Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Sixth voyage: the court of the king of Serendib by Gustave Dore

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Sixth voyage: the court of the king of Serendib


Gustave Dore

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Undated  ·  Picture ID: 1513223

Romanticism

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Sixth voyage: the court of the king of Serendib by Gustave Dore. Available as an art print on canvas, photo paper, watercolor board, uncoated paper or Japanese paper.
19th century · france · europe · engraving · doré gustave (1832-1883) · painter · artist · mzengraving · human · literature · journey · folktale · Tale of 1001 nights
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Gemälde
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Keilrahmen
Museumslizenz

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Produktionszeit: 2-4 Werktage
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Sindbad the Sailor (Sinbad) - Tale of the Thousand and One (1001) Nights - Illustration by Gustave Dore - Maxwell Edition 1865 - Sixth Voyage - This Engraving Can Represent the Court of the King of Serendib or That of the Caliph Haroun al-Rashid (Harun al The Court of the King of Serendib Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Prologue: a poor bearer (Hinbad) presents himself before Sindbad, who has become old and rich. The latter will tell his adventu The feast of the fools (or feast of the Innocents) which took place until the 17th century was to celebrate the donkey that brought Jesus to Jerusalem, it was the occasion of madness of all kinds. Engraving in Arrival of Don Quixote at the wedding of Camacho and Quiteria Arrival of Don Quixote at the wedding of Camache - from Performance of Tudor Times: Christmas Revels in the Baronial Hall There was not that country upon the face of the earth which he had not seen, nor battle which he had not been engaged in Le Bal des Ardents Gustave Dore Merry Christmas The Members of the Albrecht Durer Society for the Election Year 1843-1844 The River Bank - Under the Trees Joan of Arc Received at Chinon by Charles VII Representation of an opera: act III, second painting of Faust by Charles Gounod (1818-1893) - Engraving In Le Journal Illustrée Rejoicings in London on Account of the Execution of Strafford Theoderic the Great, King of the Ostrogoths, Entering Rome Sleeping Beauty Joan of Arc entered Orleans on 29 April 1429 Masked Ball of the Grande Monde: Entrance of Don Quixote Representation of Don Carlo (Don Carlos) Opera in 5 acts by Giuseppe Verdi at the Paris Opera on 11 March 1867. In Neuville Representation of a Ballet: The Wish of the Pheasant. Philip III Le Bon, Duke of Burgundy (1396-1467) Joined the Emperor of Constantinople on 17 February 1454 for a Banquet at the Hotel of the Salle de Lille. Engraving of the 19th Century. Gustave Dore Festival in a Greenhouse, After a 15th Century Engraving Fancy Ball Given in Honour of General Howe The River Bank - Under the Trees, 1872 The Jig-A Ball in the Reign of Henry III
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Sindbad the Sailor (Sinbad) - Tale of the Thousand and One (1001) Nights - Illustration by Gustave Dore - Maxwell Edition 1865 - Sixth Voyage - This Engraving Can Represent the Court of the King of Serendib or That of the Caliph Haroun al-Rashid (Harun al The Court of the King of Serendib Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Prologue: a poor bearer (Hinbad) presents himself before Sindbad, who has become old and rich. The latter will tell his adventu The feast of the fools (or feast of the Innocents) which took place until the 17th century was to celebrate the donkey that brought Jesus to Jerusalem, it was the occasion of madness of all kinds. Engraving in Arrival of Don Quixote at the wedding of Camacho and Quiteria Arrival of Don Quixote at the wedding of Camache - from Performance of Tudor Times: Christmas Revels in the Baronial Hall There was not that country upon the face of the earth which he had not seen, nor battle which he had not been engaged in Le Bal des Ardents Gustave Dore Merry Christmas The Members of the Albrecht Durer Society for the Election Year 1843-1844 The River Bank - Under the Trees Joan of Arc Received at Chinon by Charles VII Representation of an opera: act III, second painting of Faust by Charles Gounod (1818-1893) - Engraving In Le Journal Illustrée Rejoicings in London on Account of the Execution of Strafford Theoderic the Great, King of the Ostrogoths, Entering Rome Sleeping Beauty Joan of Arc entered Orleans on 29 April 1429 Masked Ball of the Grande Monde: Entrance of Don Quixote Representation of Don Carlo (Don Carlos) Opera in 5 acts by Giuseppe Verdi at the Paris Opera on 11 March 1867. In Neuville Representation of a Ballet: The Wish of the Pheasant. Philip III Le Bon, Duke of Burgundy (1396-1467) Joined the Emperor of Constantinople on 17 February 1454 for a Banquet at the Hotel of the Salle de Lille. Engraving of the 19th Century. Gustave Dore Festival in a Greenhouse, After a 15th Century Engraving Fancy Ball Given in Honour of General Howe The River Bank - Under the Trees, 1872 The Jig-A Ball in the Reign of Henry III
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Other art prints by Gustave Dore

Paradiso, Canto 31: The saintly throng form a rose in the empyrean The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (rose celeste) - by Dante Alighieri (1265-1321) Illustration for Milton Camelot, illustration from The Oceanids Paradise Lost: Fall of the Rebel Angels Destruction of Leviathan - Engraving in The Valley of Tears, 1883 Illustration from Edgar Allan Poe Dante and the Eagle, from The Darkness at the Crucifixion Les Saltimbanques The Vision of the Valley of Dry Bones, Ezekiel 37:1-2, Illustration from Dore Illustration by Gustave Doré for Milton Inferno, Canto 1: Dante in the savage wood (illustration from The Divine Comedy by Dante Alighieri)
Discover more works by Gustave Dore

Other art prints by Gustave Dore

Paradiso, Canto 31: The saintly throng form a rose in the empyrean The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (rose celeste) - by Dante Alighieri (1265-1321) Illustration for Milton Camelot, illustration from The Oceanids Paradise Lost: Fall of the Rebel Angels Destruction of Leviathan - Engraving in The Valley of Tears, 1883 Illustration from Edgar Allan Poe Dante and the Eagle, from The Darkness at the Crucifixion Les Saltimbanques The Vision of the Valley of Dry Bones, Ezekiel 37:1-2, Illustration from Dore Illustration by Gustave Doré for Milton Inferno, Canto 1: Dante in the savage wood (illustration from The Divine Comedy by Dante Alighieri)
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Excerpt from our top sellers

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Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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