Feel the passion of Maria Sibylla Merian in our art prints.

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Österreichische Kunstmanufaktur

Feel the passion of Maria Sibylla Merian in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Maria Sibylla Merian
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of Maria Sibylla Merian

These artworks are particularly popular with our customers.

Iris à feuille large - in “Histo...
Undated | engraving

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Tulip, two Branches of Myrtle an...
17th century | brush on parchment

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Discover more artworks by Maria Sibylla Merian

Discover more artworks by Maria Sibylla Merian

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Maria Sibylla Merian
Blue Butterflies and Pomegranate...
1705 | hand-coloured etching and engraving

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Maria Sibylla Merian
Tiefseefisch, Krabben und Meeres...
1717 | Unknown

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Hans Simon Holtzbecker
Helleborus niger (almindelig jul...
Undated | gouache on parchment

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Maria Sibylla Merian
No.3055c Thorn apple (Datura Wri...
Undated | watercolour on vellum

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Maria Sibylla Merian
Rosier. From the Book Metamorpho...
Undated |

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Maria Sibylla Merian
Ananas mur. From the Book Metamo...
Undated |

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Hans Simon Holtzbecker
Tulipa gesneriana (have-tulipan)
Undated | gouache on parchment

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Maria Sibylla Merian
Metamorphosis of a Frog and Blue...
Undated | watercolour on paper

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Maria Sibylla Merian
Althea. From the Book Metamorpho...
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Maria Sibylla Merian
No.1146c Hypericum Baxiforum wit...
1695 | watercolour on vellum

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Maria Sibylla Merian
 
Undated |

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Maria Sibylla Merian
Tabrouba. From the Book Metamorp...
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Maria Sibylla Merian
Unbekanntes Bild
Undated | engraving

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Maria Sibylla Merian
Alligator and Snake, 1730
1730 | coloured engraving

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Maria Sibylla Merian
Vigne blanche d'Amerique. From t...
Undated |

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Hans Simon Holtzbecker
Rosa ×centifolia (centifolie-ros...
Undated | gouache on parchment

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Maria Sibylla Merian
Cacao. From the Book Metamorphos...
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Maria Sibylla Merian
Poivre d'jnde. From the Book Met...
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Maria Sibylla Merian
Iris Susiana (wc on vellum)
Undated | watercolour on vellum

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Maria Sibylla Merian
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Maria Sibylla Merian
Figuier d'Amerique. From the Boo...
Undated |

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Hans Simon Holtzbecker
Tulipa gesneriana (have-tulipan)
Undated | gouache on parchment

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Hans Simon Holtzbecker
Tulipa gesneriana (have-tulipan)
Undated | gouache on parchment

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Maria Sibylla Merian
Cassave. From the Book Metamorph...
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Maria Sibylla Merian
Eichhornia crassipes. From the B...
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Hans Simon Holtzbecker
Solanum pseudocapsicum (jerusale...
Undated | gouache on parchment

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Maria Sibylla Merian
Bananas and Blue Lizard, 1705-71...
1705 | hand-coloured etching and engraving

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Hans Simon Holtzbecker
Digitalis purpurea (almindelig f...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Dactylorhiza maculata (plettet g...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Iris sibirica (sibirisk iris); I...
Undated | gouache on parchment

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Maria Sibylla Merian
Blue Butterflies and Red Larva, ...
1705 | hand-coloured etching and engraving

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Hans Simon Holtzbecker
Lobelia cardinalis (kardinal-lob...
Undated | gouache on parchment

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Maria Sibylla Merian
Caterpillars, Butterflies and Fl...
1705 | hand-coloured etching and engraving

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Maria Sibylla Merian
Caterpillar, cocoon and butterfl...
Undated | coloured engraving

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Maria Sibylla Merian
Fight between a crocodile and a ...
Undated | engraving

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Hans Simon Holtzbecker
Narcissus jonquilla (siv-narcis)...
Undated | gouache on parchment

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Maria Sibylla Merian
Mature Pineapple with Butterflie...
1705 | hand-coloured etching and engraving

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Hans Simon Holtzbecker
Trifolium repens (hvid-kløver); ...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Lunaria annua (judaspenge)
Undated | gouache on parchment

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Maria Sibylla Merian
Great Blue Butterflies and Red F...
1705 | hand-coloured etching and engraving

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Hans Simon Holtzbecker
Campanula trachelium (nælde-klok...
Undated | gouache on parchment

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Maria Sibylla Merian
Lys (lis) rouge - in “” Histoire...
Undated | engraving

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Maria Sibylla Merian
Male Suriname Toad, with Eggs on...
1705 | hand-coloured etching and engraving

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Hans Simon Holtzbecker
Helleborus niger (almindelig jul...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Cyclamen purpurascens (ægte alpe...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Anemone coronaria (fransk anemone)
Undated | gouache on parchment

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Hans Simon Holtzbecker
Tulipa gesneriana (have-tulipan)
Undated | gouache on parchment

