Feel the passion of Ming Dynasty Chinese School in our art prints.

Our art reproductions bring moments of comfort directly into your home.


Discover Artworks Now!


Österreichische Kunstmanufaktur

Feel the passion of Ming Dynasty Chinese School in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Ming Dynasty Chinese School
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of Ming Dynasty Chinese School

These artworks are particularly popular with our customers.

Mongol archer on horseback, from...
Undated | ink and watercolour on paper

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Ten pictures of birds and flower...
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Ten pictures of birds and flower...
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Mynahs, Geese, and Flowering Plum
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The most popular works of Ming Dynasty Chinese School

These artworks are particularly popular with our customers.


Discover more artworks by Ming Dynasty Chinese School

Discover more artworks by Ming Dynasty Chinese School

177 artworks found
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Ming Dynasty Chinese School
Peonies and butterfly
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Ming Dynasty Chinese School
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Ming Dynasty Chinese School
Two men walking in misty grove (...
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Ming Dynasty Chinese School
Listening to a Flute in a Lakesi...
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Ming Dynasty Chinese School
Horse and Monkey (jade)
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Ming Dynasty Chinese School
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Ming Dynasty Chinese School
A seal in the form of a qilin, 1...
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Ming Dynasty Chinese School
Couch Bed (wood)
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Ming Dynasty Chinese School
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Ming Dynasty Chinese School
Phoenixes and Peonies, 14th-15th...
Undated | Silk tapestry

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Ming Dynasty Chinese School
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Ming Dynasty Chinese School
Young woman reading a book of po...
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Ming Dynasty Chinese School
Nymph of the Luo River (ink on p...
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Ming Dynasty Chinese School
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Ming Dynasty Chinese School
Kendi, Jingdezhen kilns, Jiangxi...
Undated | porcelain

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Ming Dynasty Chinese School
Confucius and Buddha Cradling a ...
Undated | ink and colour on silk

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Ming Dynasty Chinese School
 
Undated | china with enamel glaze

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Ming Dynasty Chinese School
Scholar Approaching Secluded Pav...
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Ming Dynasty Chinese School
Enjoying the Breeze in a Watersi...
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Ming Dynasty Chinese School
Chinese lute, moon guitar and ta...
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Ming Dynasty Chinese School
Dragons in clouds and waters (in...
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Ming Dynasty Chinese School
Walking by a Mountain Stream (in...
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Ming Dynasty Chinese School
A woman and a butterfly, 16th-17...
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Ming Dynasty Chinese School
Viewing the Full Moon from a Wat...
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Ming Dynasty Chinese School
Ten pictures of birds and flower...
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Ming Dynasty Chinese School
Travelers in the Springtime Moun...
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Ming Dynasty Chinese School
Hills Along a River, 16th-17th c...
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Ming Dynasty Chinese School
A Figure of Kui xing (carved ivo...
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Ming Dynasty Chinese School
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Ming Dynasty Chinese School
A horse, two men and a boy
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Ming Dynasty Chinese School
Admonishing in Chains
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Ming Dynasty Chinese School
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Ming Dynasty Chinese School
Ten pictures of birds and flower...
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Ming Dynasty Chinese School
Laozi Crossing the Pass, c.1600
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Ming Dynasty Chinese School
Yellow ground dishes painted in ...
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Ming Dynasty Chinese School
Washing the elephant
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Ming Dynasty Chinese School
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Ming Dynasty Chinese School
Dish (stoneware with turquoise g...
Undated | stoneware with turquoise glaze

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Ming Dynasty Chinese School
Realm of the Immortals (ink on p...
Undated | ink on paper

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Ming Dynasty Chinese School
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Ming Dynasty Chinese School
Laozi Delivering the Daodejing (...
Undated | ink on paper

