Feel the passion of Simone Martini in our art prints.

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Österreichische Kunstmanufaktur

Feel the passion of Simone Martini in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Simone Martini
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of Simone Martini

These artworks are particularly popular with our customers.

 
Undated | painting

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Guidoriccio da Fogliano. represe...
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The Annunciation with St. Margar...
1333 | tempera on panel

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The most popular works of Simone Martini

These artworks are particularly popular with our customers.


Discover more artworks by Simone Martini

Discover more artworks by Simone Martini

181 artworks found
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Simone Martini
 
1328 | painting

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Simone Martini
St. Augustine, c.1319 (tempera w...
Undated | tempera with gold on panel

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Simone Martini
Guido Riccio da Fogliano / Simon...
1328 | Fresh

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Simone Martini
St. Elizabeth of Hungary (or Thu...
Undated | fresco

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Simone Martini
The miracle of the baby who fell...
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Simone Martini
Saint Clare of Assisi (Chiara Of...
Undated | fresco

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Simone Martini
Fresco of the life of Saint Mart...
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Simone Martini
Saint Martin shares his coat wit...
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Simone Martini
Episodes of the life of Saint Ma...
Undated | painting

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Simone Martini
The Annunciation and Two Saints,...
1333 |

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Simone Martini
Fresco of the life of Saint Mart...
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Simone Martini
Mary Magdalene, 1320s
1320 |

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Simone Martini
The Angel of the Annunciation, c...
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Simone Martini
The Annunciation and Two Saints,...
1333 |

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Simone Martini
Saint Anthony of Padua and St Fr...
Undated | painting

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Simone Martini
Gabriel, from the Orsini Polypty...
Undated | tempera on panel

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Simone Martini
Polyptych of the Blessed Agostin...
Undated | tempera on panel

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Simone Martini
St. Louis of Toulouse (1274-97) ...
1317 | tempera on panel

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Simone Martini
Madonna and Child, ca. 1326.
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Simone Martini
Guidoriccio da Fogliano. Guido R...
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Simone Martini
Fresco of the life of Saint Mart...
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Simone Martini
Saint Francis of Assisi, detail ...
Undated | fresco

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Simone Martini
Saint Margarita of Antioch (form...
Undated | painting

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Simone Martini
Saint Catherine of Alexandria - ...
Undated | fresco

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Simone Martini
St. Martin sharing his cloak wit...
1326 | Fresh

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Simone Martini
Fresco of the life of Saint Mart...
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Simone Martini
The Angel of the Annunciation, c...
1333 | tempera on panel

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Simone Martini
Saint Louis Bishop of Toulouse c...
Undated | oil on panel

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Simone Martini
 
1320 | tempera on panel

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Simone Martini
Miracle of baby who fell from cr...
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Simone Martini
St Martin is Knighted, 1312-1317.
1312 |

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Simone Martini
Polyptych Orsini: Christ carryin...
Undated | paint on wood

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Simone Martini
Life of Saint Martin of Tours (3...
Undated | fresco

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Simone Martini
Five Saints, detail of St....
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Simone Martini
The Annunciation with two saints...
1333 | tempera on panel

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Simone Martini
St. Louis of Toulouse (1274-97) ...
1317 | tempera on panel

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Simone Martini
The Blessed Agostino Novello Alt...
Undated | Oil on panel

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Simone Martini
The miracle of the child grabs b...
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Simone Martini
Altarpiece entitled Blessed Agos...
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Simone Martini
Commemoration of Guidoriccio da ...
1328 | fresco

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Simone Martini
The miracle of the child falls f...
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Simone Martini
Commemoration of Guidoriccio da ...
1328 | Fresh

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Simone Martini
Christ on the Cross, c.1340 (tem...
Undated | tempera and gold on panel

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Simone Martini
St Martin Renounces his Weapons,...
1312 |

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Simone Martini
Madonna of the Annunciation, c13...
1304 |

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Simone Martini
Madonna with Chid
undatiert | Oil on panel

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Simone Martini
The Death of St. Martin, from th...
Undated | Fresh

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Simone Martini
Blessed Agostino Novello Altarpi...
1324 |

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Simone Martini
Commemoration of Guidoriccio da ...
1328 | fresco

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Simone Martini
St Elizabeth of Hungary (detail,...
Undated | painting

