Feel the passion of Rose Maynard Barton in our art prints.

Our art reproductions bring moments of comfort directly into your home.


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Österreichische Kunstmanufaktur

Feel the passion of Rose Maynard Barton in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Rose Maynard Barton
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of Rose Maynard Barton

These artworks are particularly popular with our customers.

Parks Place, Knightsbridge, Lond...
1916 | pencil, watercolour and bodycolour

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Grandad's Garden
Undated | Watercolor on paper

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In the Row, Out of Season,
Undated | pencil and watercolour with touches of white heightening

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Undated | colour lithograph

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The most popular works of Rose Maynard Barton

These artworks are particularly popular with our customers.

1916 | pencil, watercolour and bodycolour

Choose picture

Undated | Watercolor on paper

Choose picture

Undated | pencil and watercolour with touches of white heightening

Choose picture


Discover more artworks by Rose Maynard Barton

Discover more artworks by Rose Maynard Barton

116 artworks found
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Rose Maynard Barton
 
1894 |

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Rose Maynard Barton
Flower Girls in the Strand, 1892
1892 | watercolour heightened with white on paper

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
A Street in London,
Undated | pencil and watercolour heightened with white

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | watercolour on paper

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Rose Maynard Barton
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Rose Maynard Barton
The Row in the morning
Undated | watercolour on paper

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Rose Maynard Barton
Daffodils and Wallflowers in a G...
1890 | watercolour

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
Her King, 1924
1924 | watercolour on paper

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Rose Maynard Barton
The Last Lamp, Thames Embankment...
1892 | watercolour heightened with white on paper

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
Brompton Road, looking East
Undated | colour lithograph

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Rose Maynard Barton
Catching the Tram in Nassau Stre...
Undated | watercolour

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
Piccadilly, 1894
1894 | Pencil and watercolour on paper

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Rose Maynard Barton
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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
1896 | watercolour and bodycolour on paper

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
Who is it
Undated | colour lithograph

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Rose Maynard Barton
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Rose Maynard Barton
The Royal Exchange, 1894 (wc on ...
1894 | watercolour on paper

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Rose Maynard Barton
Peonies in a Blue Vase, 1899
1899 | watercolour

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
Fleet Street, 1892
1892 | watercolour heightened with white on paper

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Rose Maynard Barton
Unbekanntes Bild
1925 |

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Rose Maynard Barton
 
Undated | watercolour on paper

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Rose Maynard Barton
Piccadilly in June (watercolour)
Undated | watercolour

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
The Haycart Approaches (watercolor)
Undated | watercolour heightened with gouache on paper

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Rose Maynard Barton
 
Undated | watercolour

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
Drinking - Fountain in St James'...
Undated | colour lithograph

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Rose Maynard Barton
Emanuel Hospital, Westminster, 1...
1892 | watercolour on paper

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Rose Maynard Barton
Parliament Street, 1892
1892 | watercolour heightened with white on paper

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated |

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Rose Maynard Barton
Children on the Embankment (wate...
Undated | watercolour

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
Hyde Park: Waiting for Royalty (...
Undated | watercolour on paper

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Rose Maynard Barton
Victoria Embankment (watercolour)
Undated | watercolour

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
Child with White Cap
Undated | watercolour on paper

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Rose Maynard Barton
Grosvenor Place on a wet day
Undated | watercolour on paper

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
A Rest in Rotten Row, 1892
1892 | watercolour heightened with white on paper

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
Piccadilly in June, 1892 (wc)
1892 | watercolour

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Rose Maynard Barton
 
Undated | watercolour on paper

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
In the Row, Out of Season (water...
Undated | watercolour with bodycolour

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Rose Maynard Barton
 
Undated | watercolour

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Rose Maynard Barton
The Guards Marching near St Jame...
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | colour lithograph

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Rose Maynard Barton
 
Undated | watercolour and bodycolour

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Rose Maynard Barton
Choose picture


Rose Maynard Barton
 
Undated | watercolour

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Rose Maynard Barton
 
Undated | watercolour

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Rose Maynard Barton
 
Undated | watercolour

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Rose Maynard Barton

  April 21, 1856
  1929
   •   Illustration   •   Wikipedia: Rose Maynard Barton

The 19th century brought highs and lows to Ireland. Probably the greatest human catastrophe came over the island with the potato blight. The rural population was deprived of all means of livelihood and those who were very lucky found a place on a ship sailing to a better world. The Irish population left behind suffered the after effects of the famine for a long time. The few Irish artists had retreated to the mainland. European painters were drawn to France. There, the Impressionists had discovered open-air painting and there was a growing desire on the art scene to explore the technique. Young artists rarely stayed on the island. Artistic training was only feasible for members of the Irish upper classes and consequently these were difficult times for young women who aspired to artistic careers.

