Feel the passion of Richard Redgrave in our art prints.

Our art reproductions bring moments of comfort directly into your home.


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Österreichische Kunstmanufaktur

Feel the passion of Richard Redgrave in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Richard Redgrave
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available

Richard Redgrave

  April 30, 1804
  December 14, 1888
   •   Realism   •   Wikipedia: Richard Redgrave

Already in his young years, the London-born Richard Redgrave, born at the beginning of the 19th century, felt the desire to become an artist. At that time he was employed in his father's wire fence factory, where he developed sympathies for the poor and oppressed of the working class. Redgrave was not to be able to realize his artistic dream until the age of 22, when he was accepted at the renowned London Royal Academy of Arts.

While at the beginning of his career he mainly painted anecdotal scenes from English literature, later on he became increasingly interested in motifs from the contemporary life of the socially disadvantaged classes. His aim was to use painting to draw attention to the challenges and suffering of the weakest members of society. His most popular motifs therefore include portraits of poor, working women, such as the painting "The Sempstress", which provides an insight into the reality of the life of a young seamstress. This and other works by Redgrave have been exhibited at the Royal Academy, British Institution and the Society of British Artists, making him better known as a painter. However, at the end of his artistic career Redgrave left genre painting and turned to landscape painting. His atmospheric landscapes were stylistically associated with the paintings of the Pre-Raphaelites and the representatives of Romanticism. Meanwhile, Richard Redgrave was not only active as a painter, but also worked in the field of arts and crafts. The vases, jugs and other everyday objects that he created during his creative period as a designer bear witness to his wealth of ideas and forms. Due to his administrative talent, he was also entrusted with the direction of the Government School of Design, where he also worked as a lecturer. There he became one of the most famous reformers of artistic education in England. Redgrave also organised the appearance of the English Art Department at the Universal Exhibition in Paris in 1855 and the London World's Fair in 1866, where his reputation paved the way for his appointment as Head of the Queen Victoria Art Collection. However, he resigned this post after a few years when he wrote the art historical work "A Century of British Painters" together with his brother, Samuel Redgrave. The siblings knew many of the artistic personalities described in it personally, which is why the book is an important source for research into English artists of the 18th and 19th centuries.

In the last part of his life Redgrave increasingly lost his eyesight and died in 1888 as a result of his old age. In the perception of his contemporaries, however, he remained a multi-talented artist who rendered great service to his state.

Richard Redgrave

  April 30, 1804
  December 14, 1888
   •   Realism   •   Wikipedia: Richard Redgrave

Already in his young years, the London-born Richard Redgrave, born at the beginning of the 19th century, felt the desire to become an artist. At that time he was employed in his father's wire fence factory, where he developed sympathies for the poor and oppressed of the working class. Redgrave was not to be able to realize his artistic dream until the age of 22, when he was accepted at the renowned London Royal Academy of Arts.

While at the beginning of his career he mainly painted anecdotal scenes from English literature, later on he became increasingly interested in motifs from the contemporary life of the socially disadvantaged classes. His aim was to use painting to draw attention to the challenges and suffering of the weakest members of society. His most popular motifs therefore include portraits of poor, working women, such as the painting "The Sempstress", which provides an insight into the reality of the life of a young seamstress. This and other works by Redgrave have been exhibited at the Royal Academy, British Institution and the Society of British Artists, making him better known as a painter. However, at the end of his artistic career Redgrave left genre painting and turned to landscape painting. His atmospheric landscapes were stylistically associated with the paintings of the Pre-Raphaelites and the representatives of Romanticism. Meanwhile, Richard Redgrave was not only active as a painter, but also worked in the field of arts and crafts. The vases, jugs and other everyday objects that he created during his creative period as a designer bear witness to his wealth of ideas and forms. Due to his administrative talent, he was also entrusted with the direction of the Government School of Design, where he also worked as a lecturer. There he became one of the most famous reformers of artistic education in England. Redgrave also organised the appearance of the English Art Department at the Universal Exhibition in Paris in 1855 and the London World's Fair in 1866, where his reputation paved the way for his appointment as Head of the Queen Victoria Art Collection. However, he resigned this post after a few years when he wrote the art historical work "A Century of British Painters" together with his brother, Samuel Redgrave. The siblings knew many of the artistic personalities described in it personally, which is why the book is an important source for research into English artists of the 18th and 19th centuries.

In the last part of his life Redgrave increasingly lost his eyesight and died in 1888 as a result of his old age. In the perception of his contemporaries, however, he remained a multi-talented artist who rendered great service to his state.





The most popular works of Richard Redgrave

These artworks are particularly popular with our customers.