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Simone Martini
The Magdalene, detail of Altarpi...
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Simone Martini
Annunciation (with Saint Judith ...
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Simone Martini
Tympanum depicting the Virgin of...
1341 | Fresh

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Simone Martini
Agostino Novella Rescuing a Chil...
Undated | tempera on panel

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Simone Martini
Road to Calvary (tempera and gol...
Undated | tempera and gold leaf on panel

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Simone Martini
The Italian monk Agostino Novell...
Undated | tempera on panel

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Simone Martini
A Saint Holding a Book, 1344
1344 | tempera on panel

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Simone Martini
St Martins Dream, 14th century.
1304 |

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Simone Martini
Saint Louis of Anjou (of Toulous...
Undated | painting

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Simone Martini
Virgin Annunciate. Peinture de S...
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Simone Martini
St. Geminianus, St. Michael and ...
Undated | tempera with gold on panel

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Simone Martini
 
Undated | tempera on poplar panel

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Simone Martini
Le portement de croix Painting o...
Undated | oil on canvas

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Simone Martini
Crucifix with The Virgin and Sai...
Undated | tempera on wood

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Simone Martini
Madonna and Child
1318 | Fresh

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Simone Martini
Deposition, from the Orsini Poly...
Undated | tempera on panel

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Simone Martini
Five Saints, detail of St. Clare
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Simone Martini
Maesta, detail of St. Michael, 1...
1315 | fresco

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Simone Martini
Saint Andrew, ca. 1326.
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Simone Martini
Maesta, 1315
1315 | Fresh

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Simone Martini
Calvary, from the Orsini Polypty...
Undated | tempera on panel

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Simone Martini
Maesta: Two-faced Figure Represe...
1315 |

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Simone Martini
Saint Catherine of Alexandria Po...
1319 | tempera on wood

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Simone Martini
The Virgin Mary and Child, c.132...
Undated | canvas laid over poplar

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Simone Martini
Saint Louis de Toulouse (Louis d...
Undated | stained glass

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Simone Martini
Saint Francis of Assisi and St L...
Undated | fresco

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Simone Martini
Agostino Saving a Man who Fell f...
Undated | oil on wood

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Simone Martini
Saint Ansanus, ca. 1326.
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Simone Martini
Detail of musicians from the Lif...
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Simone Martini
St. John the Evangelist, 1320 (t...
1320 | tempera on panel

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Simone Martini
Saint Augustine, 1320s.
1320 |

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Simone Martini
The Madonna and Child, detail fr...
Undated |

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Simone Martini
Maesta, detail of the Madonna an...
1315 | fresco

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Simone Martini
Saint Judas Thaddeus, c. 13151320.
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Simone Martini
Maesta: Jacob, detail from the f...
1315 |

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Simone Martini
The miracle of the knight fallin...
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Simone Martini
Tympanum depicting Christ the Re...
1341 | Fresh

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Simone Martini
Saint Peter and Saint Mary Magda...
Undated | painting

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Simone Martini
Woman leaning over balcony, deta...
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Simone Martini
The Descent from the Cross (temp...
Undated | tempera on gold panel

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Simone Martini
Mary, from the Orsini Polyptych ...
Undated | tempera on panel

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Simone Martini
Detail of a falconer from the li...
Undated | Fresh

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Simone Martini
Virgin Annunciate, right hand pa...
1340 | tempera on panel

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Simone Martini
Detail of the military camp behi...
Undated | fresco

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Page 1 / 2



Simone Martini

  1282
  1344
Gothic Art

Simone Martini must have seen paradise. At least that was Petrarch's verdict after seeing Martini's portrait of his beloved Laura. For in addition to her physical beauty, the painter had also captured her heavenly virtues. Who was this man with apparently almost supernatural abilities? Simone Martini was indeed one of the leading painters of the early 14th century. On the cusp of modern times, his art fed on the sources of the past and pointed ahead to what was to come. Martini lived in a time of artistic upheaval. For example, he was a contemporary of the Florentine sculptor and builder Filippo Brunelleschi (1377-1447), who is credited with discovering perspective. According to a disputed rendering of an epitaph by Vasari, Simone Martini was born in Siena in 1284. According to custom, he joined the school of a master as an apprentice. Duccio di Buoninsegna is the most likely choice, although Renaissance sources also bring Giotto di Bondone into play. In any case, he was in exchange with the greats of his time.