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Ming Dynasty Chinese School
The Bodhisattva Puxian (Samantab...
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Ming Dynasty Chinese School
Swatow polychrome oviform jar, l...
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Ming Dynasty Chinese School
Ten pictures of birds and flower...
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Ming Dynasty Chinese School
Fish and Water Weeds
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Ming Dynasty Chinese School
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Ming Dynasty Chinese School
An Outing on a Snowy Day, c.1500
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Ming Dynasty Chinese School
Figure of Guanyin holding a chil...
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Ming Dynasty Chinese School
Ten pictures of birds and flower...
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Ming Dynasty Chinese School
A rider lassoing a horse
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Ming Dynasty Chinese School
Figure of an official (carved iv...
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Ming Dynasty Chinese School
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Ming Dynasty Chinese School
The Double Screen: Emperor Li Ji...
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Ming Dynasty Chinese School
Ten pictures of birds and flower...
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Ming Dynasty Chinese School
Visiting the Sage at Wei River, ...
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Ming Dynasty Chinese School
Female Immortals Gathering Herbs
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Ming Dynasty Chinese School
Ten pictures of birds and flower...
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Ming Dynasty Chinese School
Bamboo, frog and insects
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Ming Dynasty Chinese School
Mandala (cloisonne enamel) (see ...
Undated | cloisonné enamel

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Ming Dynasty Chinese School
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Ming Dynasty Chinese School
Peregrine on a Rock amid Waves, ...
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Ming Dynasty Chinese School
Two boys playing with the puppet...
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Ming Dynasty Chinese School
Evaluating a Horse
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Ming Dynasty Chinese School
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Ming Dynasty Chinese School
Ten pictures of birds and flower...
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Ming Dynasty Chinese School
Daoist Immortals in the Mountains
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Ming Dynasty Chinese School
Luohan crossing a river, 16th-17...
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Ming Dynasty Chinese School
Three goats under a flowering pl...
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Ming Dynasty Chinese School
The Immortal Lui Hai, 16th-17th ...
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Ming Dynasty Chinese School
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Ming Dynasty Chinese School
Playing the zither beneath a pin...
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Ming Dynasty Chinese School
The Bodhisattva Wenshu (Manjusri)
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Ming Dynasty Chinese School
Plate in copper and cloisonne en...
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Ming Dynasty Chinese School
Verdant Peaks in Clouds, possibl...
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Ming Dynasty Chinese School
Summoning the Sage at Wei River
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Ming Dynasty Chinese School
The Gathering at the Orchid Pavi...
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Ming Dynasty Chinese School
Phoenixes on a Paulownia Tree, c...
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Ming Dynasty Chinese School
The captivity of Cai Wenji, 14th...
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Ming Dynasty Chinese School
A broad view of mountains and wa...
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Ming Dynasty Chinese School
Dhyani Buddha (ink and colour on...
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Ming Dynasty Chinese School
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Ming Dynasty Chinese School
Xuanwu, God of the North, c.1500
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Ming Dynasty Chinese School
Ten pictures of birds and flower...
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Ming Dynasty Chinese School
Jar used as an incense burner, 1...
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Ming Dynasty Chinese School
Camelias, pigeons and song birds
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Ming Dynasty Chinese School
Landscape: two men in a pavilion...
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Ming Dynasty Chinese School
Tile with figure of the Buddha A...
Undated | stoneware with lead-silicate glazes

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Ming Dynasty Chinese School
Detail of an immortal holding a ...
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Ming Dynasty Chinese School
A figure of Kui xing (carved ivo...
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Ming Dynasty Chinese School
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Ming Dynasty Chinese School
Head and bust of a Lohan (iron)
Undated | iron

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Ming Dynasty Chinese School
A Pair of Three-legged Toads
Undated | ink and colour on silk

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Ming Dynasty Chinese School
Wind and Snow at Ba Bridge, 15th...
Undated | ink and colour on silk

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Ming Dynasty Chinese School
The captivity of Cai Wenji, 14th...
Undated | ink on paper

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Ming Dynasty Chinese School
Mountain view (ink, wash and col...
Undated | ink, wash and colour on paper

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Ming Dynasty Chinese School
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Ming Dynasty Chinese School
Birds and flowers, 15th-16th cen...
Undated | ink and colour on silk

