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Österreichische Kunstmanufaktur

Feel the passion of William Hooker in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
William Hooker
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available

William Hooker

  1779
  1832
   •   Illustration   •   Wikipedia: William Hooker

In retrospect, it is a story of confusion and mistaken identity. Almost at the same time and in the same place lived two botanists named William Hooker, both famous, both unrelated. One, Sir William Jackson Hooker, lived from 1785 to 1865 and was director of the world-famous and now World Heritage Royal Botanic Garden in London's Kew district. Like most botanists of his time, he was able to explain and depict plants pictorially, but he became famous for shaping the botanic gardens at Kew into what they are today. The other William Hooker lived from 1779 to 1832 - and he is the subject of this article. He became world famous as a natural history illustrator of plants and fruits. Only: On the Internet and also in the "old" media, his great works of art are usually attributed to the noble namesake and Kew director, both are referred to as "William Hooker" and their life dates are usually also colorfully mixed up.

The importance of natural history illustrations can hardly be underestimated: They show functions and structure of (human) body parts, plants and animals. At a time when there was no photography, electron microscope photos or computer graphics, prints, drawings and watercolors were the only way to illustrate the interrelationships of nature. Often the lithographs were hand-colored. So at that time it was not so much about decorative illustration, the illustrations required profound knowledge of natural history and the best illustrators were considered great artists and scientists. The illustrators were therefore usually naturalists or botanists themselves, experts in dissection, preparation and analysis of the objects to be depicted.

Hooker was a student of Franz Bauer (1758-1840), an Austrian botanist and one of the greatest illustrators of his time, who spent the last decades of his life at Kew. William Hooker became the official illustrator of the Royal Horticultural Society and illustrated The Paradisus Londinensis (sometimes called Colored Figures of Plants Cultivated in the Vicinity of the Metropolis), published between 1805 and 1807, with 117 illustrations of new exotic plants found in London and the surrounding area. Probably best known are Hooker's fruit illustrations ("Pomona Londinensis," produced between 1816 and 1818). A selection of them were, and still are, published as "Hooker's Finest Fruits", earning him the reputation of being one of the greatest "pomological artists of all time". The images are so "real" - you almost want to bite into the fruit. Or as the eminent British botanist William Stearne, who died in 2001, described it: The illustrations are "possibly the finest illustrations of fruits ever published, so lifelike and appetising that one almost feels that they could be picked off the plate." Incidentally, William Hooker even gave his name to a particular shade of green: Hooker's Green, a dark, deep green. And to honor him, a genus of plants was named after him: the genus Hookera. Sir William Jackson Hooker, who was elevated to the peerage, gave his name to the mosses of the genus Hookeriales.

William Hooker

  1779
  1832
   •   Illustration   •   Wikipedia: William Hooker

In retrospect, it is a story of confusion and mistaken identity. Almost at the same time and in the same place lived two botanists named William Hooker, both famous, both unrelated. One, Sir William Jackson Hooker, lived from 1785 to 1865 and was director of the world-famous and now World Heritage Royal Botanic Garden in London's Kew district. Like most botanists of his time, he was able to explain and depict plants pictorially, but he became famous for shaping the botanic gardens at Kew into what they are today. The other William Hooker lived from 1779 to 1832 - and he is the subject of this article. He became world famous as a natural history illustrator of plants and fruits. Only: On the Internet and also in the "old" media, his great works of art are usually attributed to the noble namesake and Kew director, both are referred to as "William Hooker" and their life dates are usually also colorfully mixed up.

The importance of natural history illustrations can hardly be underestimated: They show functions and structure of (human) body parts, plants and animals. At a time when there was no photography, electron microscope photos or computer graphics, prints, drawings and watercolors were the only way to illustrate the interrelationships of nature. Often the lithographs were hand-colored. So at that time it was not so much about decorative illustration, the illustrations required profound knowledge of natural history and the best illustrators were considered great artists and scientists. The illustrators were therefore usually naturalists or botanists themselves, experts in dissection, preparation and analysis of the objects to be depicted.