In Martini's first secured work, the Maestà for the Palazzo Pubblico in Siena of 1315, he already confronts us as a painter of his own standing. His fame spread quickly and led him to Naples in 1317 as court painter to Robert of Anjou, where he painted the coronation of the king by his canonized brother Louis of Toulouse for San Lorenzo Maggiore. This was followed in 1322-1326 by a cycle of frescoes with scenes from the life of St. Martin for the Chapel of St. Martin in the Basilica of San Francesco in Assisi, in 1342 by the polyptych of the Passion for the Orsini family, and in 1329 by a depiction of Guidoriccio da Fogliano at the siege of Montemassi again in the Palazzo Pubblico in Siena. In 1335, Pope Benedict XII summoned Martini to Avignon to paint the chapel. Martini to Avignon to decorate the papal court with frescoes. It was at this time that he met Petrarch, who commissioned a portrait of Laura as well as the frontispiece for his edition of Servius' commentary on Virgil. The friendship between painting and poetry in the figure of the two men is a significant episode from the early period of humanism.

Martini's innovative power is already evident in the Maestà in Siena. Duccio's influence is still apparent, for example in the Byzantine influences taken from the Pisan school and Giotto. The work captivates with its light brushwork and fine, detailed execution in vivid and sumptuous color. The flowing Gothic forms from beyond the Alps, miniatures and the goldsmith's art left their impression, as did arabesque elements from the work of the Sienese sculptor Lorenzo Maitani or the painterly realism of Giotto. During his work in Avignon, Martini's oeuvre fused Italian and French styles into a new style of painting that became known as the School of Avignon. Simone Martini died highly respected in Avignon in 1344.

Simone Martini

  1282
  1344
Gothic Art

Simone Martini must have seen paradise. At least that was Petrarch's verdict after seeing Martini's portrait of his beloved Laura. For in addition to her physical beauty, the painter had also captured her heavenly virtues. Who was this man with apparently almost supernatural abilities? Simone Martini was indeed one of the leading painters of the early 14th century. On the cusp of modern times, his art fed on the sources of the past and pointed ahead to what was to come. Martini lived in a time of artistic upheaval. For example, he was a contemporary of the Florentine sculptor and builder Filippo Brunelleschi (1377-1447), who is credited with discovering perspective. According to a disputed rendering of an epitaph by Vasari, Simone Martini was born in Siena in 1284. According to custom, he joined the school of a master as an apprentice. Duccio di Buoninsegna is the most likely choice, although Renaissance sources also bring Giotto di Bondone into play. In any case, he was in exchange with the greats of his time.

In Martini's first secured work, the Maestà for the Palazzo Pubblico in Siena of 1315, he already confronts us as a painter of his own standing. His fame spread quickly and led him to Naples in 1317 as court painter to Robert of Anjou, where he painted the coronation of the king by his canonized brother Louis of Toulouse for San Lorenzo Maggiore. This was followed in 1322-1326 by a cycle of frescoes with scenes from the life of St. Martin for the Chapel of St. Martin in the Basilica of San Francesco in Assisi, in 1342 by the polyptych of the Passion for the Orsini family, and in 1329 by a depiction of Guidoriccio da Fogliano at the siege of Montemassi again in the Palazzo Pubblico in Siena. In 1335, Pope Benedict XII summoned Martini to Avignon to paint the chapel. Martini to Avignon to decorate the papal court with frescoes. It was at this time that he met Petrarch, who commissioned a portrait of Laura as well as the frontispiece for his edition of Servius' commentary on Virgil. The friendship between painting and poetry in the figure of the two men is a significant episode from the early period of humanism.

Martini's innovative power is already evident in the Maestà in Siena. Duccio's influence is still apparent, for example in the Byzantine influences taken from the Pisan school and Giotto. The work captivates with its light brushwork and fine, detailed execution in vivid and sumptuous color. The flowing Gothic forms from beyond the Alps, miniatures and the goldsmith's art left their impression, as did arabesque elements from the work of the Sienese sculptor Lorenzo Maitani or the painterly realism of Giotto. During his work in Avignon, Martini's oeuvre fused Italian and French styles into a new style of painting that became known as the School of Avignon. Simone Martini died highly respected in Avignon in 1344.





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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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