Feel the passion of George Price Boyce in our art prints.

Our art reproductions bring moments of comfort directly into your home.


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Österreichische Kunstmanufaktur

Feel the passion of George Price Boyce in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
George Price Boyce
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of George Price Boyce

These artworks are particularly popular with our customers.

In the Auvergne (wc over pencil ...
Undated | watercolour over pencil on paper

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Mill on the Thames at Mapledurha...
1860 | Watercolor on paper

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Halton Castle, Northumberland, e...
Undated | watercolour

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Red Barn at Whitchurch, 1868 (wa...
1868 | watercolour on paper

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The most popular works of George Price Boyce

These artworks are particularly popular with our customers.


Discover more artworks by George Price Boyce

Discover more artworks by George Price Boyce

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George Price Boyce
Turkish Girl
Undated | watercolour on paper

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George Price Boyce
Ruins of the Gama al-Hakim, Cair...
Undated | watercolour

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George Price Boyce
 
1871 | pencil and watercolour

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George Price Boyce
A Turkish Girl, 1853 (wc with bo...
1853 | watercolour with bodycolour on paper

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George Price Boyce
 
Undated | watercolour

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George Price Boyce
 
Undated |

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George Price Boyce
Portrait of Annie Miller, 1854
1854 | Brush on paper

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George Price Boyce
 
Undated | watercolour on paper

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George Price Boyce
At Binsey, Near Oxford, 1862
1862 | watercolour on paper

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George Price Boyce
Anstey's Cove, South Devon
1853 | Watercolor on paper

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George Price Boyce
 
Undated | watercolour on paper

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George Price Boyce
The Great Sphinx at Gizeh, 1862
1862 | watercolour on paper

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George Price Boyce
A Road near Bettws-y-Coed, 1851 ...
1851 | watercolour over graphite on paper

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George Price Boyce
One of the Wittenham Clumps or S...
Undated | watercolour

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George Price Boyce
At Arisaig - Coast of Invernesss...
Undated | watercolour

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George Price Boyce
 
Undated | watercolour

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George Price Boyce
Abinger Mill Pond, Surrey- Morni...
Undated |

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George Price Boyce
The Double Church of Saint Illty...
Undated | watercolour

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George Price Boyce
 
Undated |

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George Price Boyce
The Ticino Valley from Giornico ...
Undated | watercolour

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George Price Boyce
Windmills Hill, Gateshead, 1864 ...
1864 | Pencil and watercolour on paper

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George Price Boyce
The White Horse Inn (watercolor ...
Undated | watercolour on paper

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George Price Boyce
The Old Barn at Whitchurch (penc...
Undated | pencil and watercolour with scratching out on paper

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George Price Boyce
Thorpe, Derbyshire, 1880
1880 | watercolour on paper

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George Price Boyce
 
Undated | Watercolor and gouache on moderately thick, moderately textured, beige wove paper mounted to card

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George Price Boyce
Valley of the Teme, a Sunny Nove...
1960 | watercolour on paper

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George Price Boyce
Pensosa d'Altrui
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George Price Boyce
Farm Buildings, Dorchester, Oxfo...
Undated | watercolour over pencil on paper

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George Price Boyce
Edward the Confessors Chapel, We...
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George Price Boyce
Brickfield at Pitland Street, Su...
Undated | black lead, watercolour and bodycolour on paper

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George Price Boyce
Study of Ellen Smith, head and s...
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George Price Boyce
Red Barn at Whitchurch, 1868
1868 | watercolour

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George Price Boyce
 
Undated | watercolour on paper

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George Price Boyce
 
Undated | watercolour

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George Price Boyce
 
Undated |

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George Price Boyce
 
Undated | watercolour on paper

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George Price Boyce
 
Undated |

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George Price Boyce
 
1880 |

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George Price Boyce
 
Undated | watercolour on paper

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George Price Boyce
Pyramids and Sphinx of Ghizeh
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George Price Boyce
 
Undated | pencil heightened with white on paper

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George Price Boyce
 
Undated | Watercolor, pen and brown ink, gouache, gum arabic, graphite, and scratching out on moderately thick, slightly textured, beige, wove paper

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George Price Boyce

George Price Boyce

  September 24, 1826
  February 11, 1897
   •   Landscape painting   •   Wikipedia: George Price Boyce

By the middle of the 19th century, the Industrial Revolution was already so present and so far advanced in many places in Europe in general and in England in particular as the "motherland of capitalism" that many contemporaries who were overwhelmed by the new and faster pace, including noisy railways and steam engines, longed for earlier and perhaps only supposedly better, because simple, quiet and peaceful epochs. Not only in politics, society and economy this nostalgia found expression or even violent outbreak in the form of the "machine storm" or "Luddism", but also in art at that time many painters recalled the romanticised and partly strongly mystified striving for nature, as it was in their opinion still common, customary and widespread in the Middle Ages. Examples of such creative endeavours today include the group of artists that emerged in Great Britain around 1844 and the style of the Pre-Raphaelites, who rejected what they considered to be too sterile academy painting and instead oriented themselves towards fresco painting in the early Renaissance of the 14th century in Italy.

