From the Profound Abyss, Behind the Lid of a Great Monument We Stood Retired, c1890 by Gustave Dore

From the Profound Abyss, Behind the Lid of a Great Monument We Stood Retired, c1890

(From the profound abyss, behind the lid of a great monument we stood retired, c1890. )


Gustave Dore

€ 113.14
Enthält 0% MwSt.
   Configure art print
1890  ·  engraving  ·  Picture ID: 707984

Romanticism

From the Profound Abyss, Behind the Lid of a Great Monument We Stood Retired, c1890 by Gustave Dore. Available as an art print on canvas, photo paper, watercolor board, uncoated paper or Japanese paper.
italy · italian · people · male · architecture · arts · rocks · rock · country · occupation · sheltering · location · century · architectural · profession · literature · hell · smell · monochrome · writer · author · 19th century · abyss · poem · poetry · black white · black and white · poet · monument · nineteenth century · divina commedia · divine comedy · virgil · engraving · gustave dore · louis christophe gustave dore · paul gustave dore · dante alighieri · alighieri · dante · gustave doré · doré · paul gustave · dore · paul gustave · dore · gustave · cassell · publius · dante aligheri · aligheri · vergil · publius vergilius maro · petter and galpin · vergilio · vergilius maro · The Print Collector/Heritage Images
Other color variations of this picture  
Other color variations of this picture  
zu Favoriten hinzufügen   Add to favorites    Select wall color    View painting in a room AR/3D   View in 3D / AR
0 Reviews

Configure art print

Picture Frame

Medium & Stretcher

Glass & Passepartout

Miscellaneous & Extras

 Save / compare configuration
Preview Icon

Summary

Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 113.14
(inkl. 20% MwSt)
   Add to cart

Bildschärfe: PERFEKT

Should you desire adjustments to brightness and color, or a custom crop of the motif, we are happy to make these changes at no additional cost to you. Please do not hesitate to contact us.

Similar artworks selected for you

Dante and Virgil at the Edge of the Abyss Inferno, Canto 11: The Burning Tomb of Pope Anastasius II, Illustration from The Divine Comedy by Dante Alighieri, 1885 Thais is this, the harlot, c1890 The Guide, Who Marked How I Did Gaze Attentive, Thus Began And there at point of the disparted ridge lay stretched the infamy of Crete Dante and Virgil meet the Minotaur. Engraving from The Hell by Dante Alighieri (the Divine Comedy) illustrated by Gustave Dore. French edition of 1861. "E in su la punta della rotta lacca/L The Divine Comedy, Inferno, Canto 12: The Minotaur on the shattered cliff - by Dante Alighieri - Illustration by Gustave Dore The Divine Comedy, Inferno, Canto 18: Virgil Shows Dante the Shade of Thais - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) Illustration for The Divine Comedy - Hell by Dante L Illustration for The Divine Comedy - Hell by Dante That is the ancient soul of wretched Myrrha The Divine Comedy, Inferno, Canto 26: The flaming spirits of Ulysses and Diomedes (Illustration by Gustave Dore) The Divine Comedy, Inferno, Canto 5: The Souls of Paolo and Francesca - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) Bard! Willingly I would address those two together coming, c1890 The Divine Comedy, Inferno, Canto 30: Myrrha, Condemned for Incest - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) The Ingenious Hidalgo Don Quixote de la Mancha (Quixote - Quijote) by Miguel de Cervantes (1547-1616): the knight of the sad figure made cabrioles “putting naked certain things that Sancho, in order not to see them, hastened to turn around, satisfied to se The Acrobatic Penitence of Don Quixote in Sierra Morena - from By That Hidden Way My Guide and I Did Enter, to Return to the Fair World I Through Compassion Fainting, Seemed Not Far from Death The Divine Comedy, Purgatorio, Canto 16: Dante Speaks to the Soul of Marco Lombardo - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) Myrrha, illustration from The Divine Comedy, Inferno, Canto 34: Virgil and Dante Ascend to the Upper World - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) The Divine Comedy, Purgatorio, Canto 4: Virgil leads Dante up the rugged mountainside (Illustration by Gustave Dore) Inferno, Canto 12: The Minotaur on the shattered cliff (illustration from The Divine Comedy) L The Stormy Blast of Hell with Restless Fury Drives the Spirits On, c. 1890 The Burden of Pride, from
Show more similar artworks

