Feel the passion of Thomas Fearnley in our art prints.

Our art reproductions bring moments of comfort directly into your home.


Discover Artworks Now!


Österreichische Kunstmanufaktur

Feel the passion of Thomas Fearnley in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Thomas Fearnley
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of Thomas Fearnley

These artworks are particularly popular with our customers.

Norwegian Waterfall, 1840
1840 | oil on paper laid down on canvas

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Landskap med vandringsmann
1830 | oil on canvas

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The most popular works of Thomas Fearnley

These artworks are particularly popular with our customers.


Discover more artworks by Thomas Fearnley

Discover more artworks by Thomas Fearnley

59 artworks found
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Thomas Fearnley
The hunt near Königssee
Undated |

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Thomas Fearnley
 
1834 | oil on canvas

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Thomas Fearnley
 
Undated | oil on paper mounted on canvas

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Thomas Fearnley
View over Napoli gulf
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Thomas Fearnley
Ramsau (oil on paper)
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Thomas Fearnley
An Autumn Morning at Konigssee, ...
1835 | oil on canvas

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Thomas Fearnley
 
Undated | oil on paper

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Thomas Fearnley
 
Undated | oil on canvas

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Thomas Fearnley
Hunting Waterfowl, 1828
1828 | oil on canvas

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Thomas Fearnley
 
Undated | oil on canvas

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Thomas Fearnley
At the beach
Undated | oil on canvas

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Thomas Fearnley
 
Undated | oil on board

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Thomas Fearnley
 
1842 | oil on canvas

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Thomas Fearnley
 
1839 | Unknown

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Thomas Fearnley
Pergola with Oranges, c. 1834.
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Thomas Fearnley
 
Undated | oil on canvas

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Thomas Fearnley
 
Undated | oil on canvas

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Thomas Fearnley
 
Undated | oil on canvas

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Thomas Fearnley
The Labro Falls, 1824-42.
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Thomas Fearnley
 
Undated | oil on canvas

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Thomas Fearnley
 
Undated |

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Thomas Fearnley
Landskab med klipper, træer og e...
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Thomas Fearnley
 
Undated | oil on canvas

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Thomas Fearnley
 
Undated |

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Thomas Fearnley
A View of Vesuvius (oil on board)
Undated | oil on board

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Thomas Fearnley
Pergola with Oranges, c.1834 (oi...
Undated | oil on paper mounted on canvas

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Thomas Fearnley
 
1834 | oil on canvas

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Thomas Fearnley
A Terrace in Amalfi in Moonlight...
Undated | oil on paper mounted on board

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Thomas Fearnley
Wildwasser. Naturstudie
Undated | Oil on paper on pressed cardboard

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Thomas Fearnley
 
Undated |

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Thomas Fearnley
The Grindelwaldgletscher
1837 | oil on canvas

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Thomas Fearnley
 
Undated | oil on canvas

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Thomas Fearnley
""Le pont d'Arendal, Norvege"" P...
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Thomas Fearnley
 
Undated | oil on canvas

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Thomas Fearnley
Study from Grindewald glacier
Undated | landscape;nature;glacier;

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Thomas Fearnley
 
Undated |

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Thomas Fearnley
The painters Fearnley, Achenbach...
Undated | painting

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Thomas Fearnley
Hilly landscape with a river in ...
1834 | Oil on panel

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Thomas Fearnley
 
Undated | painting

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Thomas Fearnley
München nach dem Gewitter
1831 | painting

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Thomas Fearnley
 
Undated | oil on board

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Thomas Fearnley
 
Undated |

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Thomas Fearnley
 
Undated | oil on board

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Thomas Fearnley
 
Undated | oil on canvas

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Thomas Fearnley
 
Undated | oil on canvas

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Thomas Fearnley
München nach dem Gewitter
Undated | canvas

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Thomas Fearnley
 
Undated | painting

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Thomas Fearnley
 
Undated | painting

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Thomas Fearnley
 
Undated | painting

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Thomas Fearnley
Akers river
Undated | painting