Finally, in 1848, on the initiative of the British painter William Holman Hunt, the Pre-Raphaelite Brotherhood, initially comprising seven members, was founded in London, using the Romantic-religious art movement of the "Nazarenes" from the early 19th century in Rome and Vienna as a model and emulating their history painting. The Pre-Raphaelites rejected what they saw as a mechanistic approach, first adopted by Mannerist artists as successors to Raffael/a> and Michelangelo Buonarroti, and saw themselves as a fundamental reform movement, which envisaged the most exact possible imitation of nature as the true and central purpose of art. Among the best-known representatives of the group were John Everett Millais and James Collinson as well as Frederic George Stephens and Thomas Woolner and the two brothers Dante Gabriel and William Michael Rossetti. Their Italian roots predestined them as driving forces and pioneers of the Pre-Raphaelites. Especially the elder and first-named, who was considered as a rather eccentric eccentric eccentric towards the end of his life in the year 1882, was notorious and very influential in the London artist circles of that time.

For many years a close friend, patron and at times companion of Dante Gabriel Rossetti was the watercolour, architecture and landscape painter George Price Boyce , who was born in 1826 in the London Borough of Bloomsbury as the elder brother of his younger sister and painter Joanna Mary Boyce, who was also a Pre-Raphaelite. After a stay at the Sorbonne in Paris, he met Dante Gabriel Rossetti and Thomas Brandon Seddon during his studies at the renowned Royal Academy of Arts in London in 1849. Soon afterwards he was increasingly influenced by the style of the "Pre-Raphaelite Brotherhood". Boyce and Rosetti were not only united by a great love of art, but also by an amorous affection for the London maid and model Fanny Cornforth, which apparently didn't particularly affect their friendship, however, since both lived almost next door to each other in the noble residential district of Chelsea from 1862. Among art historians, George Price Boyce is also known today as a member of the exclusive artists' group "Hogarth Club" and for his extensive diaries, which are an important source for research into the work of Rosetti and the rest of the Pre-Raphaelites.

George Price Boyce

George Price Boyce
  September 24, 1826
  February 11, 1897
   •   Landscape painting   •   Wikipedia: George Price Boyce

By the middle of the 19th century, the Industrial Revolution was already so present and so far advanced in many places in Europe in general and in England in particular as the "motherland of capitalism" that many contemporaries who were overwhelmed by the new and faster pace, including noisy railways and steam engines, longed for earlier and perhaps only supposedly better, because simple, quiet and peaceful epochs. Not only in politics, society and economy this nostalgia found expression or even violent outbreak in the form of the "machine storm" or "Luddism", but also in art at that time many painters recalled the romanticised and partly strongly mystified striving for nature, as it was in their opinion still common, customary and widespread in the Middle Ages. Examples of such creative endeavours today include the group of artists that emerged in Great Britain around 1844 and the style of the Pre-Raphaelites, who rejected what they considered to be too sterile academy painting and instead oriented themselves towards fresco painting in the early Renaissance of the 14th century in Italy.

Finally, in 1848, on the initiative of the British painter William Holman Hunt, the Pre-Raphaelite Brotherhood, initially comprising seven members, was founded in London, using the Romantic-religious art movement of the "Nazarenes" from the early 19th century in Rome and Vienna as a model and emulating their history painting. The Pre-Raphaelites rejected what they saw as a mechanistic approach, first adopted by Mannerist artists as successors to Raffael/a> and Michelangelo Buonarroti, and saw themselves as a fundamental reform movement, which envisaged the most exact possible imitation of nature as the true and central purpose of art. Among the best-known representatives of the group were John Everett Millais and James Collinson as well as Frederic George Stephens and Thomas Woolner and the two brothers Dante Gabriel and William Michael Rossetti. Their Italian roots predestined them as driving forces and pioneers of the Pre-Raphaelites. Especially the elder and first-named, who was considered as a rather eccentric eccentric eccentric towards the end of his life in the year 1882, was notorious and very influential in the London artist circles of that time.

For many years a close friend, patron and at times companion of Dante Gabriel Rossetti was the watercolour, architecture and landscape painter George Price Boyce , who was born in 1826 in the London Borough of Bloomsbury as the elder brother of his younger sister and painter Joanna Mary Boyce, who was also a Pre-Raphaelite. After a stay at the Sorbonne in Paris, he met Dante Gabriel Rossetti and Thomas Brandon Seddon during his studies at the renowned Royal Academy of Arts in London in 1849. Soon afterwards he was increasingly influenced by the style of the "Pre-Raphaelite Brotherhood". Boyce and Rosetti were not only united by a great love of art, but also by an amorous affection for the London maid and model Fanny Cornforth, which apparently didn't particularly affect their friendship, however, since both lived almost next door to each other in the noble residential district of Chelsea from 1862. Among art historians, George Price Boyce is also known today as a member of the exclusive artists' group "Hogarth Club" and for his extensive diaries, which are an important source for research into the work of Rosetti and the rest of the Pre-Raphaelites.





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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
        Austria
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        support@meisterdrucke.com
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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
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