings of a Cathedral for Berlin by Karl Friedrich Schinkel")
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.jpg "Set Design for the Opera")
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.jpg "Unknown Picture by Karl Friedrich Schinkel")
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.jpg "Predjama Castle between the Rocks by Karl Friedrich Schinkel")
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.jpg "Woodland Path with a Coach by Karl Friedrich Schinkel")
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.jpg "Predjama Castle in Crein XII Hours by Karl Friedrich Schinkel")
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.jpg "Gothic Cathedral Behind a Pond with Swans by Karl Friedrich Schinkel")
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.jpg "Predjama Castle in Krein, Twelve Hours from Trieste by Karl Friedrich Schinkel")
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.jpg "Gothic Church among Oaks by Karl Friedrich Schinkel")
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.jpg "Campanile of a Cathedral for Berlin by Karl Friedrich Schinkel")
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.jpg "Longitudinal Section of a Cathedral for Berlin by Karl Friedrich Schinkel")
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.jpg "Gothic Church among Oaks by Karl Friedrich Schinkel")
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.jpg "Gothic Church Behind an Oak Grove with Tombs by Karl Friedrich Schinkel")
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.jpg "Section of the Crossing and the West End of a Cathedral for Berlin by Karl Friedrich Schinkel")
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n his paintings, the grace of architecture is shown in the context of the beauty of the landscape. Embedded in hills, mountains and plains created by nature, strong walls rise up to protect castles. The Prussian architect and painter Karl Friedrich Schinkel (1781-1841) understood European architecture as a continuation of ancient Greek architecture. The outstanding musical talent of the pastor's son, who came from Neuruppin, was already noticeable during his time at grammar school. After visiting an exhibition of architectural drawings, the young Schinkel decided to take up the profession of architect. He became a pupil at the private building school of Friedrich and David Gilly in Berlin. At the same time, he began to study architecture at the Berlin Bauakademie and attended lectures at the Akademie der Künste.
At the beginning of the new century, Schinkel was one of the first to take the professional examinations for civil service, which entitles him to work as a construction manager or building inspector. However, due to the financial misery of Prussia in connection with the war against Napoleon around 1800, only a few new building projects could be realized. So Friedrich Schinkel decided to go out and see the world after the implementation of the first construction and planning works. His way led him to Dresden, Prague, Vienna, Venice, Padua, Turin, Palermo, Naples, Lyon and Paris. Via Strasbourg and Weimar he returned to Berlin. There he exhibited panorama pictures inspired by the journey. Among the admirers of these works were King Frederick William III and Queen Luise of Prussia. Thus Schinkel was commissioned to redesign Queen Luise's bedchamber in the Kronprinzenpalais and to design the interior decoration of her rooms in the Berlin City Palace. With this commission, he became the interior designer and master builder of the Prussian royal house.
In his position as senior building officer, Schinkel was responsible for turning Berlin into the representative capital of Prussia. His responsibilities also extended to other construction projects from Cologne to Königsberg. Even today, the Königswache, the Schauspielhaus and the Altes Museum in Berlin bear witness to Karl Friedrich Schinkel's work. He became probably the most important architect of Classicism and was in friendly contact and lively intellectual exchange with contemporaries such as Wilhelm von Humboldt, Johann Wolfgang von Goethe, Count Hermann von Pückler-Muskau and Clemens von Brentano. Even when architecture became increasingly important to him, Karl Friedrich Schinkel continued to devote himself intensively to painting. For him, the two arts were inseparably linked.
n his paintings, the grace of architecture is shown in the context of the beauty of the landscape. Embedded in hills, mountains and plains created by nature, strong walls rise up to protect castles. The Prussian architect and painter Karl Friedrich Schinkel (1781-1841) understood European architecture as a continuation of ancient Greek architecture. The outstanding musical talent of the pastor's son, who came from Neuruppin, was already noticeable during his time at grammar school. After visiting an exhibition of architectural drawings, the young Schinkel decided to take up the profession of architect. He became a pupil at the private building school of Friedrich and David Gilly in Berlin. At the same time, he began to study architecture at the Berlin Bauakademie and attended lectures at the Akademie der Künste.
At the beginning of the new century, Schinkel was one of the first to take the professional examinations for civil service, which entitles him to work as a construction manager or building inspector. However, due to the financial misery of Prussia in connection with the war against Napoleon around 1800, only a few new building projects could be realized. So Friedrich Schinkel decided to go out and see the world after the implementation of the first construction and planning works. His way led him to Dresden, Prague, Vienna, Venice, Padua, Turin, Palermo, Naples, Lyon and Paris. Via Strasbourg and Weimar he returned to Berlin. There he exhibited panorama pictures inspired by the journey. Among the admirers of these works were King Frederick William III and Queen Luise of Prussia. Thus Schinkel was commissioned to redesign Queen Luise's bedchamber in the Kronprinzenpalais and to design the interior decoration of her rooms in the Berlin City Palace. With this commission, he became the interior designer and master builder of the Prussian royal house.
In his position as senior building officer, Schinkel was responsible for turning Berlin into the representative capital of Prussia. His responsibilities also extended to other construction projects from Cologne to Königsberg. Even today, the Königswache, the Schauspielhaus and the Altes Museum in Berlin bear witness to Karl Friedrich Schinkel's work. He became probably the most important architect of Classicism and was in friendly contact and lively intellectual exchange with contemporaries such as Wilhelm von Humboldt, Johann Wolfgang von Goethe, Count Hermann von Pückler-Muskau and Clemens von Brentano. Even when architecture became increasingly important to him, Karl Friedrich Schinkel continued to devote himself intensively to painting. For him, the two arts were inseparably linked.
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 for a production in Berlin 1816 (wc) - (MeisterDrucke-58854).jpg "The Palace of the Queen of the Night, Set Design for")
.jpg "Stage Set for the Queen of the Night (in Mozart")
.jpg "Scenography for The Magic Flute, Opera by Wolfgang Amadeus Mozart by Karl Friedrich Schinkel")
.jpg "Garden Scene with the Sphinx in Moonlight, Act II Scene 3, Set Design for")