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Maria Sibylla Merian
Flos Pavonis. From the Book Meta...
Undated |

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Maria Sibylla Merian
Blue Butterflies and Foliage, 17...
1705 | hand-coloured etching and engraving

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Maria Sibylla Merian
Spectacled Caiman Caiman crocodi...
Undated |

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Hans Simon Holtzbecker
Dracunculus vulgaris (almindelig...
Undated | gouache on parchment

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Maria Sibylla Merian
Still life with fruit, a grassho...
Undated |

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Maria Sibylla Merian
Scorpion and Snake (graphite & w...
Undated | graphite and watercolour on paper

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Hans Simon Holtzbecker
Solanum lycopersicum L. (alminde...
Undated | gouache on parchment

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Maria Sibylla Merian
Spanischer Pfeffer / M.S.Merian
17th century | printmaking

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Maria Sibylla Merian
Sphinx Moth, Larva, Pupa, and Fl...
1705 | hand-coloured etching and engraving

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Maria Sibylla Merian
A Parrot Tulip, Auriculas, Red C...
Undated | black chalk, bodycolour, watercolour and ink on paper

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Hans Simon Holtzbecker
Lilium candidum (madonna-lilje)
Undated | gouache on parchment

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Hans Simon Holtzbecker
Gentiana acaulis (stængelløs ens...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Tulipa clusiana (clusius-tulipan)
Undated | gouache on parchment

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Maria Sibylla Merian
Butterflies, caterpillars and co...
Undated | coloured engraving

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Hans Simon Holtzbecker
Helichrysum orientale (busk-evig...
Undated | gouache on parchment

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Maria Sibylla Merian
Tabroubabaum, Käfer … / M.S.Merian
17th century | printmaking

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Hans Simon Holtzbecker
Lilium pomponium (pompon-lilje);...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Lavandula multifida (aks-lavende...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Allium moly (guld-løg); Allium n...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Colutea arborescens (almindelig ...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Prunus dulcis (mandel); Prunus t...
Undated | gouache on parchment

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Maria Sibylla Merian
Black spiders on Guajave feeding...
Undated | impression

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Hans Simon Holtzbecker
Anemone coronaria L. (fransk ane...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Kksgb2950/65 Urtica pilulifera (...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Amaranthus cruentus (rød amarant...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Rosa gallica (apoteker-rose); Ro...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Amaranthus cruentus (rød amarant)
Undated | gouache on parchment

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Hans Simon Holtzbecker
Achillea ptarmica (sølvknap-røll...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Solanum lycopersicum (almindelig...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Viburnum opulus (almindelig sneb...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Gladiolus communis (almindelig g...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Hermodactylus tuberosus (hermesf...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Aquilegia vulgaris (almindelig a...
Undated | gouache on parchment

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Maria Sibylla Merian
Moths, Caterpillars, and Foliage...
1705 | hand-coloured etching and engraving

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Hans Simon Holtzbecker
Malva sylvestris (almindelig kat...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Nuphar lutea (gul åkande); Nymph...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Tagetes patula (udspærret fløjls...
Undated | gouache on parchment

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Maria Sibylla Merian
Jasmine: with snake, moth, cater...
1730 | coloured engraving

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Hans Simon Holtzbecker
Lupinus pilosus (blå lupin); Lup...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Citrus medica (cedrat)
Undated | gouache on parchment

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Hans Simon Holtzbecker
Nigella hispanica (djævlen i bus...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Lilium martagon (krans-lilje)
Undated | gouache on parchment

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Hans Simon Holtzbecker
Adonis vernalis (vår-adonis); Cy...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Mimosa polydactyla (mangefingret...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Hyacinthus orientalis (almindeli...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Papaver somniferum (opium-valmue)
Undated | gouache on parchment

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Hans Simon Holtzbecker
Narcissus poeticus (pinselilje);...
Undated | gouache on parchment

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Maria Sibylla Merian
Pineapple and cockroach, illustr...
1730 | Unknown

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Hans Simon Holtzbecker
Iris susiana (sørge-iris); Iris ...
Undated | gouache on parchment

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Hans Simon Holtzbecker
Crepis rubra (rød høgeskæg); Sco...
Undated | gouache on parchment

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Page 1 / 7



Maria Sibylla Merian

  April 2, 1647
  January 13, 1717
   •   Nonclassified artists   •   Wikipedia: Maria Sibylla Merian

Who still remembers the woman on the 500 Mark bill, and if they do, who is even familiar with this outstanding "female person" of the 17th century? Maria Sibylla Merian. She was the daughter of Matthäus Merian, Germany's most famous topographer and etcher to this day, whose art she learned about only in a roundabout way, since he died when she was 3 years old. Born in 1747, she belonged to the post-traumatic society of the Thirty Years' War. Her family environment was distinctly European. Her father was from Basel, her stepsiblings' mother from Flanders, her own mother from Wallonia, and her stepfather, the flower painter Jacob Marrel, from the Netherlands. She was highly talented, but she had no interest in the work of her stepbrothers, who continued to publish cityscapes and battle scenes in Frankfurt. She obviously loved nature, especially flowers, and her painterly sketches and especially her etchings, still today, as with her father mistakenly called copper engravings, found and still find great interest.

