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Feel the passion of Thomas Daniell in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

Discover artworks now!
Thomas Daniell
Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options
Ă–sterreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options

Thomas Daniell

1749   -   March 19, 1840
Landscape painting   •   Wikipedia: Thomas Daniell

India - dream of a better life for Thomas Daniell. India - palaces, Hindu temples, Far East, oriental exoticism. India - shaken by wars, famines, poverty, devastation, social dislocation, resistance to the conquerors. India - object of desire for the British East India Company, trading company for the colonization of the Indian subcontinent.

In 1784, Thomas Daniell, a skilled painter of coats of arms and landscapes, receives permission from the East India Company to work in Calcutta as an engraver. India can be a good market for the artist: Pictures show the foreign country, create a link between the distant subcontinent and the British homeland, at the same time serve their desires and dreams of oriental exoticism, of magnificent buildings like from the fairy tales of 1001 nights. But pictures also show the new colonial architecture that is just emerging, the administrative buildings of the British and document the British claim to power in India. And last but not least, pictures decorate the residences of the British, the "expatriates", in Calcutta. For seven years, until 1793, Thomas Daniell and his 16-year-old nephew William Daniell traveled through India, which at that time meant: on foot or on horseback, with ox carts, in a boat, up the Ganges from Calcutta to Srinagar, from Madras across Mysore and finally to Bombay. Her sketches and watercolors show intimidatingly "modern" English barracks and government residences, depict exotic palaces, mausoleums, pagodas, monuments, ruins, temples, often transfigured into fairy tales and superficially nothing but picturesquely placed amidst the "exotic" Indian landscape. Hardly once do people appear in them, and if they do, then usually only dimly. In her city views, Calcutta is a generous, dazzlingly white city in the neoclassical style. No trace in her pictures of war and misery (but in the diaries of William Daniell).

Their Indian buildings, set as landmarks in the landscape, look like architectural models - and there's a reason for that: a camera obscura allowed them to view objects at great distances in detail and perspective - almost like taking a photograph. Through a hole in the wall of a locked, dark room or box, the light beam penetrates and "casts" the inverted but very accurate image onto the opposite wall or screen. This helps capture proportions, outlines and points correctly for the human eye on a surface, in 2D. The Daniells made a drawing right on the spot and produced oil paintings, engravings, and aquatint etchings, "painterly" ink-like etchings with strong color gradients, from some of the designs while still in Calcutta. Great examples of this process include Francisco de Goya's "Caprichos."

However, sales of their artwork did not go as well as expected in India, plus the Daniells were in failing health. Back in England, they created 144 aquatints beginning in 1795 for their "Oriental Scenery" project, an exclusive series distributed by subscription of two engravings every two months. The complete bound work of the "Oriental Scenery" with six volumes was not completed until 1808 and is still influential in the style of oriental decor.

Thomas Daniell

1749   -   March 19, 1840
Landscape painting   •   Wikipedia: Thomas Daniell

India - dream of a better life for Thomas Daniell. India - palaces, Hindu temples, Far East, oriental exoticism. India - shaken by wars, famines, poverty, devastation, social dislocation, resistance to the conquerors. India - object of desire for the British East India Company, trading company for the colonization of the Indian subcontinent.

In 1784, Thomas Daniell, a skilled painter of coats of arms and landscapes, receives permission from the East India Company to work in Calcutta as an engraver. India can be a good market for the artist: Pictures show the foreign country, create a link between the distant subcontinent and the British homeland, at the same time serve their desires and dreams of oriental exoticism, of magnificent buildings like from the fairy tales of 1001 nights. But pictures also show the new colonial architecture that is just emerging, the administrative buildings of the British and document the British claim to power in India. And last but not least, pictures decorate the residences of the British, the "expatriates", in Calcutta. For seven years, until 1793, Thomas Daniell and his 16-year-old nephew William Daniell traveled through India, which at that time meant: on foot or on horseback, with ox carts, in a boat, up the Ganges from Calcutta to Srinagar, from Madras across Mysore and finally to Bombay. Her sketches and watercolors show intimidatingly "modern" English barracks and government residences, depict exotic palaces, mausoleums, pagodas, monuments, ruins, temples, often transfigured into fairy tales and superficially nothing but picturesquely placed amidst the "exotic" Indian landscape. Hardly once do people appear in them, and if they do, then usually only dimly. In her city views, Calcutta is a generous, dazzlingly white city in the neoclassical style. No trace in her pictures of war and misery (but in the diaries of William Daniell).

