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Feel the passion of George Stubbs in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
George Stubbs
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Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of George Stubbs

These artworks are particularly popular with our customers.

The most popular works of George Stubbs

These artworks are particularly popular with our customers.


Discover more artworks by George Stubbs

Discover more artworks by George Stubbs

714 artworks found
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George Stubbs
Whistlejacket and two other Stal...
1762 | oil on canvas

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George Stubbs
Two Shafto Mares and a Foal, 1774
1774 | Oil on panel

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George Stubbs
Dungannon, the property of Colon...
1793 | oil on canvas

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George Stubbs
 
1768 | oil on canvas

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George Stubbs
A Zebra, 1763
1763 | oil on canvas

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George Stubbs
Detail from William Henry Cavend...
1766 | oil on canvas

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George Stubbs
Bay Malton with John Singleton U...
Undated |

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George Stubbs
Sleeping Leopard, 1777.
Undated | ceramic

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George Stubbs
 
1799 | Oil on panel

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George Stubbs
Fanny, a brown and white spaniel
Undated | oil on canvas

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George Stubbs
 
Undated | oil on canvas

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George Stubbs
 
Undated | oil on canvas

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George Stubbs
Joseph Smyth Esquire, Lieutenant...
Undated | oil on canvas

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George Stubbs
A Sleeping Leopard, engraved by ...
Undated | etching

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George Stubbs
Mare and Foals
Undated | oil on canvas

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George Stubbs
A Lion Attacking a Horse, c.1762
Undated | oil on canvas

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George Stubbs
A Lion Attacking a Stag, c.1765
Undated | oil on canvas

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George Stubbs
Lateral View of a Tiger Skeleton...
Undated | graphite on paper

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George Stubbs
Miss Ann White's Kitten, 1790
1790 | oil on canvas

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George Stubbs
 
Undated | Soft ground etching with roulette work, third state

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George Stubbs
Frontal view of the skeleton of ...
1766 | pencil on paper

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George Stubbs
Mambrino, c.1790
1790 | oil on canvas

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George Stubbs
Human Body, Posterior View (Outl...
Undated | Graphite and red chalk; verso: graphite and red chalk on cream, thin, smooth, wove paper

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George Stubbs
The Marquess of Rockingham's Scr...
1762 | oil on canvas

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George Stubbs
Ringwood, a Brocklesby Foxhound,...
1792 | oil on canvas

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George Stubbs
 
Undated | Pen with iron gall ink, graphite, and red chalk on thin, slightly textured, cream wove paper squared in graphite for transfer; laid on cream, moderately thick, moderately textured, wove paper

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George Stubbs
A Horse Frightened by a Lion, c....
Undated | oil on canvas

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George Stubbs
Lord Torrington's Hunt Servants ...
Undated | oil on canvas

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George Stubbs
Lioness and white stallion, 1760
1760 | oil on canvas

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George Stubbs
Lustre, held by a Groom, c.1760-62
Undated | oil on canvas

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George Stubbs
A Horse Affrighted by a Lion, en...
Undated | etching

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George Stubbs
Portrait of a Monkey dated 1774
1774 | oil on canvas

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George Stubbs
A comparative anatomical exposit...
1795 | Graphite on paper

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George Stubbs
Portrait of the Royal Tiger, c.1...
Undated | oil on canvas

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George Stubbs
Brown and White Norfolk or Water...
1778 | Oil on panel

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George Stubbs
A Phaeton with a Pair of Cream P...
Undated | Oil on panel

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George Stubbs
Human Skeleton: Lateral view in ...
Undated | graphite on paper

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George Stubbs
A Horse startled by a Lioness, e...
1774 | engraving

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George Stubbs
Baronet, 1794
1794 | etching

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George Stubbs
Diagram from The Anatomy of the ...
Undated | engraving

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George Stubbs
A Water Spaniel, 1769
1769 | oil on canvas

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George Stubbs
Dungannon, engraved by George To...
1794 | etching

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George Stubbs
Tiger Body, Lateral view (Study ...
Undated | Graphite and red chalk on thin, slightly textured, cream wove paper; squared in graphite for transfer

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George Stubbs
The Duke of Ancaster's bay stall...
1765 | oil on canvas

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George Stubbs
 
Undated | Oil on cardboard

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George Stubbs
"Eclipse", a Dark Chestnut Raceh...
1770 | oil on canvas

