Inferno, Canto 7: Virgil rebukes Plutus at the entrance to the fourth circle (illustration from The Divine Comedy) by Gustave after Dore

Inferno, Canto 7: Virgil rebukes Plutus at the entrance to the fourth circle (illustration from The Divine Comedy)

(Inferno, Canto 7 : Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving))


Gustave after Dore

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1885  ·  digitally coloured engraving  ·  Picture ID: 648001

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Inferno, Canto 7: Virgil rebukes Plutus at the entrance to the fourth circle (illustration from The Divine Comedy) by Gustave after Dore. Available as an art print on canvas, photo paper, watercolor board, uncoated paper or Japanese paper.
14th 14th xivth century · mythology · medieval · enfer · moyen age · 14th 14th xiv xivo century · italy · medieval period · hell · greece greek · italie italien italiens italiennes · mythological figure · poetry · poetry · 13 13th xiii xiiith century · moyen-age · gravure · grëce grecec grecque grecs grecques · middle age · engraving · literature · thirteenth century · virgil · greece · littérature · 13th 13th xiiith century · engraving · literature · poetry · mythologies · divine · hell · dieu · fourteenth century · three hundred · goddess · middle ages · mythology · italy · two hundred · 1265-1321 · mythological character · personnage mythologique
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Produktionszeit: 2-4 Werktage
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The Divine Comedy by Dante Alighieri Inferno, Canto 30: Myrrha, condemned for incest (illustration from The Divine Comedy) Inferno, Canto 29: Virgil reproves Dante That is the ancient soul of wretched Myrrha The Divine Comedy, Inferno, Canto 29: Virgil reproves Dante Inferno, Canto 18: Virgil shows Dante the shade of Thais (illustration from The Divine Comedy) Purgatorio, Canto 11: The souls of the prideful, bearing heavy stones (illustration from The Divine Comedy) And there at point of the disparted ridge lay stretched the infamy of Crete Inferno, Canto 31: The giant Antaeus By the hair it bore the severed member, lantern-wise pendant in hand Dante and Virgil meet the Minotaur. Engraving from The Hell by Dante Alighieri (the Divine Comedy) illustrated by Gustave Dore. French edition of 1861. "E in su la punta della rotta lacca/L Wherefore doth fasten yet thy sight below amongst the maimed and miserable shades The Divine Comedy, Inferno, Canto 30: Myrrha, Condemned for Incest - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) Yet in the abyss, that Lucifer with Judas low ingulfs, lightly he placed us Inferno, Canto 12: The Minotaur on the shattered cliff (illustration from The Divine Comedy) Purgatorio, Canto 7: The poet Sordello, astonished, kneels before Virgil (illustration from The Divine Comedy) The Giant Antaeus, from Thais is this, the harlot, c1890 Purgatorio, Canto 16: Dante speaks to the soul of Marco Lombardo (illustration from The Divine Comedy) Inferno, Canto 32: Ugolino Gnaws Upon the Head of Archbishop Ruggieri, Illustration from The Divine Comedy by Dante Alighieri, 1885 The Divine Comedy by Dante Alighieri Inferno, Canto 28: Fomenters of Discord and Schism: The Mutilated Shade of Mahomet, Illustration from The Divine Comedy, Inferno, Canto 28: The severed head of Bertrand de Born speaks to Dante (Illustration by Gustave Dore) Illustration for The Divine Comedy - Hell by Dante Myrrha, illustration from The Divine Comedy, Inferno, Canto 12: The Minotaur on the shattered cliff - by Dante Alighieri - Illustration by Gustave Dore
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The Knight Inferno, Canto 26: The flaming spirits of Ulysses and Diomedes (illustration from The Divine Comedy) Inferno, Canto 13: The suicides in the forest (illustration from The Divine Comedy) Inferno, Canto 13: The Harpies in the forest of suicides (illustration from The Divine Comedy) Purgatorio, Canto 11: The souls of the prideful, bearing heavy stones (illustration from The Divine Comedy) Inferno, Canto 22: Ciampolo escapes the demon Alichino in the fifth bolgia (illustration from The Divine Comedy) Inferno, Canto 8: Phlegyas ferries Dante and Virgil across the Styx (illustration from The Divine Comedy) Inferno, Canto 29: The falsifiers and forgers tormented with itching (illustration from The Divine Comedy) Inferno, Canto 4: The innocent souls in Limbo (illustration from The Divine Comedy) Inferno, Canto 9: The angel opens the gates (illustration from The Divine Comedy) Inferno, Canto 4: Homer, the poets, and heroes in Limbo (illustration from The Divine Comedy) Inferno, Canto 8: Virgil and Dante disembark at the citadel of Dis (illustration from The Divine Comedy) Inferno, Canto 8: The soul of the Florentine Philippo Argenti accosts the poets on the Styx (illustration from The Divine Comedy) Inferno, Canto 28: Mutilated sowers of discord in the ninth bolgia (illustration from The Divine Comedy) Inferno, Canto 5: The souls of Paolo and Francesca (illustration from The Divine Comedy)
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Other art prints by Gustave after Dore

The Knight Inferno, Canto 26: The flaming spirits of Ulysses and Diomedes (illustration from The Divine Comedy) Inferno, Canto 13: The suicides in the forest (illustration from The Divine Comedy) Inferno, Canto 13: The Harpies in the forest of suicides (illustration from The Divine Comedy) Purgatorio, Canto 11: The souls of the prideful, bearing heavy stones (illustration from The Divine Comedy) Inferno, Canto 22: Ciampolo escapes the demon Alichino in the fifth bolgia (illustration from The Divine Comedy) Inferno, Canto 8: Phlegyas ferries Dante and Virgil across the Styx (illustration from The Divine Comedy) Inferno, Canto 29: The falsifiers and forgers tormented with itching (illustration from The Divine Comedy) Inferno, Canto 4: The innocent souls in Limbo (illustration from The Divine Comedy) Inferno, Canto 9: The angel opens the gates (illustration from The Divine Comedy) Inferno, Canto 4: Homer, the poets, and heroes in Limbo (illustration from The Divine Comedy) Inferno, Canto 8: Virgil and Dante disembark at the citadel of Dis (illustration from The Divine Comedy) Inferno, Canto 8: The soul of the Florentine Philippo Argenti accosts the poets on the Styx (illustration from The Divine Comedy) Inferno, Canto 28: Mutilated sowers of discord in the ninth bolgia (illustration from The Divine Comedy) Inferno, Canto 5: The souls of Paolo and Francesca (illustration from The Divine Comedy)
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