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Emile Othon Friesz

Through expressive color and clear composition, he shaped a new vision of landscape, bridging tradition and the avant-garde.


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Emile Othon Friesz

Through expressive color and clear composition, he shaped a new vision of landscape, bridging tradition and the avant-garde.

Discover Artworks Now!
Emile Othon Friesz
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Museum Quality Art Prints
Customization Options Available

Emile Othon Friesz

    February 6, 1879   -   January 10, 1949
Fauvism , Post Impressionism   •   Wikipedia: Emile Othon Friesz

A chilly morning at the port of Le Havre, light shimmering on the damp cobblestones - this is where the story of Émile Othon Friesz begins, his artistic journey deeply entwined with the colors and forms of his native city. Born in 1879, Friesz was a child of Normandy, shaped by the wild sea and ever-changing skies, elements that would later echo in his paintings. Early on, his talent became apparent, leading him to the École des Beaux-Arts in his hometown and later to Paris, where he befriended Georges Braque. This friendship proved formative, as together they explored the expressive potential of color and form that would define Fauvism. Friesz’s painting is marked by vibrant colors and dynamic brushwork, making him one of the key representatives of Fauvism. Unlike many of his contemporaries, such as Henri Matisse and André Derain, Friesz remained deeply committed to nature and landscape. His paintings, often depicting harbors, villages, and coastlines, are imbued with deep emotion and an almost musical use of color.

Compared to his contemporaries, Friesz developed a distinctive style characterized by a certain rigor and clarity. While Matisse used color as pure expression, Friesz always sought a balance between composition and emotion. After his Fauvist phase, he returned to a more restrained, classical visual language, yet never lost the brilliance of his palette. In Paris, Friesz became a central figure of the avant-garde, teaching at the Académie de la Grande Chaumière and influencing numerous young artists. His works are now found in major museums worldwide, bearing witness to an artistic evolution that always balanced tradition and innovation. Friesz died in Paris in 1949, but his legacy endures in the intensity of his paintings, which uniquely capture the power and beauty of the French landscape.

Emile Othon Friesz

    February 6, 1879   -   January 10, 1949
Fauvism , Post Impressionism   •   Wikipedia: Emile Othon Friesz

A chilly morning at the port of Le Havre, light shimmering on the damp cobblestones - this is where the story of Émile Othon Friesz begins, his artistic journey deeply entwined with the colors and forms of his native city. Born in 1879, Friesz was a child of Normandy, shaped by the wild sea and ever-changing skies, elements that would later echo in his paintings. Early on, his talent became apparent, leading him to the École des Beaux-Arts in his hometown and later to Paris, where he befriended Georges Braque. This friendship proved formative, as together they explored the expressive potential of color and form that would define Fauvism. Friesz’s painting is marked by vibrant colors and dynamic brushwork, making him one of the key representatives of Fauvism. Unlike many of his contemporaries, such as Henri Matisse and André Derain, Friesz remained deeply committed to nature and landscape. His paintings, often depicting harbors, villages, and coastlines, are imbued with deep emotion and an almost musical use of color.

Compared to his contemporaries, Friesz developed a distinctive style characterized by a certain rigor and clarity. While Matisse used color as pure expression, Friesz always sought a balance between composition and emotion. After his Fauvist phase, he returned to a more restrained, classical visual language, yet never lost the brilliance of his palette. In Paris, Friesz became a central figure of the avant-garde, teaching at the Académie de la Grande Chaumière and influencing numerous young artists. His works are now found in major museums worldwide, bearing witness to an artistic evolution that always balanced tradition and innovation. Friesz died in Paris in 1949, but his legacy endures in the intensity of his paintings, which uniquely capture the power and beauty of the French landscape.

Artworks by Emile Othon Friesz

Artworks by Emile Othon Friesz

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Emile Othon Friesz
La Calanque du Mugel à La Ciotat
1907 | painting

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Emile Othon Friesz
Stående kvinde med håret nede.
Undated |

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Emile Othon Friesz
 
Undated | graphite on paper

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Emile Othon Friesz
Stående kvindelig model en face,...
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Emile Othon Friesz
Studier af kvinde, der bærer van...
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Emile Othon Friesz
Le Bec de l’Aigle, La Ciotat
1906 | painting

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Emile Othon Friesz
To stående, nøgne figurer (Adam ...
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Emile Othon Friesz
Paysage à La Ciotat (Le Bec de l...
1907 | painting

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Emile Othon Friesz
Kvindelig akrobat, siddende i tr...
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Emile Othon Friesz
Vigen ved En Vaux, Cassis
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Emile Othon Friesz
Skovinterieur med brændehugger. ...
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Emile Othon Friesz
Friesz, Othon; 1879–1949.
1902 | painting

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Emile Othon Friesz
Tre studier af en kvindelig akro...
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Emile Othon Friesz
Havnebassinet Kattendick i Antwe...
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Emile Othon Friesz
Indgangen til Cassis, også kalde...
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Emile Othon Friesz
Stående nøgen kvinde.
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Emile Othon Friesz
Syv skitser af gravende og brænd...
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Emile Othon Friesz
Port de Toulon
1925 | watercolor

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Emile Othon Friesz
 
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Emile Othon Friesz
Siddende kvindelig model, vendt ...
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Emile Othon Friesz
Kvindelig artist siddende på trapez
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Emile Othon Friesz
To skitser af en dansende klovn,...
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Emile Othon Friesz
Siddende kvindelig model med høj...
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Emile Othon Friesz
Neige a Munich
1909 | painting

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Emile Othon Friesz
Les baigneuses
1907 | painting

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Emile Othon Friesz
Fauve Design von weiblichem Akt ...
1950 | Photo

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Emile Othon Friesz
Einzug der Franzosen in Straßbur...
1950 | Photo

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Emile Othon Friesz
Frau mit Krug
1924 | painting

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Emile Othon Friesz
Garverierne i Falaise, Normandiet
Undated | Watercolour over pencil on yellowish paper; mounted (by the artist) on larger sheet of greyish blue paper

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Emile Othon Friesz
Badende Frauen
1910 | painting

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Emile Othon Friesz
Stående klovn med høj hat.
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Emile Othon Friesz
Le Port d’Anvers
1906 | painting

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Emile Othon Friesz
Udsigt mod en landsby
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Emile Othon Friesz
 
Undated | oil on canvas

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Emile Othon Friesz
Blumen (Tulpen und Gänseblümchen)
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Emile Othon Friesz
Port d’Anvers
1906 | painting

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Emile Othon Friesz
Cap Canaille ved Cassis.
Undated | Pencil on stiff paper

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Emile Othon Friesz
Figurstudie. Stående kvinde en f...
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Emile Othon Friesz
Regnbuen. Montiullier
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Emile Othon Friesz
Studie af mand der bærer en træs...
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Emile Othon Friesz
En havbugt med sejlskib og baden...
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Emile Othon Friesz
 
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Emile Othon Friesz
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Emile Othon Friesz
Figurkomposition med badende og ...
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Emile Othon Friesz
A couple embracing
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Emile Othon Friesz
Træstudie.
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Emile Othon Friesz
Stående kvindelig model vendt mo...
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Emile Othon Friesz
To figurer i bevægelse.
Undated | pencil

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Emile Othon Friesz
 
Undated | oil on canvas

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Emile Othon Friesz
Kystlandskab med sejlskib og ges...
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Emile Othon Friesz
Hügel
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Emile Othon Friesz
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Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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