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George Stubbs
Spanish Pointer
Undated | oil on canvas

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George Stubbs
The Study of Muscles: Frontal an...
1766 | pencil

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George Stubbs
Tiger Skeleton, Lateral View (Fi...
Undated | Graphite on moderately thick, slightly textured, cream wove paper lined with Japanese paper

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George Stubbs
Sir John Nelthorpe, 6th Baronet ...
1776 | Oil on panel

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George Stubbs
Tiger Body, Lateral View (Study ...
Undated | Graphite and red chalk on thin, slightly textured, cream wove paper; squared in graphite for transfer

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George Stubbs
Study of a Racehorse in Action- ...
171 | Graphite on paper

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George Stubbs
A Spaniel in a Landscape, 1771
1771 | oil on canvas

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George Stubbs
John and Sophia Musters riding a...
1777 | Oil on panel

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George Stubbs
A Comparative Anatomical Exposit...
1795 | Graphite on paper

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George Stubbs
 
Undated | oil on canvas

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George Stubbs
Dorsal view of the muscle struct...
1766 | pencil on paper

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George Stubbs
Fowl Skeleton, Lateral View (Fin...
Undated | Graphite on moderately thick, slightly textured, cream wove paper

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George Stubbs
Human Skeleton, Lateral View See...
Undated | Graphite on cream, thin, smooth, wove paper

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George Stubbs
 
Undated | Graphite on moderately thick, slightly textured, cream wove paper

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George Stubbs
A Repose After Shooting
Undated | oil on canvas

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George Stubbs
Two Gentlemen Shooting
Undated | oil on canvas

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George Stubbs
Greenland Falcon (Grey Falcon), ...
1780 | Oil on panel

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George Stubbs
Two Tigers, 1788
1788 | engraving

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George Stubbs
Cheetah and Stag with two Indian...
Undated | oil on canvas

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George Stubbs
 
Undated | Graphite on thick, slightly textured, cream wove paper

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George Stubbs
Una and the Lion (Isabella Salto...
1782 | enamel paint on ceramic plaque

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John Dixon
Tijgerin A Tigress (title on ob...
Undated | paper

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George Stubbs
Dorking Hen Body, Lateral View, ...
Undated | pen and ink, graphite and red chalk on paper

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George Stubbs
The Study of Muscles: Ecorche Dr...
1766 | pencil on paper

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George Stubbs
The Human Skeleton, lateral view...
Undated | graphite on paper

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George Stubbs
The Human Figure, lateral view, ...
Undated | graphite on paper

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George Stubbs
A Comparative Anatomical Exposit...
1795 | Ink on paper

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George Stubbs
Human Skeleton, Lateral View see...
Undated | graphite on thin wove paper

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George Stubbs
Human Figure, Posterior View (Ou...
Undated | Graphite on moderately thick, slightly textured, cream wove paper

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George Stubbs
Two Horses in a landscape
Undated | oil

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George Stubbs
Plate from The Anatomy of the Ho...
Undated | engraving

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George Stubbs
Mares and Foals Disturbed by an ...
Undated | oil on canvas

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George Stubbs
Melbourne and Milbanke Families,
Undated | oil on canvas

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George Stubbs
Human Figure, Posterior View (Ou...
Undated | Graphite on cream, thin, smooth, wove paper

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George Stubbs
Fowl: Lateral View, Deeply Disec...
Undated | graphite on paper

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George Stubbs
Monkey Standing, Anterior View (...
Undated | pen and ink over graphite on paper

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George Stubbs
 
435 | Watercolor on paper

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George Stubbs
A Comparative Anatomical Exposit...
1795 | Graphite on paper

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George Stubbs
Two Bay Hunters by a Tree, 1786
1786 | oil on canvas

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George Stubbs
A Comparative Anatomical Exposit...
1795 | Graphite on paper

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George Stubbs
Tiger: Lateral View, Partially D...
Undated | graphite on paper

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George Stubbs
A Comparative Anatomical Exposit...
1795 | Graphite on paper

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George Stubbs
A Comparative Anatomical Exposit...
1795 | Graphite on paper

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George Stubbs
White Poodle in a Punt, c.1780
1780 | oil on canvas

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George Stubbs
William Henry Cavendish Bentinck...
1766 | oil on canvas