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Thomas Fearnley
 
Undated | painting

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Thomas Fearnley

Thomas Fearnley

Just five years old, poor little Thomas Fearnley was sent to Christiania (modern-day Oslo) to live with his aunt and uncle. This early turn in his life, however, proved to be a stroke of luck. For it so happened that he was accepted at the Norwegian Military Academy. And this was one of the few places in Norway at the time where one could learn to draw professionally. Unfortunately, Thomas had difficulties with discipline and broke off his military education at 17. But he remained faithful to drawing and attended evening classes at the then newly opened Tegneskolen (drawing school). He was a gifted student. And so two of Fearnley's paintings were shown in the drawing school's first public exhibition. The young artist's drawings hung on equal footing with prominent names in Norwegian art history, such as J. C. Dahl and Johannes Flintoe. The exhibition, at which Thomas was thus in the thick of things, caused a sensation. For the first time, residents of the capital were able to see their homeland through the eyes of an artist and rediscover Norway's magnificent natural beauty.

As innovative as the drawing school was, artistic opportunities for young aspiring artists were very limited in Norway. So Thomas decided to continue his studies in Copenhagen and Dresden, England, Holland and Stockholm. The decision to go to Sweden proved to be another fortunate coincidence in his life. For the Swedish royal family commissioned several paintings from him. Despite his success, however, he did not last long in Stockholm. Soon after, Fearnley set off for Italy. He covered the distance from Munich over the Alps to Verona on foot. It was a cold and wet trip. One of his companions and friends, the Danish painter William Bendz, caught pneumonia on the way and died shortly after arriving in bella Italia.

Thomas himself stayed in Italy for two years, perfecting his technique of light incidence and shadow casting. When he finally set out on his return journey, he chose the route over the Bernese Alps and found there that motif which was to become one of his main motifs: the Upper Grindelwald Glacier, which at that time still reached down to the village and was easily accessible to tourists. Today, due to climate change, only a remnant of the once massive glacier remains. But Fearley's paintings have memorialized it. His contemporaries often spoke of him reverently as "The European," for he was a well-traveled man. His friends appreciated him for "always being willing to share a good bottle of wine." And posterity? Although Thomas Fearnley died of thyphoid fever at the age of just 39, he still left a great mark on the art world and history. His grave is in Oslo, in the grove of honor at Vår Frelsers Cemetery.

Thomas Fearnley

Thomas Fearnley

Just five years old, poor little Thomas Fearnley was sent to Christiania (modern-day Oslo) to live with his aunt and uncle. This early turn in his life, however, proved to be a stroke of luck. For it so happened that he was accepted at the Norwegian Military Academy. And this was one of the few places in Norway at the time where one could learn to draw professionally. Unfortunately, Thomas had difficulties with discipline and broke off his military education at 17. But he remained faithful to drawing and attended evening classes at the then newly opened Tegneskolen (drawing school). He was a gifted student. And so two of Fearnley's paintings were shown in the drawing school's first public exhibition. The young artist's drawings hung on equal footing with prominent names in Norwegian art history, such as J. C. Dahl and Johannes Flintoe. The exhibition, at which Thomas was thus in the thick of things, caused a sensation. For the first time, residents of the capital were able to see their homeland through the eyes of an artist and rediscover Norway's magnificent natural beauty.

As innovative as the drawing school was, artistic opportunities for young aspiring artists were very limited in Norway. So Thomas decided to continue his studies in Copenhagen and Dresden, England, Holland and Stockholm. The decision to go to Sweden proved to be another fortunate coincidence in his life. For the Swedish royal family commissioned several paintings from him. Despite his success, however, he did not last long in Stockholm. Soon after, Fearnley set off for Italy. He covered the distance from Munich over the Alps to Verona on foot. It was a cold and wet trip. One of his companions and friends, the Danish painter William Bendz, caught pneumonia on the way and died shortly after arriving in bella Italia.

Thomas himself stayed in Italy for two years, perfecting his technique of light incidence and shadow casting. When he finally set out on his return journey, he chose the route over the Bernese Alps and found there that motif which was to become one of his main motifs: the Upper Grindelwald Glacier, which at that time still reached down to the village and was easily accessible to tourists. Today, due to climate change, only a remnant of the once massive glacier remains. But Fearley's paintings have memorialized it. His contemporaries often spoke of him reverently as "The European," for he was a well-traveled man. His friends appreciated him for "always being willing to share a good bottle of wine." And posterity? Although Thomas Fearnley died of thyphoid fever at the age of just 39, he still left a great mark on the art world and history. His grave is in Oslo, in the grove of honor at Vår Frelsers Cemetery.





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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
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