Hooker was a student of Franz Bauer (1758-1840), an Austrian botanist and one of the greatest illustrators of his time, who spent the last decades of his life at Kew. William Hooker became the official illustrator of the Royal Horticultural Society and illustrated The Paradisus Londinensis (sometimes called Colored Figures of Plants Cultivated in the Vicinity of the Metropolis), published between 1805 and 1807, with 117 illustrations of new exotic plants found in London and the surrounding area. Probably best known are Hooker's fruit illustrations ("Pomona Londinensis," produced between 1816 and 1818). A selection of them were, and still are, published as "Hooker's Finest Fruits", earning him the reputation of being one of the greatest "pomological artists of all time". The images are so "real" - you almost want to bite into the fruit. Or as the eminent British botanist William Stearne, who died in 2001, described it: The illustrations are "possibly the finest illustrations of fruits ever published, so lifelike and appetising that one almost feels that they could be picked off the plate." Incidentally, William Hooker even gave his name to a particular shade of green: Hooker's Green, a dark, deep green. And to honor him, a genus of plants was named after him: the genus Hookera. Sir William Jackson Hooker, who was elevated to the peerage, gave his name to the mosses of the genus Hookeriales.





The most popular works of William Hooker

These artworks are particularly popular with our customers.

The D'Auch Pear, 1817
1817 | watercolour on paper

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The Kerry Pippin, from "Pomona L...
1818 | coloured aquatint and stipple plate

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La Royale Plum, 1815
1815 | watercolour on paper

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The Dutch Codlin, 1820
1820 | watercolour on paper

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The most popular works of William Hooker

These artworks are particularly popular with our customers.

1817 | watercolour on paper

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1818 | coloured aquatint and stipple plate

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1815 | watercolour on paper

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1820 | watercolour on paper

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Discover more artworks by William Hooker

Discover more artworks by William Hooker

32 artworks found
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William Hooker
Wilmot's Early Violet Plum
Undated | watercolour on paper

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William Hooker
The Trumpington Apple, 1819
1819 | watercolour on paper

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William Hooker
Map of the City of New York [as ...
1885 | black ink, with hand-colouring, on paper

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William Hooker
The Beauty of Kent, 1819
1819 | watercolour on paper

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William Hooker
Purple Gooseberry
Undated | watercolour on paper

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William Hooker
The Loquat
Undated | watercolour on paper

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William Hooker
The Poonah Grape, 1820
1820 | watercolour on paper

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William Hooker
Wilmot's Cocks-Comb Scarlet Stra...
1820 | watercolour on paper

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William Hooker
The Romana Melon, 1818
1818 | watercolour on paper

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William Hooker
The Tartarian Crab Apple, 1819
1819 | watercolour on paper

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William Hooker
Nectarine: Neals Early Purple
Undated | coloured engraving

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William Hooker
Plan of the City of New-York [as...
1817 | black ink on paper, backed with cloth

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William Hooker
The Scarlet Beurree Pear, 1819
1819 | watercolour on paper

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William Hooker
Primula Sinensis, 1821-1826
1821 | hand-coloured engraving

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William Hooker
 
Undated |

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William Hooker
The Pear-Shaped Service Crab App...
1820 | watercolour on paper

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William Hooker
The Dutch Medlar, 1816
1816 | watercolour on paper

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William Hooker
The May Duke Cherry, 1815
1815 | watercolour on paper

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William Hooker
The New York Washington Plum, 1821
1821 | watercolour on paper

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William Hooker
Green Gooseberry, 1815
1815 | watercolour on paper

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William Hooker
The Galande Peach (colour lithog...
Undated | colour lithograph

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William Hooker
The Cob Nut, 1816
1816 | watercolour on paper

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William Hooker
The Conudray Nectarine, 1820
1820 | watercolour on paper

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William Hooker
Cypress Leaf and Nuts
Undated | watercolour on paper

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William Hooker
The Chaumontelle Pear, 1818
1818 | watercolour on paper

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William Hooker
The Damsha Marrow
Undated | watercolour on paper

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William Hooker
Rhododendron Wightii, from Rhodo...
Undated | colour lithograph

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William Hooker
Palm tree
Undated | print

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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

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Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
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        support@meisterdrucke.com
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