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George Stubbs
Horse Frightened by a Lion, betw...
Undated | oil painting

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George Stubbs
Freeman, the Earl of Clarendon's...
Undated | oil painting

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George Stubbs

George Stubbs

  August 25, 1724
  July 10, 1806
   •   Genre painting   •   Wikipedia: George Stubbs

The English animal painter and draughtsman George Stubbs was born in Liverpool in 1724. His father worked as a leather tanner and leather merchant. So the boy came into contact with various animal products at an early age. At first he worked in his father's tannery until his death. But George was more and more attracted to a completely different occupation, painting and drawing. Therefore he wanted to be trained by a painter and engraver in these artistic fields. After some time, however, this seemed to be insufficient for George and he left the instructor.

George Stubbs was firmly convinced that he could teach himself everything necessary with a lot of hard work and persistence. So he began to make portraits according to the wishes of his clients. Eventually, the 21-year-old decided to pursue specific anatomical studies. Anatomy fascinated him from childhood on. Perhaps this had its origins in the practical experience in his father's tannery. That's why George Stubbs left for York and studied at County Hospital for several years. Here he was able to devote himself to human anatomy and gain a lot of experience for painting. In the course of the next few years he was even able to work as a lecturer for human and animal anatomy in York due to his outstanding achievements. Several published scientific books bear witness to his extensive knowledge in the field of anatomy. George Stubbs made the plates for his books himself, as he also had the necessary knowledge as an engraver. The animal painter was not afraid to dissect horses for slaughter in a rented barn in Horkstow in order to examine their anatomy thoroughly. This finally enabled him to create the truly lifelike horse paintings.

In the noble circles of the time, George Stubbs was known for his precise drawings of animals, especially horses. The orders of his well-heeled customers ensured him a very good income. The special thing about his paintings is that he did not simply depict the animals in a simple pose, but drew them in detail with their peculiarities and often in a sequence of movements. George Stubbs painted not only noble horses, but also dogs, oxen, fighting bulls and lions, always matching the surrounding landscape. George Stubbs became very famous as an animal painter, especially through the "painting of a rising horse" at a parade ("Whistlejacket"). He created this painting in 1760, commissioned by the Prime Minister Charles Watson-Wentworth.

George Stubbs

George Stubbs
  August 25, 1724
  July 10, 1806
   •   Genre painting   •   Wikipedia: George Stubbs

The English animal painter and draughtsman George Stubbs was born in Liverpool in 1724. His father worked as a leather tanner and leather merchant. So the boy came into contact with various animal products at an early age. At first he worked in his father's tannery until his death. But George was more and more attracted to a completely different occupation, painting and drawing. Therefore he wanted to be trained by a painter and engraver in these artistic fields. After some time, however, this seemed to be insufficient for George and he left the instructor.

George Stubbs was firmly convinced that he could teach himself everything necessary with a lot of hard work and persistence. So he began to make portraits according to the wishes of his clients. Eventually, the 21-year-old decided to pursue specific anatomical studies. Anatomy fascinated him from childhood on. Perhaps this had its origins in the practical experience in his father's tannery. That's why George Stubbs left for York and studied at County Hospital for several years. Here he was able to devote himself to human anatomy and gain a lot of experience for painting. In the course of the next few years he was even able to work as a lecturer for human and animal anatomy in York due to his outstanding achievements. Several published scientific books bear witness to his extensive knowledge in the field of anatomy. George Stubbs made the plates for his books himself, as he also had the necessary knowledge as an engraver. The animal painter was not afraid to dissect horses for slaughter in a rented barn in Horkstow in order to examine their anatomy thoroughly. This finally enabled him to create the truly lifelike horse paintings.

In the noble circles of the time, George Stubbs was known for his precise drawings of animals, especially horses. The orders of his well-heeled customers ensured him a very good income. The special thing about his paintings is that he did not simply depict the animals in a simple pose, but drew them in detail with their peculiarities and often in a sequence of movements. George Stubbs painted not only noble horses, but also dogs, oxen, fighting bulls and lions, always matching the surrounding landscape. George Stubbs became very famous as an animal painter, especially through the "painting of a rising horse" at a parade ("Whistlejacket"). He created this painting in 1760, commissioned by the Prime Minister Charles Watson-Wentworth.





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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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