Their Indian buildings, set as landmarks in the landscape, look like architectural models - and there's a reason for that: a camera obscura allowed them to view objects at great distances in detail and perspective - almost like taking a photograph. Through a hole in the wall of a locked, dark room or box, the light beam penetrates and "casts" the inverted but very accurate image onto the opposite wall or screen. This helps capture proportions, outlines and points correctly for the human eye on a surface, in 2D. The Daniells made a drawing right on the spot and produced oil paintings, engravings, and aquatint etchings, "painterly" ink-like etchings with strong color gradients, from some of the designs while still in Calcutta. Great examples of this process include Francisco de Goya's "Caprichos."

However, sales of their artwork did not go as well as expected in India, plus the Daniells were in failing health. Back in England, they created 144 aquatints beginning in 1795 for their "Oriental Scenery" project, an exclusive series distributed by subscription of two engravings every two months. The complete bound work of the "Oriental Scenery" with six volumes was not completed until 1808 and is still influential in the style of oriental decor.

Artworks by Thomas Daniell

Artworks by Thomas Daniell

146 artworks found
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146 artworks found

Thomas Daniell
View Taken on the Esplanade, Cal...
1797 | coloured aquatint

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Thomas Daniell
Dusasumade Gaut, at Benares on t...
1796 | colour lithograph

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Thomas Daniell
The Chalees Satoon, in the Fort ...
1795 | colour lithograph

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Thomas Daniell
The Great Pagoda, Tanjore, plate...
1798 | coloured aquatint

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Thomas Daniell
The Western Entrance of Shere Sh...
1796 | colour lithograph

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Thomas Daniell
 
Undated | oil on canvas

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Thomas Daniell
The government house in Ft. St. ...
1798 | Unknown

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Thomas Daniell
Ramnugur, near Benares, on the R...
1796 | colour lithograph

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Thomas Daniell
 
Undated | Watercolor, brown ink, black ink, and graphite on thick, moderately textured, light blue laid paper

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Thomas Daniell
The Jummah Musjed, Delhi, plate ...
1797 | coloured aquatint

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Thomas Daniell
The Council House, Calcutta, pla...
1798 | colour lithograph

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Thomas Daniell
 
Undated | oil on canvas

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Thomas Daniell
The Taj Mahal at Agra, from 'Ori...
1796 | colour lithograph

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Thomas Daniell
Western Entrance of Fort St. Geo...
1798 | colour lithograph

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Thomas Daniell
The Taj Mahal, Agra, Uttar Prade...
1789 | pencil and watercolour

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Thomas Daniell
Gate of a Mosque built by Hafiz ...
1825 | hand-coloured aquatint

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Thomas Daniell
Part of the City of Patna, on th...
1795 | colour lithograph

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Thomas Daniell
Hindu Temples at Agori, Uttar Pr...
Undated | pencil and watercolour

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Thomas Daniell
Street Scene, from "Views in Cal...
1786 | hand-coloured aquatint

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Thomas Daniell
South East View of Fort St. Geor...
1797 | colour lithograph

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Thomas Daniell
Port of Cheringhee, Calcutta, pl...
1798 | colour lithograph

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Thomas Daniell
The Mosque at Juanpore Built by ...
Undated | Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper, mounted on, moderately thick, rough, cream, wove paper

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Thomas Daniell
View in the Fort, Madura, plate ...
1797 | coloured aquatint

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Thomas Daniell
 
Undated | Watercolor and graphite on medium, slightly textured, cream laid paper, mounted to thick, moderately textured, cream laid paper

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Thomas Daniell
Musoleum of Sultan Purveiz, near...
Undated |

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Thomas Daniell
An Ancient Hindoo Temple in the ...
Undated | colour lithograph

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Thomas Daniell
The Hongs at Canton from the sou...
Undated | oil on canvas

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Thomas Daniell
The Hongs, Canton (oil on canvas)
Undated | oil on canvas

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Thomas Daniell
Ruins of the Ancient City of Gou...
1795 | colour lithograph

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Thomas Daniell
 
Undated | Watercolor and gray ink over graphite on medium, slightly textured, cream laid paper

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Thomas Daniell
The Assembly Rooms on the Race G...
1798 | colour lithograph

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Thomas Daniell
 
Undated | pencil and watercolour

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Thomas Daniell
Inside Of Kanaree Cave At Salset...
1827 | oil on canvas

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Thomas Daniell
The Great Bull, An Hindoo Idol, ...
Undated |

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Thomas Daniell
The Mausoleum of Mucdoom Shah Do...
Undated |

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Thomas Daniell
The Qutb Minar, Delhi, c. 1789
Undated | pencil and watercolour

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Thomas Daniell
The Mausoleum of Makhdum Shah Da...
Undated | pencil, pen and grey ink, watercolour