Rose Mary Barton was born in Dublin. The daughter of an advocate, she enjoyed the benefits of a private education. Together with her sister and cousin, she intensified her artistic skills in Brussels. Rose Mary Barton became friends with the artist Mildred Anne Butler and the women formed an intimate circle. Rose devoted herself to painting in watercolour. Landscapes and the particular sub-form of cityscapes were among the artist's favorite subjects. The artist chose her food points deliberately and found her home and sphere of activity in the urban life of Dublin and London. When the haze and fog drifted through the streets in atmospheric moods, Rose began to apply delicate watercolours. The artist had a talent for capturing the damp atmosphere of the London fog. She illuminated the scenes with the glimmer, often just glimpsed, of streetlights. Barton makes her viewers feel the wetness they perceive on the shiny streets. A high degree of authenticity in the city portraits, with their hidden gardens and lively street scenes, led to their use as illustrations to provide pictorial support for the city portrait.

Little is known art historically about the woman behind the artist. Rose loved horse racing and betting on who would win. She was politically liberal and committed to social issues. After her artistic training ended, her friend Mildred Anne Butler withdrew into family life. Few points of contact remained between the two women. Barton became a member of the Society of Women Artists. An association of artists dedicated to mentoring and promoting women in the arts. The 19th century image of women saw women in a passive role. A woman's ability to paint a picture led to controversy in the British art scene. Expectations of representational ability were much higher for a female artist than for her male counterparts, creating a high pressure to perform. As a community of active women artists, this supported women to find their place in the visual arts.

Rose Maynard Barton

  April 21, 1856
  1929
   •   Illustration   •   Wikipedia: Rose Maynard Barton

The 19th century brought highs and lows to Ireland. Probably the greatest human catastrophe came over the island with the potato blight. The rural population was deprived of all means of livelihood and those who were very lucky found a place on a ship sailing to a better world. The Irish population left behind suffered the after effects of the famine for a long time. The few Irish artists had retreated to the mainland. European painters were drawn to France. There, the Impressionists had discovered open-air painting and there was a growing desire on the art scene to explore the technique. Young artists rarely stayed on the island. Artistic training was only feasible for members of the Irish upper classes and consequently these were difficult times for young women who aspired to artistic careers.

Rose Mary Barton was born in Dublin. The daughter of an advocate, she enjoyed the benefits of a private education. Together with her sister and cousin, she intensified her artistic skills in Brussels. Rose Mary Barton became friends with the artist Mildred Anne Butler and the women formed an intimate circle. Rose devoted herself to painting in watercolour. Landscapes and the particular sub-form of cityscapes were among the artist's favorite subjects. The artist chose her food points deliberately and found her home and sphere of activity in the urban life of Dublin and London. When the haze and fog drifted through the streets in atmospheric moods, Rose began to apply delicate watercolours. The artist had a talent for capturing the damp atmosphere of the London fog. She illuminated the scenes with the glimmer, often just glimpsed, of streetlights. Barton makes her viewers feel the wetness they perceive on the shiny streets. A high degree of authenticity in the city portraits, with their hidden gardens and lively street scenes, led to their use as illustrations to provide pictorial support for the city portrait.

Little is known art historically about the woman behind the artist. Rose loved horse racing and betting on who would win. She was politically liberal and committed to social issues. After her artistic training ended, her friend Mildred Anne Butler withdrew into family life. Few points of contact remained between the two women. Barton became a member of the Society of Women Artists. An association of artists dedicated to mentoring and promoting women in the arts. The 19th century image of women saw women in a passive role. A woman's ability to paint a picture led to controversy in the British art scene. Expectations of representational ability were much higher for a female artist than for her male counterparts, creating a high pressure to perform. As a community of active women artists, this supported women to find their place in the visual arts.





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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
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