Startled Foresters, 1874
1874 | oil on canvas

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The Governess, 1844
1844 | oil on canvas

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The Poor Teacher, 1845
1845 | oil on canvas

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Parkhurst Woods, Abinger, Surrey
Undated | Watercolor on paper

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The most popular works of Richard Redgrave

These artworks are particularly popular with our customers.

1844 | oil on canvas

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1845 | oil on canvas

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Undated | Watercolor on paper

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Discover more artworks by Richard Redgrave

Discover more artworks by Richard Redgrave

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Richard Redgrave
Sketch for "The Outcast", 1851
1851 | oil on canvas

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Richard Redgrave
Ophelia weaving her garlands, 1842
1842 | oil on wood

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Richard Redgrave
The Beech Avenue, Denbies, 1870
1870 | oil on canvas

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Richard Redgrave
View of the funeral car of the D...
1852 | lithograph

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Richard Redgrave
Cinderella and the slipper
Undated |

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Richard Redgrave
Sunday Morning - The Walk from C...
1846 | oil on canvas

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Richard Redgrave
Jonathan Swift's Gulliver trips....
Undated | engraving

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Richard Redgrave
The Pont au Change and the Conci...
1837 | Watercolor on paper

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Richard Redgrave
 
Undated | colour lithograph

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Richard Redgrave
Country Cousins
Undated | colour lithograph

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Richard Redgrave
 
Undated |

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Richard Redgrave
The Lost Path,
Undated | oil on canvas

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Richard Redgrave
 
Undated |

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Richard Redgrave
The Woodland Mirror, 19th century
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Richard Redgrave
The Valleys also Stand Thick wit...
1865 | oil on canvas

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Richard Redgrave
 
Undated |

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Richard Redgrave
The Deserter's Home [1847, Royal...
Undated | oil on canvas

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Richard Redgrave
Young Lady Bountiful (oil)
Undated | oil

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Richard Redgrave
Landscape
Undated | oil on canvas

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Richard Redgrave
Country Cousins, from the pictur...
Undated | engraving

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Richard Redgrave
The Valleys Stand Thick With Cor...
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Richard Redgrave
Country Cousins
Undated | engraving

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Richard Redgrave
 
Undated | oil on canvas

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Richard Redgrave
The Wedding Morning - The depart...
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Richard Redgrave
Jug, executed by J. F. Christy, ...
1847 | glass, enamel decoration

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Richard Redgrave
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Richard Redgrave
A Boy standing, holding a basket...
Undated |

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Richard Redgrave
The Child's Prayer
Undated | engraving

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Richard Redgrave
 
Undated | oil on canvas

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Richard Redgrave
 
Undated | Watercolor and graphite with chalk and gouache on moderately thick, slightly textured, cream wove paper

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Richard Redgrave
Study for The Sylvan Spring, 1854
1854 | oil on panel

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Richard Redgrave
The Teacher
Undated | engraving

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Richard Redgrave
 
Undated |

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Richard Redgrave
Unbekanntes Bild
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Richard Redgrave
Sketch of Two Children, c.1852
Undated | watercolour on paper

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Richard Redgrave
Sun Dappled Woods, Surrey (water...
Undated | watercolour and bodycolour

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Richard Redgrave
 
Undated |

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Richard Redgrave
The Heron Disturbed, c.1850 (oil...
1850 | oil on millboard

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Richard Redgrave
The Firing Of The Beacon 1868-18...
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Richard Redgrave
The Deserters Home
1847 | oil on canvas

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Richard Redgrave
Dilatory
Undated | oil on canvas

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Richard Redgrave
Brobdingnag Farmer looking at Gu...
Undated | Black and white chalk on buff paper

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Richard Redgrave
 
Undated |

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Richard Redgrave
The children in the wood-morning
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Richard Redgrave
Study for Country Cousins, c. 18...
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Richard Redgrave
 
Undated | Watercolor and graphite on medium, slightly textured, cream wove paper

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Richard Redgrave
 
Undated | colour lithograph

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Richard Redgrave
Study for "Country Cousins"
Undated | black, red, and white chalk

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Richard Redgrave
Girl Dreaming
Undated | watercolour on paper

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Richard Redgrave
 
1832 | Oil on panel

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Richard Redgrave
 
Undated | oil on canvas

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Richard Redgrave
 
Undated | watercolour on paper

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Richard Redgrave
 
Undated | oil on panel

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Richard Redgrave
The Lost Path
Undated | engraving

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Richard Redgrave
 
Undated | oil on panel

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Richard Redgrave
Self Portrait, c.1827-37 (oil on...
Undated | oil on panel

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Richard Redgrave
 
Undated |

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Richard Redgrave
 
Undated | Oil on prepared board

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Richard Redgrave
Self-Portrait
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Richard Redgrave
PD.247-1989 An Overshot Mill (wa...
Undated | watercolour over graphite on paper

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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