Similar artworks selected for you

Dante and Virgil at the Edge of the Abyss Inferno, Canto 11: The Burning Tomb of Pope Anastasius II, Illustration from The Divine Comedy by Dante Alighieri, 1885 Thais is this, the harlot, c1890 The Guide, Who Marked How I Did Gaze Attentive, Thus Began And there at point of the disparted ridge lay stretched the infamy of Crete Dante and Virgil meet the Minotaur. Engraving from The Hell by Dante Alighieri (the Divine Comedy) illustrated by Gustave Dore. French edition of 1861. "E in su la punta della rotta lacca/L The Divine Comedy, Inferno, Canto 12: The Minotaur on the shattered cliff - by Dante Alighieri - Illustration by Gustave Dore The Divine Comedy, Inferno, Canto 18: Virgil Shows Dante the Shade of Thais - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) Illustration for The Divine Comedy - Hell by Dante L Illustration for The Divine Comedy - Hell by Dante That is the ancient soul of wretched Myrrha The Divine Comedy, Inferno, Canto 26: The flaming spirits of Ulysses and Diomedes (Illustration by Gustave Dore) The Divine Comedy, Inferno, Canto 5: The Souls of Paolo and Francesca - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) Bard! Willingly I would address those two together coming, c1890 The Divine Comedy, Inferno, Canto 30: Myrrha, Condemned for Incest - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) The Ingenious Hidalgo Don Quixote de la Mancha (Quixote - Quijote) by Miguel de Cervantes (1547-1616): the knight of the sad figure made cabrioles “putting naked certain things that Sancho, in order not to see them, hastened to turn around, satisfied to se The Acrobatic Penitence of Don Quixote in Sierra Morena - from By That Hidden Way My Guide and I Did Enter, to Return to the Fair World I Through Compassion Fainting, Seemed Not Far from Death The Divine Comedy, Purgatorio, Canto 16: Dante Speaks to the Soul of Marco Lombardo - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) Myrrha, illustration from The Divine Comedy, Inferno, Canto 34: Virgil and Dante Ascend to the Upper World - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) The Divine Comedy, Purgatorio, Canto 4: Virgil leads Dante up the rugged mountainside (Illustration by Gustave Dore) Inferno, Canto 12: The Minotaur on the shattered cliff (illustration from The Divine Comedy) L The Stormy Blast of Hell with Restless Fury Drives the Spirits On, c. 1890 The Burden of Pride, from
Show more similar artworks

Other art prints by Gustave Dore

Paradiso, Canto 31: The saintly throng form a rose in the empyrean The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (rose celeste) - by Dante Alighieri (1265-1321) Illustration for Milton Camelot, illustration from The Oceanids Paradise Lost: Fall of the Rebel Angels The Valley of Tears, 1883 Illustration from Edgar Allan Poe Dante and the Eagle, from Destruction of Leviathan - Engraving in The Darkness at the Crucifixion Les Saltimbanques The Vision of the Valley of Dry Bones, Ezekiel 37:1-2, Illustration from Dore Illustration by Gustave Doré for Milton Inferno, Canto 1: Dante in the savage wood (illustration from The Divine Comedy by Dante Alighieri)
Discover more works by Gustave Dore

Other art prints by Gustave Dore

Paradiso, Canto 31: The saintly throng form a rose in the empyrean The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (rose celeste) - by Dante Alighieri (1265-1321) Illustration for Milton Camelot, illustration from The Oceanids Paradise Lost: Fall of the Rebel Angels The Valley of Tears, 1883 Illustration from Edgar Allan Poe Dante and the Eagle, from Destruction of Leviathan - Engraving in The Darkness at the Crucifixion Les Saltimbanques The Vision of the Valley of Dry Bones, Ezekiel 37:1-2, Illustration from Dore Illustration by Gustave Doré for Milton Inferno, Canto 1: Dante in the savage wood (illustration from The Divine Comedy by Dante Alighieri)
Discover more works by Gustave Dore

Excerpt from our top sellers

The Heart of the Andes View of Delft Summer Night by the Beach Blooming Front Garden Madonna of the Yarnwinder Reclining Female Nude Lady in the Garden The Boxer King of the Forest, 1878 The Magpie The Cliff, Étretat, Sunset Vitruvian Man Poster advertising the Hamburg-Amerika Line Song of Shambhala Trail in the Woods
Show More Artworks

Excerpt from our top sellers

The Heart of the Andes View of Delft Summer Night by the Beach Blooming Front Garden Madonna of the Yarnwinder Reclining Female Nude Lady in the Garden The Boxer King of the Forest, 1878 The Magpie The Cliff, Étretat, Sunset Vitruvian Man Poster advertising the Hamburg-Amerika Line Song of Shambhala Trail in the Woods
Show More Artworks


What our customers think about us



Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
Other languages

                   
Erfahrungen & Bewertungen zu Meisterdrucke
Partner Logos

Kaiser Franz Joseph

Meisterdrucke
Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
Partner Logos


               


(c) 2025 meisterdrucke.uk