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Ming Dynasty Chinese School
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Ming Dynasty Chinese School
Autumn River in the Rain and Clo...
Undated | ink and colour on silk

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Ming Dynasty Chinese School
Stopping the Zither to Watch the...
Undated | ink and colour on silk

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Ming Dynasty Chinese School
Blue and white kraak platter pai...
Undated | porcelain

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Ming Dynasty Chinese School
Jar with three lugs (stoneware w...
Undated | stoneware with ash glaze

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Ming Dynasty Chinese School
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Ming Dynasty Chinese School
Enjoying a meal on board a boat,...
Undated | ink and colour on silk

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Ming Dynasty Chinese School
Birds, plum blossoms, bamboo and...
Undated | ink on silk

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Ming Dynasty Chinese School
Teapot, from Duhua (ceramic)
Undated | ceramic

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Ming Dynasty Chinese School
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Ming Dynasty Chinese School
Herons and Water Plants (ink & c...
Undated | ink and colour on silk

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Ming Dynasty Chinese School
Figure of Wen Chang (boxwood)
Undated | boxwood

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Ming Dynasty Chinese School
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Ming Dynasty Chinese School
Magpies, Waxwing, Hibiscus and C...
Undated | ink and colour on silk

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Ming Dynasty Chinese School
Clear Autumn over Hills and Stre...
Undated | ink and colour on silk

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Ming Dynasty Chinese School
Bottle, late 14th-15th century (...
Undated | ceramic

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Ming Dynasty Chinese School
Pair of Carved Qilin (see also ...
Undated | ivory

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Ming Dynasty Chinese School
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Ming Dynasty Chinese School
Jar decorated with brilliant yel...
Undated | porcelain

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Ming Dynasty Chinese School
A figure of an official (carved ...
Undated | carved ivory

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Ming Dynasty Chinese School
Water-buffaloes and attendants u...
Undated | ink and colour on silk

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Page 1 / 2



Ming Dynasty Chinese School

Two men are sitting comfortably together. "Playing the zither for the friend" - and this is exactly what the ink drawing by Zhang Lu (1490-1563) expresses. The joy of one to play for the friend, and the joy of the other to listen to the friend. In Shen Zhou's masterful ink drawing "Poet on a Mountain Peak," the aforementioned poet can be seen only in modest outline on a rocky plateau rising steeply out of clouds of mist, the rugged mountain landscape "artificially" draped with bushes, cedars and spruces, and two or three cottages. How different "realistic" painting can be! They are meditative miniature stories that the artists of the Ming Dynasty tell with their wonderful ink and wash painting. And although it is figurative painting, it is also at the same time reduced and abstracted to a few brushstrokes and outlines: People, forest or rocks are recognizable, but the paintings search for the essence of the landscape, evoking rather a mood and atmosphere with soft, delicate ink strokes. Realistic - yes. But it is a completely different realism than according to European understanding. Chinese art has been rooted in tradition for centuries. Major stylistic breaks are not recognizable in it from the 7th to well into the 20th century, comparable to icon painting, which is also frozen in fixed guidelines, themes, patterns, figures or colors. But to understand Chinese art as an art of pure copying is wrong: When Chinese artists imitated their predecessors, it was about approximation to the models, about their interpretation.

From the Chinese point of view, the Ming Dynasty (1368-1644) meant a return to Chinese tradition after the foreign rule of the Mongols in the Yuan Dynasty, a restoration not only of the domestic ruling class. The art of the Ming period harked back to the models of the Song and Tang dynasties (960-1279 and 618-907) and, especially in the 14th century, took rigorous action against "deviants"; many artists were arrested and killed. However, unlike in earlier eras, there was no central art academy at court; Ming artists retreated to the safety of their home regions. In the Ming period, two schools, brilliant in their landscape, bird, and flower compositions, are considered predominant: the Zhe School in Zhejiang Province and the Wu School in Suzhou Province at the mouth of the Yangtze River, both in the southeast of the empire. The Zhe school is known for its expressive ink painting. The Wu school is dominated by calligraphy techniques, fine brushstrokes in the tradition of Chinese penmanship, whose lines reflect not only the mood but the personality of the artist. From the late 15th century, the Wu school became increasingly important, including Shen Zhou (1427-1509) with his "Poet on a Mountain Peak." He is considered a major representative of the Wu School. Unlike the civil servant Zhe court painters and like many Wu artists after him, he was not active as a professional painter as part of the official Chinese civil service career, but a so-called gentleman artist, a scholar and "amateur" who was not commissioned by the court, but devoted himself (financially) independently to art.