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Thomas Daniell
The Writers' Buildings, Calcutta...
1798 | colour lithograph

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Thomas Daniell
Gate Leading to a Musjed at Chun...
1797 | colour lithograph

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Thomas Daniell
 
Undated | Watercolor and graphite on thick, slightly textured, cream laid paper

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Thomas Daniell
 
Undated | oil on canvas

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Thomas Daniell
The Bridge at Juonpore, Bengal, ...
Undated | colour lithograph

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Thomas Daniell
Interior of the Palace, Madura, ...
1798 | coloured aquatint

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Thomas Daniell
A Hindu Temple in the Fort of Ro...
Undated | pencil and watercolour

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Thomas Daniell
Part of the Palace, Madura, plat...
Undated | coloured aquatint

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Thomas Daniell
The Atala Mosque, Jaunpur, Utta...
Undated | Pencil, pen and black ink, watercolour

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Thomas Daniell
Hindoo Temple near Currah, on th...
1796 | colour lithograph

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Thomas Daniell
Hindu Temple at Bindrabund on th...
1922 | oil painting

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Thomas Daniell
The Purana Qila, Delhi,
Undated | pencil and watercolour

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Thomas Daniell
Eastern Gate of the Jummah Musji...
1795 | colour lithograph

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Thomas Daniell
The Gateway of the Taj Mahal, Ag...
Undated | pencil and watercolour

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Thomas Daniell
Hindu Temple in the Fort of the ...
Undated |

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Thomas Daniell
Hindoo Temple at Madura, plate X...
1798 | coloured aquatint

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Thomas Daniell
Part of the City of Patna, on th...
1795 | coloured aquatint

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Thomas Daniell
The Armenian Bridge, near St. Th...
1798 | colour lithograph

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Thomas Daniell
Ramnagar, Near Benares [Varanasi...
Undated | Pencil, pen and black ink, watercolour

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Thomas Daniell
Gate of the Tomb of the Emperor ...
1795 | colour lithograph

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Thomas Daniell
The Tomb of a Moorish Lady, Beng...
Undated | colour lithograph

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Thomas Daniell
Calcutta from the River Hoogly: ...
1788 | aquatint, ink and watercolour on paper

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Thomas Daniell
The Panch Mahal Gate, Lucknow, U...
Undated | pencil, pen, brown and black ink, watercolour

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Thomas Daniell
 
Undated | Watercolor, with pen, in brown ink, and graphite on medium, slightly textured, cream laid paper, mounted on, moderately thick, moderately textured, blued white, laid paper

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Thomas Daniell
The Taje Mahal, at Agra
Undated |

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Thomas Daniell
Tiger Hunting in the East Indies...
Undated | oil on canvas

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Thomas Daniell
Ruins of the Palace, Madura, pla...
1798 | coloured aquatint

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Thomas Daniell
 
Undated | oil on canvas

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Thomas Daniell
View on the Chitpore Road, Calcu...
1797 | coloured aquatint

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Thomas Daniell
 
Undated | Watercolor, gray wash, and graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, beige, wove paper

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Thomas Daniell
Ramnugur, near Bernares, on the ...
Undated | engraving

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Thomas Daniell
A Pagoda, engraved by Joseph Con...
1804 | colour lithograph

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Thomas Daniell
 
Undated | Graphite with gray wash on medium, slightly textured, cream laid paper

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Thomas Daniell
The North West View of Rohtasgar...
Undated | pencil and watercolour

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Thomas Daniell
 
1795 | hand coloured llithograph

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Thomas Daniell
The Government House, Fort St. G...
1798 | colour lithograph

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Thomas Daniell
The Mausoleum of Prince Khusrau,...
Undated | pencil and watercolour

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Thomas Daniell
North East View of the Cotsea Bh...
1795 | colour lithograph

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Thomas Daniell
View Taken on the Esplanade, Cal...
1797 | hand-coloured aquatint

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Thomas Daniell
View in the Fort of Trichinopoly...
1798 | colour lithograph

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Thomas Daniell
Ramnugur near Bernares on the ri...
Undated |

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Thomas Daniell
The Entrance to a Cave Near Gyah...
Undated | oil on canvas

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Thomas Daniell
 
Undated | Watercolor, with pen and brown ink and graphite on medium, moderately textured, cream laid paper, mounted on thick, slightly textured, cream wove paper

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Thomas Daniell
 
Undated | Gray ink and gray wash over graphite on medium, smooth, cream laid paper

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Thomas Daniell
The Rope Bridge, Srinagar, Garhw...
Undated | pencil and watercolour

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Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

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Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

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Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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+43 4257 29415 · office@meisterdrucke.com
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