But this would probably not have been enough to classify her as an exceptional person. During her artistic activity, which showed an early maturity, she developed into an early representative of biological research and at the same time lived a life, even for today's understanding, open and almost novelistic. Where exactly her interest in nature came from can only be guessed. In any case, her most important teacher was Jacob Marrel, a student of Georg Flegel, who is considered today to be the real founder of still-life painting. She married Johann Andreas Graff, a pupil of her stepfather, and moved with him to Nuremberg. There she came to the attention of Joachim Sandrart, the German Vasari. However, the marriage with Graff showed modern traits, which finally ended after a war of roses. Whether this already happened under the influence of the early Pietestist sectarians of the Labadists remains open. A woman as an independent art entrepreneur. In any case, in 1686 she moved to Nieuwerd Castle in the Netherlands into a Purisite community that today would be called a religious commune. However, the climate of the community became so radicalized that she moved to "unholy" Amsterdam in 1791. Her book editions were well respected, but due to the high cost and low circulation, she was forced to engage in sideline activities, such as teaching painting to women. Women and art remained a taboo subject until the end of the 19th century, which even Maria Sibylla could not change.

She was able to stabilize her economic situation to such an extent that she was able to start an expedition for science and art, her journey to Dutch Surinam, an adventure even for men at that time. After selling almost all her possessions, the already over 50-year-old embarked with her younger daughter to Suriname against all well-meaning recommendations. Her two years of research were followed by the publication of her magnum opus, the "Metamorphosis insectorum Surinamensium", the fundamental book on the evolution of butterflies. With this early scientific natural research, she became the founder of butterfly science (lepidopterology). The natural scientists of the 19th century reviled her scientific image, but the founder of modern nomenclature in biology, Carl von Linné, appreciated her work. Unaffected by scientific debates, however, is one insight. Her depictions of plants, butterflies, and flowers remain unmatched.

Maria Sibylla Merian

  April 2, 1647
  January 13, 1717
   •   Nonclassified artists   •   Wikipedia: Maria Sibylla Merian

Who still remembers the woman on the 500 Mark bill, and if they do, who is even familiar with this outstanding "female person" of the 17th century? Maria Sibylla Merian. She was the daughter of Matthäus Merian, Germany's most famous topographer and etcher to this day, whose art she learned about only in a roundabout way, since he died when she was 3 years old. Born in 1747, she belonged to the post-traumatic society of the Thirty Years' War. Her family environment was distinctly European. Her father was from Basel, her stepsiblings' mother from Flanders, her own mother from Wallonia, and her stepfather, the flower painter Jacob Marrel, from the Netherlands. She was highly talented, but she had no interest in the work of her stepbrothers, who continued to publish cityscapes and battle scenes in Frankfurt. She obviously loved nature, especially flowers, and her painterly sketches and especially her etchings, still today, as with her father mistakenly called copper engravings, found and still find great interest.

But this would probably not have been enough to classify her as an exceptional person. During her artistic activity, which showed an early maturity, she developed into an early representative of biological research and at the same time lived a life, even for today's understanding, open and almost novelistic. Where exactly her interest in nature came from can only be guessed. In any case, her most important teacher was Jacob Marrel, a student of Georg Flegel, who is considered today to be the real founder of still-life painting. She married Johann Andreas Graff, a pupil of her stepfather, and moved with him to Nuremberg. There she came to the attention of Joachim Sandrart, the German Vasari. However, the marriage with Graff showed modern traits, which finally ended after a war of roses. Whether this already happened under the influence of the early Pietestist sectarians of the Labadists remains open. A woman as an independent art entrepreneur. In any case, in 1686 she moved to Nieuwerd Castle in the Netherlands into a Purisite community that today would be called a religious commune. However, the climate of the community became so radicalized that she moved to "unholy" Amsterdam in 1791. Her book editions were well respected, but due to the high cost and low circulation, she was forced to engage in sideline activities, such as teaching painting to women. Women and art remained a taboo subject until the end of the 19th century, which even Maria Sibylla could not change.

She was able to stabilize her economic situation to such an extent that she was able to start an expedition for science and art, her journey to Dutch Surinam, an adventure even for men at that time. After selling almost all her possessions, the already over 50-year-old embarked with her younger daughter to Suriname against all well-meaning recommendations. Her two years of research were followed by the publication of her magnum opus, the "Metamorphosis insectorum Surinamensium", the fundamental book on the evolution of butterflies. With this early scientific natural research, she became the founder of butterfly science (lepidopterology). The natural scientists of the 19th century reviled her scientific image, but the founder of modern nomenclature in biology, Carl von Linné, appreciated her work. Unaffected by scientific debates, however, is one insight. Her depictions of plants, butterflies, and flowers remain unmatched.





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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
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