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Feel the passion of William Huggins in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

Discover artworks now!
William Huggins
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Museum Quality Art Prints
Individual Customization Options
William Huggins

William Huggins

    May 1820   -   February 25, 1884
Nonclassified artists   •   Wikipedia: William Huggins

William Huggins (1820-1884) was a British painter. The subject of his works of art were mainly animals. He owned a large number of pets. Huggins was born in Liverpool. He made his first attempts at drawing at the Liverpool Institute High School for Boys, where he won an art prize at the age of 15 with his painting Adam's Vision of the Death of Abel. The painting was subsequently exhibited at the Liverpool Academy of Arts. He then spent a lot of time at the Liverpool Zoo, Liverpool Zoological Gardens and Wombwell's Travelling Menagerie to study animals and then paint them. His work has often been compared to that of George Stubbs and Huggins readily admitted his influence. However, when he was compared to the painter Edwin Landseer, Huggins felt insulted. Stubbs and Landseer were both known for their animal paintings.

Huggins never traveled to faraway lands to see animals. Instead, he studied them in publications, travelling circuses and animal shows. Although his depictions of animals were praised, this circumstance meant that his background did not correspond to the natural environment of the animals. Huggins had never seen them in the wild. In particular, his use of colour stands out and has been widely praised. His use of glazes was due to his contact with the pre-Raphaelites. Besides exotic animals, he also drew horses, cattle and domestic fowl. The art historian Rupert Maas reports about Huggins that he was an eccentric personality who preferred the company of his domestic fowl to the company of humans. In 1845 he added literary themes to his repertoire, such as "The Faerie Queen" by Edmund Spenser. In 1846 his painting "Androcies and the lion" was exhibited at the Royal Academy of Arts. Up to the 70s he exhibited here repeatedly, but never became a full member of the Royal Academy. In the year 1861 he moved to his brother Samuel in Chester. Here he mainly painted buildings. His brother Chester was an author about arquitecture. Chester Huggins supported the restoration of Chester Cathedral, which William painted. After William Huggins moved to Betws-y-Coed in 1876, he mainly painted landscapes. In 1884 he died in the village of Christleton near Chester in Cheshire.

William Huggins

    May 1820   -   February 25, 1884
Nonclassified artists   •   Wikipedia: William Huggins William Huggins

William Huggins (1820-1884) was a British painter. The subject of his works of art were mainly animals. He owned a large number of pets. Huggins was born in Liverpool. He made his first attempts at drawing at the Liverpool Institute High School for Boys, where he won an art prize at the age of 15 with his painting Adam's Vision of the Death of Abel. The painting was subsequently exhibited at the Liverpool Academy of Arts. He then spent a lot of time at the Liverpool Zoo, Liverpool Zoological Gardens and Wombwell's Travelling Menagerie to study animals and then paint them. His work has often been compared to that of George Stubbs and Huggins readily admitted his influence. However, when he was compared to the painter Edwin Landseer, Huggins felt insulted. Stubbs and Landseer were both known for their animal paintings.

Huggins never traveled to faraway lands to see animals. Instead, he studied them in publications, travelling circuses and animal shows. Although his depictions of animals were praised, this circumstance meant that his background did not correspond to the natural environment of the animals. Huggins had never seen them in the wild. In particular, his use of colour stands out and has been widely praised. His use of glazes was due to his contact with the pre-Raphaelites. Besides exotic animals, he also drew horses, cattle and domestic fowl. The art historian Rupert Maas reports about Huggins that he was an eccentric personality who preferred the company of his domestic fowl to the company of humans. In 1845 he added literary themes to his repertoire, such as "The Faerie Queen" by Edmund Spenser. In 1846 his painting "Androcies and the lion" was exhibited at the Royal Academy of Arts. Up to the 70s he exhibited here repeatedly, but never became a full member of the Royal Academy. In the year 1861 he moved to his brother Samuel in Chester. Here he mainly painted buildings. His brother Chester was an author about arquitecture. Chester Huggins supported the restoration of Chester Cathedral, which William painted. After William Huggins moved to Betws-y-Coed in 1876, he mainly painted landscapes. In 1884 he died in the village of Christleton near Chester in Cheshire.

Artworks by William Huggins

Artworks by William Huggins

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50 artworks found

William Huggins
A Sleeping Tiger, 1876 (pencil u...
1876 | pencil and chalk on paper

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William Huggins
Self Portrait aged 38 with Chick...
Undated | oil on canvas

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William Huggins
 
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William Huggins
 
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William Huggins
A Lion, 1840
1840 | oil on wood

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William Huggins
Lion
Undated | oil on canvas

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William Huggins
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William Huggins
 
Undated | oil on canvas

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William Huggins
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William Huggins
 
Undated | oil on board

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William Huggins
 
Undated | oil on board

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William Huggins
 
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William Huggins
Portrait of a woman, seated, sai...
Undated | oil on canvas

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William Huggins
 
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William Huggins
Watermill at Rossett, North Wales
Undated | oil on board

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William Huggins
Bird Aviary, 1871
1871 | Oil on cardboard

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William Huggins
A Head Study of a Tortoiseshell ...
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William Huggins
A Pair of Leopards, 1845
1845 | oil on canvas

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William Huggins
Barn Door Fowl (Rhode Island Red...
1860 | Oil on cardboard

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William Huggins
 
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William Huggins
 
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William Huggins
Study of a Tortoiseshell Cat
Undated | Oil on cardboard

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William Huggins
 
Undated | oil on canvas

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William Huggins
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William Huggins
 
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William Huggins
 
Undated | oil on canvas

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William Huggins
Study of a Lion, 1879 (chalk on ...
1879 | chalk on paper

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William Huggins
Tigers (oil on board)
Undated | oil on board

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William Huggins
Old Friends
Undated | engraving

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William Huggins
Study of a Lion, 1879 (chalk on ...
1879 | chalk on paper

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William Huggins
 
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William Huggins
 
1853 | oil on canvas

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William Huggins
 
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William Huggins
 
Undated | charcoal and sanguine on paper

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William Huggins
The Drinking Place, 1878
1874 | oil on canvas

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William Huggins
 
Undated | oil on canvas

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William Huggins
 
Undated | oil on millboard

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William Huggins
 
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William Huggins
 
Undated | oil on board

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William Huggins
Turkeys (oil on board)
Undated | oil on board

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William Huggins
 
Undated | oil on board

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William Huggins
Unbekanntes Bild
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William Huggins
 
Undated | chalk on paper

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William Huggins
Tabby Cat, 1874 (pencil, crayon ...
1874 | pencil, crayon and charcoal on paper

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William Huggins
 
Undated | coloured chalks on paper

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William Huggins
 
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William Huggins
A cockerel and hens
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William Huggins
 
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William Huggins
 
Undated | pastel and watercolour on paper

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William Huggins
Foreign Airs and Native Graces, ...
1860 | oil on board

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William Huggins
 
Undated | watercolour on paper

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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