Towards the end of the Ming era, in the 17th century, the works of art become increasingly free and independent of traditional styles - from the Chinese point of view: "wild" and "chaotic". In addition, with the sporadic appearance of light-shadow and perspective effects, the first European influences can be noticed, after Jesuit missionaries had brought engravings and oil paintings to China.

Ming Dynasty Chinese School

Two men are sitting comfortably together. "Playing the zither for the friend" - and this is exactly what the ink drawing by Zhang Lu (1490-1563) expresses. The joy of one to play for the friend, and the joy of the other to listen to the friend. In Shen Zhou's masterful ink drawing "Poet on a Mountain Peak," the aforementioned poet can be seen only in modest outline on a rocky plateau rising steeply out of clouds of mist, the rugged mountain landscape "artificially" draped with bushes, cedars and spruces, and two or three cottages. How different "realistic" painting can be! They are meditative miniature stories that the artists of the Ming Dynasty tell with their wonderful ink and wash painting. And although it is figurative painting, it is also at the same time reduced and abstracted to a few brushstrokes and outlines: People, forest or rocks are recognizable, but the paintings search for the essence of the landscape, evoking rather a mood and atmosphere with soft, delicate ink strokes. Realistic - yes. But it is a completely different realism than according to European understanding. Chinese art has been rooted in tradition for centuries. Major stylistic breaks are not recognizable in it from the 7th to well into the 20th century, comparable to icon painting, which is also frozen in fixed guidelines, themes, patterns, figures or colors. But to understand Chinese art as an art of pure copying is wrong: When Chinese artists imitated their predecessors, it was about approximation to the models, about their interpretation.

From the Chinese point of view, the Ming Dynasty (1368-1644) meant a return to Chinese tradition after the foreign rule of the Mongols in the Yuan Dynasty, a restoration not only of the domestic ruling class. The art of the Ming period harked back to the models of the Song and Tang dynasties (960-1279 and 618-907) and, especially in the 14th century, took rigorous action against "deviants"; many artists were arrested and killed. However, unlike in earlier eras, there was no central art academy at court; Ming artists retreated to the safety of their home regions. In the Ming period, two schools, brilliant in their landscape, bird, and flower compositions, are considered predominant: the Zhe School in Zhejiang Province and the Wu School in Suzhou Province at the mouth of the Yangtze River, both in the southeast of the empire. The Zhe school is known for its expressive ink painting. The Wu school is dominated by calligraphy techniques, fine brushstrokes in the tradition of Chinese penmanship, whose lines reflect not only the mood but the personality of the artist. From the late 15th century, the Wu school became increasingly important, including Shen Zhou (1427-1509) with his "Poet on a Mountain Peak." He is considered a major representative of the Wu School. Unlike the civil servant Zhe court painters and like many Wu artists after him, he was not active as a professional painter as part of the official Chinese civil service career, but a so-called gentleman artist, a scholar and "amateur" who was not commissioned by the court, but devoted himself (financially) independently to art.

Towards the end of the Ming era, in the 17th century, the works of art become increasingly free and independent of traditional styles - from the Chinese point of view: "wild" and "chaotic". In addition, with the sporadic appearance of light-shadow and perspective effects, the first European influences can be noticed, after Jesuit missionaries had brought engravings and oil paintings to China.





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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Meisterdrucke
Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
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